This film uses a sudden dissonant chord and fades to white when a torn photograph of a boy is revealed under a hand, and again to cut off the words “I haven’t.” This film ends with a camera crew filming one of its two central characters boarding a bus to leave a sea cottage. An image from this film (15[1])inspired the cover art and title of a 1990 book on decadence by Camille Paglia. This film opens with a montage that includes a sheep being butchered, a nail hammered into a hand, (15[1])and a (*) boy waking up and touching a projected image (-5[1])of a woman. In this film, the mute (10[1])actress Elisabet and her nurse Alma are played by its director’s frequent collaborators Bibi (10[1])Andersson and Liv Ullmann, whose faces are superimposed into one image. (10[1])For 10 points, name this psychological film about the merging of two women, directed by Ingmar Bergman. ■END■ (10[3]0[1])