In a play titled for one of these objects, Zhào Wǔniáng carries one of them and a portrait as she searches for her husband Cai Yong; that play by Yuan dramatist Gao Ming is titled “The Story of” one of these objects. The title poet carries one of these objects into battle instead of a weapon in Zeami’s play Atsumori. A female demon becomes trapped inside a huge one of these objects in the Noh play Dōjōji. Blind itinerant “priests” named for and carrying a type of these objects recited The Tale of the Heike. Seated users of these objects appear with standing storytellers in Korean pansori. (10[1])In (10[1])performances of works like Farewell My Concubine, the voices (-5[1])of actors are mirrored by users of these objects, which include the erhu. For 10 points, (10[1])kabuki theater is accompanied by performers on what objects such as the (-5[1])shamisen? (10[1])■END■ (10[2]0[1])