This composer rewrote the Gloria of one mass after reusing the melody of a contredanse from the final love duet of an earlier similarly-titled oratorio. A dark trumpet fanfare introduces the Kyrie (“KEE-ree-ay”) of a mass by this composer (-5[1])titled for “troubled times.” A soft pizzicato (10[1])note in one of this composer’s oratorios precedes a fortissimo C major chord (10[2])on the word “light.” (10[2])In a bass aria, this composer used a piccolo to depict a plowman whistling by quoting a melody from one of his symphonies consisting of the eighth notes [read slowly] “C, C, E, E, G, G, long E.” This composer of the oratorios The Seasons and The Creation wrote many masses while he was the Kapellmeister for the (-5[1])Esterházy family. For 10 points, (10[1])name this “father of the string quartet” who (10[1])also wrote the “Farewell” and “Surprise” (10[2]0[1])symphonies. ■END■