This photographer’s images of porch shadows in Connecticut, bowls, and a white fence demonstrate a shift from Pictorialism to “abstraction” and “straight photography.” For 10 points each:
[10h] Name this photographer who shot half of the documentary Manhatta. The same borough is the setting of this photographer’s best-known image, which depicts four huge windows above people walking in shadow.
ANSWER: Paul Strand (His best-known photograph is Wall Street.)
[10m] Strand’s interest in photography began when Lewis Hine took him to visit this gallery. Edward Steichen and Alfred Stieglitz co-founded this gallery, which is known by the three-digit number of its address on Fifth Avenue.
ANSWER: 291 [or Gallery 291; accept Photo-Secession Gallery or Little Galleries of the Photo-Secession]
[10e] Strand photographed an old widow surrounded by her five sons in this country. This country’s genre of neorealism influenced that photo, which Strand took on a trip with the screenwriter of its film Bicycle Thieves.
ANSWER: Italy [or Italia; or Italian Republic; or Repubblica Italiana]
<AP, Other Fine Arts>