The coda to this symphony’s finale begins with an harmonium entrance on a massive C major climax, which is usually played on organ. The lento lugubre first movement of this symphony opens with a bass clarinet and (10[1])two bassoons playing the brooding unison fortissimo theme (-5[1])[read slowly] long E, B C D, A B C. (-5[1])The composer of this (10[1])symphony indicated that a bell should be placed in an adjacent room for its third movement pastorale, which begins with a siciliana and is punctuated by a three-note hunter’s call. Both Berlioz and (-5[1])Balakirev declined to write this symphony when they were sent its program, which Vladimir Stasov wrote after he watched a performance of Harold in Italy. The final movement of this symphony depicts an infernal orgy and contains (-5[1])a (-5[1])D-flat major theme (-5[1])depicting (-5[1])Astarte (“uh-star-tee”). For 10 points, name this “symphony in four scenes” based on a Lord Byron (10[1])poem, (10[1])composed by Pyotr (10[3])Tchaikovsky. (10[3])■END■ (10[7]0[2])