Over an ascending octave motif in the strings, the rustic second movement of this symphony opens with the woodwind theme “pickup E, A (pause) high C-sharp, low E, A.” In contrast to Beethoven’s “Pastoral” Symphony, this symphony repeatedly evokes the sound of a cuckoo with a falling perfect (10[1])fourth. This symphony opens in a tempo marked “slowly, dragging” as strings softly play the note A stretched over seven (10[1])octaves. This (10[1])symphony’s cyclical structure incorporates themes from a deleted slow movement titled (-5[1])“Blumine.” Klezmer music is evoked in the inner sections of this “Wunderhorn” symphony’s third movement, which opens with a minor-key version of “Frère Jacques” for solo double bass. For 10 points, name this symphony by Gustav Mahler that chronologically precedes his (10[1])“Resurrection” Symphony. (0[1])■END■