This composer rewrote the Gloria of one mass after reusing the melody of a contredanse from the final love duet of an earlier similarly-titled oratorio. A dark trumpet fanfare introduces the Kyrie (“KEE-ree-ay”) of a mass by this composer (-5[1])titled for “troubled times.” (10[3]-5[1])A (10[1])soft (10[1]-5[1])pizzicato (10[3])note (10[1])in one of this composer’s oratorios precedes a fortissimo C (10[2])major chord (10[4])on the word “light.” (10[7]-5[2])In (-5[1])a (10[1])bass (10[1]-5[2])aria, (10[2])this composer used a piccolo to depict a plowman whistling (10[1])by quoting a melody (-5[1])from one of his symphonies consisting of the eighth notes [read slowly] (10[1])“C, (10[1])C, (10[3])E, E, (10[2])G, (10[1])G, (10[4])long E.” This composer of the oratorios The Seasons and (-5[1])The Creation (10[1])wrote (10[2])many masses while he was (10[1])the Kapellmeister for the (10[1]-5[2])Esterházy family. For 10 points, (10[1])name this “father of the (10[2])string quartet” who (10[1])also (10[1])wrote (10[1])the “Farewell” (-5[1])and (10[2])“Surprise” (10[10]0[3])symphonies. ■END■