A piece by this composer opens with the left hand playing a grace note C up to a whole note C, before the right hand picks up with the rising sixteenths “G-C-D-E.” In an early, heavily pentatonic piece by this composer, the key shifts from E major to A major at the start of a rubato middle section that opens "E, D, E, C-sharp," a melody that is later restated forte and transposed into C major. An F – A-flat third that is then repeated an octave higher opens a piano piece by this composer in 9/8 (“nine-eight”) that is followed by a (*) “Passepied.” (“pass-pee-AY”) A stilted rendition (-5[1])of the Tristan chord appears in the final piece of a (15[1])suite (15[1])by this composer dedicated (15[1])to his daughter (15[2])Chou-Chou; that piece is “Golliwogg’s Cakewalk.” A (15[1])Paul Verlaine poem inspired a piece in this (10[2])composer’s Suite (10[1])Bergamasque. (10[1])For 10 points, name this composer of Children’s (10[1])Corner and Clair de (10[1]-5[1])Lune. ■END■