An artist added a lone one of these animals to a painting he copied from Paul van Ryssel’s etching of Jacob Jordaens’s print Five Studies of Cows. These animals form a circle in a Pietà-inspired painting housed at the National Gallery of Victoria by August Friedrich Schenck. These animals are depicted in a 1890 Hiroshige-inspired landscape in the rain created on a double-square canvas. John Berger’s Ways of Seeing incorrectly cites an artwork depicting these animals as its artist’s (*) last, though more likely that distinction goes to a painting of gnarled tree roots near the Auberge Ravoux (-5[1])(“ooh-BAIR-juh rah-VOO”). Like (10[1])its artist’s earlier The Church at Auvers (“ooh-VAIR”), that painting of these animals features a similar motif of diverging paths by depicting brown and green dirt roads stretching into a stormy horizon. (10[1])For 10 points, what animals appear above a wheatfield in one of Vincent van Gogh’s final (10[1])paintings? ■END■ (10[2]0[1])