Question
Bridget Riley often used these objects in her work, and was featured in a MoMA exhibition titled The Responsive Eye. For 10 points each:
[10e] Name these visual phenomena that M.C. Escher used to depict impossible staircases called the Penrose steps. The art of these visual phenomena purposefully tricks the viewer to perceive different or multiple images.
ANSWER: optical illusions [or visual illusions; accept optical art or op art; prompt on illusions]
[10m] Prior to her work in op art, Bridget Riley was heavily influenced by this French artist of Bathers at Asnières (“ay-nee-AIRS”). Riley imitated the pointillist technique of this painter, who depicted parasol-wielding Parisians in one work.
ANSWER: Georges Seurat [or Georges Pierre Seurat]
[10h] Riley depicted 12 rows of these objects in a painting titled for their movement. A Suprematist artist known for painting a famous black one of these objects depicted one of them in front of a white background in White on White.
ANSWER: squares [accept Movement in Squares; accept Black Square] (Unnamed artist is Kazimir Malevich.)
<Painting/Sculpture>
Summary
| 2024 ACF Fall at Ohio State | fall | Y | 9 | 20.00 | 100% | 56% | 44% |
| 2024 ACF Fall at Washington | fall | Y | 7 | 20.00 | 100% | 71% | 29% |
| 2024 ACF Fall at Georgia | fall | Y | 12 | 14.17 | 92% | 17% | 33% |
| 2024 ACF Fall at North Carolina | fall | Y | 8 | 18.75 | 100% | 63% | 25% |
| 2024 ACF Fall at Rutgers | fall | Y | 7 | 21.43 | 100% | 86% | 29% |
| 2024 ACF Fall at Illinois | fall | Y | 10 | 20.00 | 100% | 40% | 60% |
Data
| Rowan A (DII) | Bard A (UG) | 10 | 10 | 0 | 20 |
| Columbia A (UG) | Rutgers A (UG) | 10 | 10 | 0 | 20 |
| Maryland B (DII) | Lehigh A (UG) | 10 | 10 | 10 | 30 |
| Lehigh B (DII) | NYU B | 10 | 0 | 0 | 10 |
| Maryland A (DII) | Columbia J (DII) | 10 | 10 | 0 | 20 |
| Columbia B | Penn B (DII) | 10 | 10 | 10 | 30 |
| Rutgers B | Princeton A (UG) | 10 | 10 | 0 | 20 |