A piece by this composer opens with the left hand playing a grace note C up to a whole note C, before the right hand picks up with the rising sixteenths “G-C-D-E.” In an (15[1])early, heavily pentatonic piece by this composer, the key shifts from E major to A major at the start of a rubato middle section that opens with the notes “E, D, E, C-sharp,” a melody that is (15[1])later restated forte and transposed into C major. An F – (-5[1])A-flat third that is (15[3])then repeated an octave higher opens a piano piece by this (-5[1])composer (10[1])in (15[1])9/8 (“nine-eight”) that is followed by a (10[1])(*) “Passepied.” (“pass-pee-AY”) A stilted rendition of (10[1]-5[1])the Tristan (-5[1])chord (-5[1])appears in the (-5[1])final piece of a suite that this composer (10[2])dedicated to his (10[1])daughter (10[1])Chou-Chou; that piece (10[1])is “Golliwogg’s (10[1])Cakewalk.” A Paul (10[1])Verlaine (10[3]0[1])poem inspired a piece in this composer’s Suite (10[1])Bergamasque. For 10 points, name this composer of Children’s Corner and Clair de Lune. (10[3])■END■