Renaissance paintings of Christ with this trait inspired a two-word Latin phrase coined by Leo Steinberg in a book partly titled for “Modern Oblivion.” Ten men with this title trait fight in front of dense vegetation in an engraving by the Florentine goldsmith Antonio del Pollaiuolo (“poll-eye-WO-lo”). John Berger wrote that one term for this trait is a state of being whereas a synonym is a conventionalized artistic construct, responding to a “Study (10[1])of Ideal Art” titled for a subject with this trait by Kenneth (10[1])Clark. Daniele (10[1])da Volterra removed depictions of this trait, earning the nickname Il Braghettone, in edits to Michelangelo’s Last Judgment made after the Council of Trent (10[1])condemned this trait’s depiction in religious art. For 10 points, Renaissance artists often avoided depicting what trait via the inclusion of fig leaves? ■END■ (10[1])