Tom Turpin’s Rosebud Bar was a center for players of this style, an early example of which is “The (10[1])Bully Song.” Pieces in this style typically use 16-measure themes divided into four parts, (-5[1])and its “classic” school was centered on St. Louis. (10[1]-5[4])Interest (10[1]-5[2])in this style (-5[1])was revived (10[1]-5[1])following (-5[2])a 1970 (10[1]-5[2])album (10[1]-5[1])by (10[2])Joshua Rifkin (10[4]-5[1])which included (10[1])a piece (10[1]-5[1])that begins (10[2])with the notes [read (10[2])slowly] D, (10[1])E, C, (10[1])A, (10[3])[pause] (10[1])B, G played (10[5]-5[1])by (10[2])both (10[3])hands. Some (10[1])pieces (10[3])in this (10[2])style (10[1])were (10[3])published as “two-steps.” Stride (10[1])piano (10[4]-5[1])was a successor (10[1])to this style, which is (10[1])characterized by alternating bass notes (10[1])and chords (10[2]-5[1])underneath syncopated (10[1])melodies. (10[2])For 10 points, name (10[1])this music (10[1])style (10[2])exemplified (10[11])by (10[2])Scott (10[1])Joplin (10[1])pieces (10[3])like (10[13])The Entertainer. ■END■