In a play titled for one of these objects, Zhào Wǔniáng carries one of them and a portrait as she searches for her husband Cai Yong; that play by Yuan dramatist Gao Ming is titled “The Story of” one of these objects. The title poet carries one of these objects into battle instead of a weapon in Zeami’s play Atsumori. A female (10[1]-5[1])demon (-5[1])becomes (10[1])trapped (-5[1])inside a huge one of these objects (-5[1])in the Noh (10[1])play Dōjōji. (10[1]-5[2])Blind (10[1])itinerant (-5[1])“priests” named for and carrying a type of these objects recited The Tale of the Heike. (10[1])Seated users (10[1])of these objects (10[1])appear with standing storytellers in (-5[1])Korean pansori. (10[5]-5[1])In (10[1])performances (10[2])of works (10[1])like (10[1])Farewell My Concubine, (10[1])the voices (-5[1])of actors (10[1])are mirrored (-5[1])by users (-5[2])of these objects, (10[3]-5[4])which (-5[1])include the erhu. (10[2]-5[3])For 10 points, (10[5])kabuki (10[4])theater (-5[1])is accompanied (-5[2])by performers (-5[1])on what objects such as the (-5[1])shamisen? (10[2])■END■ (10[16]0[9])