After an orchestral prelude, one of these performers has a solo in a section titled The Summer Wind’s Wild Hunt. A technique (15[1])for these performers was pioneered in Engelbert Humperdinck’s Königskinder. (15[1])That technique for these performers was historically notated by placing a small cross (15[1]-5[1])on the note stems, (15[1]-5[1])or by omitting (-5[1])noteheads (-5[1])altogether. (15[2]-5[3])The Rosé (-5[1])Quartet (15[1])was unusually (-5[1])joined by one of these (-5[1])performers to premiere a (*) serialist composer’s second string quartet. (10[1])One of these performers is accompanied (10[1])by eight cellos in the fifth (10[1])Bachianas (10[1])Brasileiras. (10[1]-5[2])Along with a namesake (-5[1])“ensemble” (-5[1])of five instruments, one of these performers (-5[1])in Pierrot Lunaire loosely plays pitches (10[1]-5[1])without sustaining (10[1])in a style (-5[1])known as Sprechstimme. (10[9])For 10 points, (10[3])name these performers (10[1])employed by the Second Viennese (10[1])school (10[1])to recite poetry. (10[3])■END■ (10[21]0[5])