Timothy Jackson asserted that the outline of this symphony’s slow woodwind opening, which rises from E to G, then F-sharp to A, represents a cruciform. The last movement of this symphony uses a composite melody in the violins of [read slowly] long F-sharp, E, D, dotted C-sharp, B, C-sharp, while the third movement is simultaneously (10[1])in 4/4 and 12/8. Traditionally, the audience claps between the third and fourth movements of this symphony. This B minor symphony was conducted by its (10[1])composer (10[1])less than a month before his death, possibly from cholera. (10[1])This symphony’s allegro con (10[1])grazia second movement is a 5/4 (10[1]-5[1])“limping waltz.” For 10 points, name this final symphony by the composer of the 1812 (10[2]0[10])Overture. ■END■