This composer rewrote the Gloria of one mass after reusing the melody of a contredanse from the final love duet of an earlier similarly-titled oratorio. A dark trumpet fanfare introduces the Kyrie (-5[1])(“KEE-ree-ay”) of a mass by this composer titled for “troubled times.” (10[2]-5[1])A (10[1])soft (10[1]-5[1])pizzicato (10[2])note (10[1])in one of this composer’s oratorios precedes a fortissimo C (10[3])major chord (10[2])on the word “light.” (10[4]-5[2])In (-5[1])a (10[1])bass (10[1]-5[2])aria, (10[2])this composer used a piccolo to depict a plowman whistling (10[1])by quoting a melody (-5[1])from one of his symphonies consisting of the eighth (10[1])notes [read (10[1])slowly] (10[1])“C, C, (10[4])E, E, (10[2])G, (10[1])G, (10[3])long E.” This composer of the oratorios (-5[1])The Seasons and (10[1]-5[1])The Creation wrote (10[2])many masses while he was (10[1])the Kapellmeister for (10[2]-5[1])the (-5[1])Esterházy family. For 10 (10[1])points, name (10[1])this “father of the (10[1])string quartet” who also (10[1])wrote (10[2])the “Farewell” (-5[1])and (10[2])“Surprise” (10[8]0[2])symphonies. ■END■