A project commissioned by this family is analyzed at length as a “double paradox” of congestion and space in Rem Koolhaas’s “retroactive manifesto” Delirious New York. Brasilia’s open spaces inspired a member of this family to order an unpopular complex of five International Style towers and an egg-shaped theater. Wallace Harrison’s designs for this family include a Robert Moses-era travertine venue with a facade of five tall arches. Paul Manship’s bronze Prometheus sits in an Art Deco complex (-5[1])built by (10[1])this family with rooftop green spaces like the Garden of the Nations. Members of this family financed the building of the Lincoln Center (10[1])and a skyscraper once decorated with Diego (-5[1])Rivera’s mural Man (10[1])at the Crossroads. (10[1])For 10 points, NBC is based (10[1])in number (10[1])30 at what family’s (10[1])“center?” (10[1])■END■ (10[2])