This piece’s fourth movement contrasts a D-flat major chorale with a triplet “inferno” theme to represent heaven and hell. This piece opens by establishing a two-note “nature theme” of descending fourths beginning with A–E, which is interrupted by an “awakening call” (15[1]-5[1])from the clarinets before muted (-5[1])offstage trumpets enter with a (15[1])fanfare. (-5[1])The end of this (-5[1])piece’s fourth movement calls for the French horns to (15[1])stand and “drown (15[1])out” the orchestra “including the trumpets.” This piece’s (*) “Blumine” movement was removed after (-5[1])its third (-5[1])performance (10[1])in (10[3]-5[1])1894. (10[1])This (10[1])piece’s third movement, which (10[1])the composer described (10[2])as a (10[1])“tragic (10[2])irony,” mimics a klezmer band in its second (10[1])section (-5[1])after its opening funeral march (10[1])quotes “Frère Jacques” (10[1])in D minor. (10[1])For 10 (-5[1])points, name this (10[2])symphony by Gustav Mahler that precedes (10[1])his “Resurrection” (10[2])Symphony. (0[2])■END■ (10[2]0[8])