A piece by this composer opens with the left hand playing a grace note C up to a whole note C, before the right hand picks up with the rising sixteenths “G-C-D-E.” (15[1])In an (15[1])early, heavily pentatonic piece by this composer, the key shifts from E major to A major at the start of a rubato middle section that opens with the notes “E, D, E, C-sharp,” a melody that is later restated forte and transposed into C major. An F – (-5[1])A-flat third that is (15[1])then repeated an (15[1])octave higher opens a piano piece by this (15[1])composer in (15[1])9/8 (“nine-eight”) that is followed by a (10[2])(*) “Passepied.” (“pass-pee-AY”) A stilted rendition of the Tristan chord (-5[1])appears in the final piece of a suite that this composer (10[1])dedicated to his daughter (10[1])Chou-Chou; that (10[1])piece (10[1])is (10[1])“Golliwogg’s (10[3])Cakewalk.” A (10[1])Paul Verlaine (10[1])poem inspired a piece in this composer’s Suite Bergamasque. For 10 points, name this composer of Children’s Corner and Clair de Lune. (10[7])■END■