Timothy Jackson asserted that the outline of this symphony’s slow woodwind opening, which rises from E to G, then F-sharp to A, represents a cruciform. The last movement of this symphony uses a composite melody in the violins of (10[1])[read slowly] (10[1])long F-sharp, (10[1])E, D, (10[1])dotted C-sharp, B, (10[1])C-sharp, while the third movement is simultaneously (10[1])in 4/4 (10[1])and 12/8. Traditionally, the audience claps between the (-5[1])third and (10[2]-5[2])fourth movements of (10[3])this symphony. This (-5[1])B (10[2])minor symphony was (10[1])conducted by its (10[1])composer (10[1])less than (10[1])a month before (10[2])his (10[2]-5[1])death, (-5[2])possibly (10[2]-5[1])from cholera. (10[2])This symphony’s (10[1])allegro (10[1]-5[1])con (10[1])grazia second movement is (10[2])a (10[2])5/4 (10[13]-5[5])“limping (10[1])waltz.” (10[1])For (10[2]-5[1])10 (10[1])points, (10[1])name (10[2])this final (-5[1])symphony by the composer (10[1])of (10[2])the (10[3])1812 (10[27]0[55])Overture. ■END■