This essay lays out a dichotomy between internal, “public” evidence like “our habitual knowledge of the language” with external “private” evidence like “to what lady, while sitting on what lawn.” The third point in a numbered list within this essay claims that judging a poem “is like judging a pudding or a machine. (15[1])One demands that it work.” Found in The Verbal Icon, this essay observes that it’s impossible to determine whether (*) Donne’s (10[1])“Catch a Falling Star” (-5[1])influenced Eliot’s “Prufrock.” (10[1])Often read alongside its authors’ essay on an (-5[1])“affective” counterpart, this foundational text (10[2])of New Criticism asserts that “the design (-5[1])of the author is neither available nor desirable.” For 10 points, name this essay by William K. (-5[1])Wimsatt and Monroe Beardsley titled for the idea (10[1])that the aims of the author are irrelevant to literary interpretation. ■END■ (10[1]0[4])