This piece’s fourth movement contrasts a D-flat major chorale with a triplet “inferno” theme to represent heaven and hell. This piece opens by establishing a two-note “nature theme” of descending fourths beginning with A–E, which is interrupted by an “awakening call” from the clarinets before muted offstage trumpets enter with a fanfare. The (15[1]-5[1])end of this piece’s fourth movement calls for the French horns to stand and “drown out” the orchestra “including the trumpets.” This piece’s (*) “Blumine” (10[1])movement was removed after its third (10[1])performance in 1894. This piece’s third movement, which the composer described as a “tragic irony,” mimics a klezmer band in its second section after its opening funeral march quotes “Frère Jacques” in D minor. For 10 points, name this symphony by Gustav Mahler that precedes his “Resurrection” Symphony. ■END■ (0[2])