Edward Elgar and Amy Beach’s pieces in this genre make up a 2020 Hyperion recording featuring Garrick Ohlsson. The last movement of Robert Schumann’s only piece in this genre begins with a sforzando C minor chord (-5[1])before unusually introducing the first theme in G minor. Antonín Dvořák (“DVOR-jahk”) destroyed the manuscript of his first numbered (-5[1])piece in this genre, (10[1])and then published a rewrite of it as his second piece in this genre. (-5[2])Like his string sextet, that A-major Dvořák piece (-5[1])in this genre (10[2])has back-to-back dumka and furiant movements. (10[1]-5[4])The second (-5[1])movement of Robert Schumann’s 1842 piece in this genre (-5[1])is a rondo with a funeral march refrain. Schubert’s only piece of this genre has an A-major arpeggio (-5[1])motif that ascends two octaves (-5[1])in triplets, and includes a theme and variations based on one of his Lieder (-5[2])(“LEED-ur”). For 10 (-5[1])points, name this genre (10[1])of a Schubert piece nicknamed “Trout.” ■END■ (10[10]0[8])