According to Magister Gregorius, a version of this artwork once stood in the portico of the Lateran Palace, where it was positioned facing a ram in a fountain. Anna Maria Carruba revived August Emil Braun’s theory about this artwork involving lost-wax casting. (-5[1])Johann Winckelmann attributed this artwork to the sculptor Vulca (-5[1])and thought that damage on this artwork’s feet could have been (-5[1])from a lightning strike. Antonio del Pollaiuolo (“poh-lah-ee-OH-loh”) likely added the two small figures under the central arch of this artwork (-5[1])(*) hundreds of years after its original crafting circa 1100 CE. Long thought to be (10[1])Etruscan, this artwork’s main figure displays a woolly texture around its neck and four pairs (10[1]-5[1])of teats. (10[1])For 10 points, a hill (10[1])in Rome usually names (10[1]-5[1])what bronze sculpture of Romulus and Remus suckling at a legendary (10[1])creature? (10[1])■END■ (10[3]0[2])