After meeting a group of these people, the narrator jumps up and uses an ivory paper cutter as a dagger and his umbrella as a scimitar. A character reasons that since these people only achieve art when they are perfect they must hew to convention, echoing the Coquelin school. In a book titled for this type of person, the ill-posing of the thought “I wish to be a misogynist” causes a failure to converge on a Super-Objective. Concepts like (15[1])The Unbroken (15[1])Line and (*) Emotion Memory appear in a book titled for one for these people, which ends with an exercise involving looking for a brooch. Building a Character (10[1])follows up on a book in which Kostya trains to be one of these people under Tortsov, who teaches examples from Woe from Wit. For 10 points, what sort of (-5[1])people are trained (10[1])via the Stanislavski (10[6])system? (10[2])■END■