Over an ascending octave motif in the strings, the rustic second movement of this symphony opens with the woodwind theme “pickup E, A (pause) high C-sharp, low E, A.” In contrast to Beethoven’s “Pastoral” Symphony, this symphony repeatedly evokes the sound of a cuckoo with a falling perfect fourth. This symphony opens in a tempo (10[1])marked “slowly, dragging” as strings softly play the note A stretched over seven octaves. This symphony’s cyclical structure incorporates themes from a deleted slow movement (10[1])titled (10[1])“Blumine.” Klezmer music is evoked in the inner sections of this “Wunderhorn” (10[1])symphony’s third movement, which opens with a minor-key version of “Frère Jacques” (10[1])for (-5[1])solo double bass. For 10 (10[1])points, name this symphony by Gustav Mahler that chronologically precedes his “Resurrection” (0[1])Symphony. (0[1])■END■