A painting destroyed during World War II depicting this man was initially rejected due to depicting his beard ungroomed and feet dirty. A likely enslaved (15[1])black servant peeks out at this turban-wearing man in a painting where he serves as a “pivot point” between the painting’s two halves. Cardinal Del Monte (-5[1])commissioned a series of paintings depicting this man, which included one in which he reaches towards an angel during his (*) execution. (10[1]-5[1])Juan de Pareja (10[1])holds (10[1])his signature (-5[1])in a painting (10[1])titled (-5[1])for this (10[1])man, (-5[1])based on a work that (10[1])hangs alongside paintings of this man’s (-5[1])“Inspiration” (10[2])and “Martyrdom” (10[3]-5[1])in (10[1])Contarelli (10[1])Chapel. (10[2])A (10[1])ray of (10[1])light shines down (10[1])on this (10[1])man (10[1])as he points (10[1]-5[1])at (10[1])himself (10[2])in that (10[1])work. (-5[1])For 10 points, name this saint (10[1])whose “Calling” (10[4])was (10[1])depicted (10[1]-5[1])by (10[1])Caravaggio. (10[4])■END■ (10[7])