A painting destroyed during World War II depicting this man was initially rejected due to depicting his beard ungroomed and feet dirty. A likely enslaved black servant peeks out at this turban-wearing man in a painting where he serves as a “pivot point” between the painting’s two halves. Cardinal Del Monte commissioned a series of paintings depicting this man, which included one in which he reaches towards an angel during his (*) execution. Juan de Pareja holds his signature (-5[1])in a painting titled for this man, based on a work that hangs alongside paintings of this man’s (-5[1])“Inspiration” (10[1])and “Martyrdom” (10[1])in Contarelli (10[1])Chapel. A ray of light shines down (10[1])on this man as he points (10[1])at himself (10[1])in that work. For 10 points, name this saint (10[1])whose “Calling” was depicted by Caravaggio. (10[2])■END■