The fast section of one of these pieces is dominated by a staccato sixteenth note melody, first played piano and then in frenzied octaves, which begins (-5[1])[read slowly] “F G A B-flat C B-flat A B-flat C, C.” Franz Doppler orchestrated (-5[1])six of these pieces. (15[1])These pieces (-5[1])often use a harmonic minor (15[2])scale (15[1])with a raised fourth, such as in a late one based on a march that also appears in Berlioz’s (*) Damnation of Faust. Marc-André Hamelin wrote a (-5[1])celebrated cadenza for the second of these pieces, which opens with a “gracenote C-sharp, (10[1])C-sharp,” followed by (10[1])“C-sharp – B, C-sharp – (10[1])B.” Tom plays the second of these pieces in the Tom and (10[1])Jerry (10[1])episode (10[1])The Cat Concerto. (10[2])These pieces are (10[1])divided into (10[1])slow lassan and fast friska (10[1])sections. (10[3])For (10[1])10 points, dances like the verbunkos and (10[1]0[1])csárdás (“CHAR-dahsh”) inspired what set of 19 virtuosic piano pieces by Franz Liszt? ■END■ (10[3]0[3])