An artist added a lone one of these animals to a painting he copied from Paul van Ryssel’s etching of Jacob Jordaens’s print Five Studies of Cows. These animals form a circle in a Pietà-inspired painting housed at the National Gallery of Victoria by August Friedrich (15[2])Schenck. (-5[2])These animals (15[1])are depicted in a 1890 Hiroshige-inspired (-5[1])landscape in the rain created on a double-square canvas. John Berger’s Ways of Seeing (-5[1])incorrectly (15[1])cites an artwork depicting these animals as its artist’s (*) last, (10[2])though more (-5[1])likely that distinction (10[1])goes to a painting (10[1])of gnarled (10[1])tree roots near the Auberge (-5[1])Ravoux (-5[1])(“ooh-BAIR-juh rah-VOO”). Like (10[2])its artist’s earlier The Church at Auvers (“ooh-VAIR”), that painting (10[1])of these animals features a similar motif of diverging paths by depicting (10[1])brown (10[1])and green dirt roads stretching into a stormy horizon. (10[1])For 10 points, what animals appear above a wheatfield (10[2]-5[1])in one of Vincent van Gogh’s final (10[2])paintings? (10[1])■END■ (10[3]0[3])