This genre and the ricercar were among Claudio Merulo’s significant innovations to transition keyboard music away from imitation of vocal styles. A composer’s note at (15[1])the end of a piece in this genre reads “not without toil will (15[1])you reach the end,” which was included in the (-5[1])second of two books (-5[1])of these non-partita pieces by Girolamo Frescobaldi. (15[1])A piece in this genre (15[1])unusually (15[1])scored (15[1])for trumpets opens Monteverdi’s opera (*) L’Orfeo. A mordent on A (10[1]-5[1])followed by a (10[1])descending D minor scale opens an (10[1])organ piece (10[1])in this genre (10[1])that was (10[1])arranged for (10[1])orchestra by Leopold Stokowski to open Disney’s Fantasia. (10[2]-5[2])For 10 points, (10[1]-5[1])name this (-5[1])genre whose name derives (-5[1])from the Italian (10[1])for “touch” (10[2])and is paired (10[1])with (10[1])a fugue (10[3])in a famous (10[2])D (10[1])minor piece (10[2])by Bach. ■END■ (10[2])