A project commissioned by this family is analyzed at length as a “double paradox” of congestion and space in Rem Koolhaas’s “retroactive manifesto” Delirious New York. Brasilia’s open spaces inspired a member of this family to order an unpopular complex of five (10[1])International Style towers and an egg-shaped theater. (10[2])Wallace Harrison’s designs for this family (-5[1])include a Robert Moses-era travertine venue with a facade of five (10[1])tall arches. Paul Manship’s bronze Prometheus (10[1]-5[1])sits in an Art Deco (10[2])complex (10[6]-5[1])built (10[1])by (10[2])this (10[1])family (10[2]-5[1])with (10[1])rooftop (10[1])green (10[1])spaces (10[2])like the Garden (10[1])of the Nations. (-5[2])Members of this family financed the building of the Lincoln Center (10[1]-5[1])and a skyscraper (10[1])once decorated with Diego (-5[2])Rivera’s (10[1])mural (10[3])Man (10[3])at (10[1])the Crossroads. (10[5]-5[2])For 10 points, NBC is based (10[2])in number (10[3])30 at what (10[1])family’s (10[3])“center?” (10[3])■END■ (10[11])