Question

Answer the following about visual sovereignty, the process by which Indigenous filmmakers reclaim their identity in media, for 10 points each.
[10e] Lily Gladstone translated scenes into Osage (“OH-sayj”) and helped to restructure this 2023 Martin Scorsese epic to avoid telling a “white-savior” narrative.
ANSWER: Killers of the Flower Moon
[10m] Jennifer McMahon noted how Brady Jandreau subverted stereotypes in his portrayal of a traumatized rodeo star in this director’s film The Rider. This Chinese-American director’s other Western-like films include Nomadland.
ANSWER: Chloé Zhao [or Zhào Tíng]
[10h] Michelle Raheja (“ruh-HAY-juh”) examined visual sovereignty in an essay titled for Nanook of the North and this 2001 Canadian film by Zacharias Kunuk that adapted an Inuit legend of a man who flees naked over the ice from a rival chieftain.
ANSWER: Atanarjuat: The Fast Runner [accept “Reading Nanook’s Smile: Visual Sovereignty, Indigenous Revisions of Ethnography, and Atanarjuat (The Fast Runner)”]
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Summary

Data

UNC C (UG)GWU B (Grad)1010020
UNC A (Grad)JMU A (UG)1010020
Liberty A (Grad)JMU B (UG)100010
GWU A (UG)Liberty C (DII)1010020
Maryland A (Grad)Duke A (UG)1010020
Maryland B (UG)Liberty B (DII)0000
Maryland C (DII)UNC D (DII)1010020
Virginia B (UG)UNC B (UG)1010020
Roanoke College A (DII)Virginia C (UG)100010
Virginia A (UG)William & Mary A (UG)10101030