The Adagio of this composer’s piano concerto begins with a 46-bar introduction for winds and brass whose melody is mostly carried by a muted trumpet and an oboe. That concerto was written during this composer’s seclusion at the Chautauqua Institution, and it begins with timpani playing “F, C, low F, high F.” A “rhapsodic ballet” by this composer calls for a trumpet with “felt crown” to play a solo beginning (read slowly) “long F (pause) G, F, down to B-flat, D-flat, C, B-flat, G, long F,” (10[1])which represents (*) homesickness. This composer featured the Charleston rhythm in (10[2])his piano concerto, which was the first piece that he orchestrated himself. Walter Damrosch commissioned this composer’s Concerto in (10[1])F and (10[2])a tone poem (10[1])in which he called for (10[2])four taxi horns. For 10 points, name this composer of An American (10[1])in Paris. ■END■