Descending oboe half-notes open a Franz Xaver Süssmayr (“ZUSS-mayer”) symphony titled for this country. After a key change to the parallel A minor, the soloist in the third movement of a violin concerto nicknamed for this country plays fast sixteenth-note melodies punctuated by basses playing col legno (“len-yo”). A movement titled for this country opens with the pickup sixteenth notes [read slowly] B (10[1])A G-sharp A, then (10[1])long (10[1])C. Pedals that imitate drums and bells were added to some late 18th-century pianos to emulate this country’s music. A criticism mistranslated as “too many notes” was given to a Singspiel (“ZING-shpeel”) set in this country, The Abduction (10[1])from the Seraglio. Mozart’s Eleventh Piano Sonata ends with a third movement rondo evoking the music (10[2])of (10[1])this country. For 10 (10[1])points, name this country that Classical-era composers evoked by imitating its (10[1])Janissary (10[1])bands. ■END■