This character tells the story of a tax collector who uses robes and a mask to train a lap dog to love the Keeper of the Seals. Lionel Trilling’s Sincerity and Authenticity builds on the use of this character in Phenomenology of Spirit, in which he illustrates the self-estranged (-5[1])“disintegrated (-5[1])soul.” (15[1])This character froths at the mouth during his increasingly elaborate musical pantomimes, which start with a Locatelli sonata (-5[1])and climax with Jomelli’s Lamentations. In the last line, this character tells “Mister Philosopher” that “the man who’ll laugh last will laugh best” as he dashes off to the opera. (-5[1])This character mocks “wood-pushing” (*) chess players in the Café (10[1])de la Regence (-5[1])in a text in which his lines are marked with “Lui,” or “Him.” For 10 points, what cynical relative of a Baroque composer titles (10[2])a dialogue (10[2])by Denis (10[1])Diderot? ■END■ (10[1]0[2])