After its arrival in its current city, this artwork inspired Domenico Ghirlandaio to paint a compositionally similar scene, differing mainly in the addition of a procession at left passing through an arch on a cliffside path. A single shoe in this artwork’s middle foreground lies near a display of orange lilies, irises, and columbines (15[1])in front of a sheaf (15[1])of wheat. On this artwork’s right, a woman in white with her hair up holds a jar and stands next to a woman in red standing atop a (*) dragon. This artwork’s namesake, a Medici agent, appears as a kneeling patron on its left panel below St. Thomas and St. Anthony. In this artwork’s central panel, a trio of shepherds gestures toward a blue-robbed Mary and the baby Jesus strangely lying on the bare ground. For 10 points, what three-panel painting is the masterpiece of Hugo van der Goes? ■END■