Timothy Jackson asserted that the outline of this symphony’s slow woodwind opening, which rises from E to G, then F-sharp to A, represents a cruciform. The last movement of this symphony uses a composite melody in the violins of [read slowly] long F-sharp, E, D, dotted C-sharp, B, C-sharp, while the third movement is simultaneously in 4/4 and 12/8. Traditionally, the audience claps between the third and fourth movements of this symphony. This B (10[1])minor symphony was (10[1])conducted by its composer less than a month before his death, possibly (-5[1])from cholera. This symphony’s allegro (-5[1])con grazia second movement is a 5/4 “limping waltz.” For 10 points, name (10[1])this final symphony by the composer of the (10[1])1812 (10[2]0[1])Overture. ■END■