A project commissioned by this family is analyzed at length as a “double paradox” of congestion and space in Rem Koolhaas’s “retroactive manifesto” Delirious New York. Brasilia’s open spaces inspired a member of this family to order an unpopular complex of five International Style towers and an egg-shaped theater. (10[2])Wallace Harrison’s designs for this family (-5[1])include a Robert Moses-era travertine venue with (10[1])a facade of five tall arches. Paul Manship’s bronze Prometheus (10[1])sits in an Art Deco (10[1])complex (10[5]-5[1])built by (10[1])this (10[1])family (10[1]-5[1])with rooftop (10[1])green (10[1])spaces (10[2])like the Garden (10[1])of the Nations. (10[1]-5[2])Members of this family financed the building of the Lincoln Center (10[1]-5[1])and a skyscraper once decorated with Diego (-5[2])Rivera’s mural (10[2])Man (10[3])at (10[1])the Crossroads. (10[4]-5[2])For 10 points, NBC is based (10[1])in number (10[2])30 at what family’s (10[2])“center?” (10[2])■END■ (10[9])