In one film, this director zooms in on a shot of pepto-bismol mixing into a glass of whisky. A wide shot of a man approaching from the distance on a winding snowy forest path cuts to the bloody remains of a man lying dead in a film (15[1])by this director, another of whose films uses a 220-degree VR lens to shoot fictional scenes of Abu Ghraib. This director has ended multiple films with a man and woman touching through prison glass, one of many nods to Robert (*) Bresson’s Pickpocket. This director, who takes studio-requested breaks from Facebook before releases, filmed a character who wraps himself in barbed wire before kissing a woman as the camera rotates around them at the end of another film. For 10 points, name this director of The Card Counter and First Reformed, who also wrote (10[1])Taxi Driver. ■END■ (0[2])