A string quintet in this key features a duet between the viola and the violin in its Adagio ma non troppo movement. A pair of clarinets was added as a 1791 revision to a symphony in this key, whose third movement minuet opens up with a hemiola. Violins play soft Mannheim rockets in the finale of a symphony in this key in contrast to tutti chords on 5–1–5–1–5–1. Haydn’s Symphony No. 39 likely inspired a piece in this key, which includes a theme of [read slowly] “five syncopated (*) Gs, down (10[1])to five Ds, up (10[1])five E-flats, and down (10[1])to five F-sharps.” (10[1])Mozart’s Symphony No. 25 is described as the “Little” one of two symphonies in (-5[2])this key, the other of which preceded his “Jupiter” symphony. For (-5[1])10 points, name this key of a Mozart symphony nicknamed “Great,” a minor key with two (10[2]0[1])flats. ■END■