An intended painting of this visual subject was called “this painting that keeps haunting me” in a letter to (15[1])a friend whom the artist (15[1])met at Fernand Cormon’s atelier. This subject backgrounds (15[1])the Belgian (15[1])painter Eugene Boch, suggesting (15[1])his lofty (-5[1])aspirations, in a portrait titled The Poet. The presence of gas lamps led an artist (-5[1])to (15[1])add a “discreet paleness” to this (-5[1])title (-5[1])subject of an 1888 river landscape, as described (15[1])in a (10[1])letter to his (*) brother. This (15[1])subject appears (-5[1])to the right of a (10[1])yellow (10[1])awning in a painting titled (10[1])for (10[1])a “café (-5[1])terrace.” (10[2])Vertical yellow streaks (10[1]-5[1])of reflected light feature (10[1])in a painting (10[1])of this subject “over the (10[2])Rhône.” This (10[1])subject (10[2])was most notably painted from (10[1])the (0[2])window of a Post-Impressionist (-5[2])artist’s Saint-Rémy (-5[1])asylum. (10[1]-5[1])For 10 points, (10[1]-5[1])a lone cypress tree foregrounds what subject (10[1])in (10[1])the masterpiece (-5[1])of Vincent van (10[2]0[1])Gogh? ■END■ (10[7]0[1])