Timothy Jackson asserted that the outline of this symphony’s slow woodwind opening, which rises from E to G, then F-sharp to A, represents a cruciform. The last movement of this symphony uses a composite melody in the violins of [read slowly] long F-sharp, E, D, dotted C-sharp, B, C-sharp, while the third movement is simultaneously in 4/4 and 12/8. Traditionally, the audience claps between the third and (-5[1])fourth movements of (10[1])this symphony. This (-5[1])B minor symphony was conducted by its composer less than a month before (10[1])his (-5[1])death, possibly from cholera. This symphony’s allegro con grazia second movement is a 5/4 (10[1])“limping waltz.” For (-5[1])10 points, name this final symphony by the composer of (10[1])the 1812 (10[6]0[7])Overture. ■END■