After an orchestral prelude, one of these performers has a solo in a section titled The Summer Wind’s Wild Hunt. A technique for these performers was pioneered in Engelbert Humperdinck’s Königskinder. (15[1])That technique for these performers was historically notated by placing a small cross on the note stems, or by omitting noteheads altogether. (-5[1])The Rosé Quartet was unusually joined by one of these performers to premiere a (*) serialist composer’s second string quartet. One of these performers is accompanied by eight cellos in the fifth Bachianas Brasileiras. Along with a namesake “ensemble” of five instruments, one of these performers in Pierrot Lunaire loosely plays pitches without sustaining in a style known as Sprechstimme. For 10 points, (10[1])name these performers employed by the Second Viennese school to recite poetry. ■END■ (10[1])