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Tom Turpin’s Rosebud Bar was a center for players of this style, an early example of which is “The Bully Song.” Pieces in this style typically use 16-measure themes divided into four parts, and its “classic” school was centered on St. Louis. Interest in this style was revived following a 1970 album by Joshua Rifkin which included a piece that begins with the notes [read slowly] D, E, C, A, [pause] B, G played by both hands. Some pieces in this style were published as “two-steps.” Stride piano was a successor to this style, which is characterized by alternating bass notes and chords underneath syncopated melodies. For 10 points, name this music style exemplified by Scott Joplin pieces like The Entertainer. ■END■
| Player | Team | Opponent | Buzz Position | Value |
|---|---|---|---|---|
| Aidan Bernardo | Melbourne B | UF B | 102 | 10 |
| Alex Olson | UF D | UF E | 104 | 10 |
| Christopher Jenkins | UCF B | ERAU A | 113 | 10 |
| Aryan Pathak | UF C | USF | 113 | 10 |
| Anna Barker | UCF A | ERAU B | 114 | 10 |
| Mateo Acosta | FIU | UF A | 116 | 10 |
| Northern California | Main | Y | 5 | 100% | 0% | 0% | 64.00 |
| Southern California | Main | Y | 6 | 100% | 0% | 33% | 92.83 |
| Eastern Canada | Main | Y | 12 | 100% | 0% | 25% | 83.67 |
| Florida | Main | Y | 6 | 100% | 0% | 0% | 110.33 |
| Great Lakes | Main | Y | 7 | 100% | 0% | 43% | 108.00 |
| Lower Mid-Atlantic | Main | Y | 8 | 100% | 0% | 25% | 88.00 |
| Upper Mid-Atlantic (1) | Main | Y | 10 | 100% | 0% | 30% | 82.00 |
| Lower Midwest | Main | Y | 4 | 100% | 0% | 25% | 85.25 |
| Upper Midwest | Main | Y | 12 | 100% | 0% | 8% | 91.33 |
| Northeast | Main | Y | 12 | 92% | 0% | 17% | 83.91 |
| Northwest | Main | Y | 4 | 100% | 0% | 0% | 77.75 |
| UK | Main | Y | 3 | 100% | 0% | 33% | 88.33 |
| Upstate NY | Main | Y | 4 | 100% | 0% | 25% | 96.75 |