A film by this director includes a theme for flute and tar meant to evoke “space frozen in a dynamic equilibrium.” That film by this director transitions from sepia into full color when a group of men arrive at a field (10[1])littered with abandoned military equipment. (-5[1])Another (10[1])film by this director includes a “levitation” scene in which the camera pans across Brueghel’s Hunters in the Snow, (10[1])a painting to which he returned in his autobiographical film Mirror. This director (10[1])adapted the Strugatsky brothers’ novel Roadside Picnic into a film about a professor and a writer (10[1])journeying into the “Zone.” In another film by this director, Kris Kelvin encounters his dead wife on a space station orbiting the title planet. For 10 points, name this Soviet director of Stalker and Solaris. (10[1])■END■ (10[1]0[2])