An essay by this author opens with the remark, “Learning to speak is learning to translate.” Over four days in a Paris basement in 1969, this (15[1])author worked with Jacques Roubaud, (15[2])Edoardo Sanguineti, and Charles Tomlinson to compose a quadrilingual set of renga. (15[2])In a translation, this author (15[1])used the less literal words “illuminates” and (15[1])“ascends” to better capture the spiritual meaning of a line (15[1])about sunlight shining onto (15[1])green moss. (15[1])This author (15[1])wrote the afterword to his friend’s study of (*) nineteen different (-5[1])translations (10[2])of the poem “Deer (10[1])Park” by Wang Wei. (10[1])That friend, Eliot Weinberger, (10[1])translated (10[1])the first (10[1]-5[1])and (10[1])last (10[1])lines of a poem by this author as, “a course (10[1])of (10[1])a river that turns, moves on, doubles back, and comes full circle,” and “a crystal willow, a (10[1])poplar of water.” For (10[1])10 (-5[1])points, name (-5[1])this (10[1]0[3])Mexican poet of “Sunstone.” (10[1])■END■ (10[2])