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| 1 | 1 | Literature - World | 3 | 20.00 | Brazil (Part 3) | 67% | Brás Cubas (Part 2) | 67% | Quincas (Part 1) | 67% |
| 1 | 1 | Literature - World | 3 | 0.00 | Brazil (Part 3) | 67% | Brás Cubas (Part 2) | 67% | Quincas (Part 4) | 0% |
| 1 | 1 | Literature - World | 3 | 0.00 | Brazil (Part 3) | 67% | Brás Cubas (Part 5) | 0% | Quincas (Part 1) | 67% |
| 1 | 1 | Literature - World | 3 | 0.00 | Brazil (Part 3) | 67% | Brás Cubas (Part 5) | 0% | Quincas (Part 4) | 0% |
| 1 | 1 | Literature - World | 0 | 0.00 | Brazil (Part 6) | 0% | Brás Cubas (Part 2) | 0% | Quincas (Part 1) | 0% |
| 1 | 1 | Literature - World | 0 | 0.00 | Brazil (Part 6) | 0% | Brás Cubas (Part 2) | 0% | Quincas (Part 4) | 0% |
| 1 | 1 | Literature - World | 0 | 0.00 | Brazil (Part 6) | 0% | Brás Cubas (Part 5) | 0% | Quincas (Part 1) | 0% |
| 1 | 1 | Literature - World | 0 | 0.00 | Brazil (Part 6) | 0% | Brás Cubas (Part 5) | 0% | Quincas (Part 4) | 0% |
| 1 | 2 | Philosophy | 3 | 13.33 | Gestalt (Part 2) | 33% | The Structure of Scientific Revolutions (Part 3) | 0% | incommensurable (Part 1) | 100% |
| 1 | 2 | Philosophy | 3 | 0.00 | Gestalt (Part 2) | 33% | The Structure of Scientific Revolutions (Part 3) | 0% | incommensurable (Part 4) | 0% |
| 1 | 2 | Philosophy | 3 | 0.00 | Gestalt (Part 2) | 33% | The Structure of Scientific Revolutions (Part 6) | 0% | incommensurable (Part 1) | 100% |
| 1 | 2 | Philosophy | 3 | 0.00 | Gestalt (Part 2) | 33% | The Structure of Scientific Revolutions (Part 6) | 0% | incommensurable (Part 4) | 0% |
| 1 | 2 | Philosophy | 0 | 0.00 | Gestalt (Part 5) | 0% | The Structure of Scientific Revolutions (Part 3) | 0% | incommensurable (Part 1) | 0% |
| 1 | 2 | Philosophy | 0 | 0.00 | Gestalt (Part 5) | 0% | The Structure of Scientific Revolutions (Part 3) | 0% | incommensurable (Part 4) | 0% |
| 1 | 2 | Philosophy | 0 | 0.00 | Gestalt (Part 5) | 0% | The Structure of Scientific Revolutions (Part 6) | 0% | incommensurable (Part 1) | 0% |
| 1 | 2 | Philosophy | 0 | 0.00 | Gestalt (Part 5) | 0% | The Structure of Scientific Revolutions (Part 6) | 0% | incommensurable (Part 4) | 0% |
| 1 | 3 | Literature - European | 3 | 20.00 | Yiddish (Part 1) | 0% | Singer (Part 2) | 100% | I. L. Peretz (Part 3) | 100% |
| 1 | 3 | Literature - European | 3 | 0.00 | Yiddish (Part 1) | 0% | Singer (Part 2) | 100% | I. L. Peretz (Part 6) | 0% |
| 1 | 3 | Literature - European | 3 | 0.00 | Yiddish (Part 1) | 0% | Singer (Part 5) | 0% | I. L. Peretz (Part 3) | 100% |
| 1 | 3 | Literature - European | 3 | 0.00 | Yiddish (Part 1) | 0% | Singer (Part 5) | 0% | I. L. Peretz (Part 6) | 0% |
| 1 | 3 | Literature - European | 0 | 0.00 | Yiddish (Part 4) | 0% | Singer (Part 2) | 0% | I. L. Peretz (Part 3) | 0% |
| 1 | 3 | Literature - European | 0 | 0.00 | Yiddish (Part 4) | 0% | Singer (Part 2) | 0% | I. L. Peretz (Part 6) | 0% |
| 1 | 3 | Literature - European | 0 | 0.00 | Yiddish (Part 4) | 0% | Singer (Part 5) | 0% | I. L. Peretz (Part 3) | 0% |
| 1 | 3 | Literature - European | 0 | 0.00 | Yiddish (Part 4) | 0% | Singer (Part 5) | 0% | I. L. Peretz (Part 6) | 0% |
| 1 | 4 | Science - Biology | 3 | 16.67 | zinc (Part 1) | 67% | oxalic acid (Part 3) | 0% | trypsin (Part 2) | 100% |
| 1 | 4 | Science - Biology | 3 | 0.00 | zinc (Part 1) | 67% | oxalic acid (Part 3) | 0% | trypsin (Part 5) | 0% |
| 1 | 4 | Science - Biology | 3 | 0.00 | zinc (Part 1) | 67% | oxalic acid (Part 6) | 0% | trypsin (Part 2) | 100% |
| 1 | 4 | Science - Biology | 3 | 0.00 | zinc (Part 1) | 67% | oxalic acid (Part 6) | 0% | trypsin (Part 5) | 0% |
| 1 | 4 | Science - Biology | 0 | 0.00 | zinc (Part 4) | 0% | oxalic acid (Part 3) | 0% | trypsin (Part 2) | 0% |
| 1 | 4 | Science - Biology | 0 | 0.00 | zinc (Part 4) | 0% | oxalic acid (Part 3) | 0% | trypsin (Part 5) | 0% |
| 1 | 4 | Science - Biology | 0 | 0.00 | zinc (Part 4) | 0% | oxalic acid (Part 6) | 0% | trypsin (Part 2) | 0% |
| 1 | 4 | Science - Biology | 0 | 0.00 | zinc (Part 4) | 0% | oxalic acid (Part 6) | 0% | trypsin (Part 5) | 0% |
| 1 | 5 | Fine Arts - Visual | 3 | 16.67 | Washington (Part 3) | 100% | John Trumbull (Part 2) | 67% | Corcoran School of the Arts and Design (Part 1) | 0% |
| 1 | 5 | Fine Arts - Visual | 3 | 0.00 | Washington (Part 3) | 100% | John Trumbull (Part 2) | 67% | Corcoran School of the Arts and Design (Part 4) | 0% |
| 1 | 5 | Fine Arts - Visual | 3 | 0.00 | Washington (Part 3) | 100% | John Trumbull (Part 5) | 0% | Corcoran School of the Arts and Design (Part 1) | 0% |
| 1 | 5 | Fine Arts - Visual | 3 | 0.00 | Washington (Part 3) | 100% | John Trumbull (Part 5) | 0% | Corcoran School of the Arts and Design (Part 4) | 0% |
| 1 | 5 | Fine Arts - Visual | 0 | 0.00 | Washington (Part 6) | 0% | John Trumbull (Part 2) | 0% | Corcoran School of the Arts and Design (Part 1) | 0% |
| 1 | 5 | Fine Arts - Visual | 0 | 0.00 | Washington (Part 6) | 0% | John Trumbull (Part 2) | 0% | Corcoran School of the Arts and Design (Part 4) | 0% |
| 1 | 5 | Fine Arts - Visual | 0 | 0.00 | Washington (Part 6) | 0% | John Trumbull (Part 5) | 0% | Corcoran School of the Arts and Design (Part 1) | 0% |
| 1 | 5 | Fine Arts - Visual | 0 | 0.00 | Washington (Part 6) | 0% | John Trumbull (Part 5) | 0% | Corcoran School of the Arts and Design (Part 4) | 0% |
| 1 | 6 | Science - Other | 3 | 13.33 | factorial (Part 3) | 100% | pi (Part 2) | 0% | error function (Part 1) | 33% |
| 1 | 6 | Science - Other | 3 | 0.00 | factorial (Part 3) | 100% | pi (Part 2) | 0% | error function (Part 4) | 0% |
| 1 | 6 | Science - Other | 3 | 0.00 | factorial (Part 3) | 100% | pi (Part 5) | 0% | error function (Part 1) | 33% |
| 1 | 6 | Science - Other | 3 | 0.00 | factorial (Part 3) | 100% | pi (Part 5) | 0% | error function (Part 4) | 0% |
| 1 | 6 | Science - Other | 0 | 0.00 | factorial (Part 6) | 0% | pi (Part 2) | 0% | error function (Part 1) | 0% |
| 1 | 6 | Science - Other | 0 | 0.00 | factorial (Part 6) | 0% | pi (Part 2) | 0% | error function (Part 4) | 0% |
| 1 | 6 | Science - Other | 0 | 0.00 | factorial (Part 6) | 0% | pi (Part 5) | 0% | error function (Part 1) | 0% |
| 1 | 6 | Science - Other | 0 | 0.00 | factorial (Part 6) | 0% | pi (Part 5) | 0% | error function (Part 4) | 0% |
| 1 | 7 | Fine Arts - Auditory | 3 | 13.33 | motets (Part 1) | 100% | Arcangelo Corelli (Part 3) | 0% | Magnificats (Part 2) | 33% |
| 1 | 7 | Fine Arts - Auditory | 3 | 0.00 | motets (Part 1) | 100% | Arcangelo Corelli (Part 3) | 0% | Magnificats (Part 5) | 0% |
| 1 | 7 | Fine Arts - Auditory | 3 | 0.00 | motets (Part 1) | 100% | Arcangelo Corelli (Part 6) | 0% | Magnificats (Part 2) | 33% |
| 1 | 7 | Fine Arts - Auditory | 3 | 0.00 | motets (Part 1) | 100% | Arcangelo Corelli (Part 6) | 0% | Magnificats (Part 5) | 0% |
| 1 | 7 | Fine Arts - Auditory | 0 | 0.00 | motets (Part 4) | 0% | Arcangelo Corelli (Part 3) | 0% | Magnificats (Part 2) | 0% |
| 1 | 7 | Fine Arts - Auditory | 0 | 0.00 | motets (Part 4) | 0% | Arcangelo Corelli (Part 3) | 0% | Magnificats (Part 5) | 0% |
| 1 | 7 | Fine Arts - Auditory | 0 | 0.00 | motets (Part 4) | 0% | Arcangelo Corelli (Part 6) | 0% | Magnificats (Part 2) | 0% |
| 1 | 7 | Fine Arts - Auditory | 0 | 0.00 | motets (Part 4) | 0% | Arcangelo Corelli (Part 6) | 0% | Magnificats (Part 5) | 0% |
| 1 | 8 | Religion | 3 | 10.00 | religious syncretism (Part 3) | 100% | laughing (Part 1) | 0% | the Three Vinegar Tasters (Part 2) | 0% |
| 1 | 8 | Religion | 3 | 0.00 | religious syncretism (Part 3) | 100% | laughing (Part 1) | 0% | the Three Vinegar Tasters (Part 5) | 0% |
| 1 | 8 | Religion | 3 | 0.00 | religious syncretism (Part 3) | 100% | laughing (Part 4) | 0% | the Three Vinegar Tasters (Part 2) | 0% |
| 1 | 8 | Religion | 3 | 0.00 | religious syncretism (Part 3) | 100% | laughing (Part 4) | 0% | the Three Vinegar Tasters (Part 5) | 0% |
| 1 | 8 | Religion | 0 | 0.00 | religious syncretism (Part 6) | 0% | laughing (Part 1) | 0% | the Three Vinegar Tasters (Part 2) | 0% |
| 1 | 8 | Religion | 0 | 0.00 | religious syncretism (Part 6) | 0% | laughing (Part 1) | 0% | the Three Vinegar Tasters (Part 5) | 0% |
| 1 | 8 | Religion | 0 | 0.00 | religious syncretism (Part 6) | 0% | laughing (Part 4) | 0% | the Three Vinegar Tasters (Part 2) | 0% |
| 1 | 8 | Religion | 0 | 0.00 | religious syncretism (Part 6) | 0% | laughing (Part 4) | 0% | the Three Vinegar Tasters (Part 5) | 0% |
| 1 | 9 | History - European | 3 | 16.67 | pottery (Part 2) | 67% | Genoa (Part 3) | 100% | Cairo Genizah (Part 1) | 0% |
| 1 | 9 | History - European | 3 | 0.00 | pottery (Part 2) | 67% | Genoa (Part 3) | 100% | Cairo Genizah (Part 4) | 0% |
| 1 | 9 | History - European | 3 | 0.00 | pottery (Part 2) | 67% | Genoa (Part 6) | 0% | Cairo Genizah (Part 1) | 0% |
| 1 | 9 | History - European | 3 | 0.00 | pottery (Part 2) | 67% | Genoa (Part 6) | 0% | Cairo Genizah (Part 4) | 0% |
| 1 | 9 | History - European | 0 | 0.00 | pottery (Part 5) | 0% | Genoa (Part 3) | 0% | Cairo Genizah (Part 1) | 0% |
| 1 | 9 | History - European | 0 | 0.00 | pottery (Part 5) | 0% | Genoa (Part 3) | 0% | Cairo Genizah (Part 4) | 0% |
| 1 | 9 | History - European | 0 | 0.00 | pottery (Part 5) | 0% | Genoa (Part 6) | 0% | Cairo Genizah (Part 1) | 0% |
| 1 | 9 | History - European | 0 | 0.00 | pottery (Part 5) | 0% | Genoa (Part 6) | 0% | Cairo Genizah (Part 4) | 0% |
| 1 | 10 | History - World | 3 | 3.33 | Gallipoli campaign (Part 3) | 0% | Senghor (Part 1) | 33% | Senegalese Tirailleurs (Part 2) | 0% |
| 1 | 10 | History - World | 3 | 0.00 | Gallipoli campaign (Part 3) | 0% | Senghor (Part 1) | 33% | Senegalese Tirailleurs (Part 5) | 0% |
| 1 | 10 | History - World | 3 | 0.00 | Gallipoli campaign (Part 3) | 0% | Senghor (Part 4) | 0% | Senegalese Tirailleurs (Part 2) | 0% |
| 1 | 10 | History - World | 3 | 0.00 | Gallipoli campaign (Part 3) | 0% | Senghor (Part 4) | 0% | Senegalese Tirailleurs (Part 5) | 0% |
| 1 | 10 | History - World | 0 | 0.00 | Gallipoli campaign (Part 6) | 0% | Senghor (Part 1) | 0% | Senegalese Tirailleurs (Part 2) | 0% |
| 1 | 10 | History - World | 0 | 0.00 | Gallipoli campaign (Part 6) | 0% | Senghor (Part 1) | 0% | Senegalese Tirailleurs (Part 5) | 0% |
| 1 | 10 | History - World | 0 | 0.00 | Gallipoli campaign (Part 6) | 0% | Senghor (Part 4) | 0% | Senegalese Tirailleurs (Part 2) | 0% |
| 1 | 10 | History - World | 0 | 0.00 | Gallipoli campaign (Part 6) | 0% | Senghor (Part 4) | 0% | Senegalese Tirailleurs (Part 5) | 0% |
| 1 | 11 | Social Science | 3 | 16.67 | Nash equilibria (Part 1) | 67% | Battle of the Sexes (Part 3) | 100% | burning money (Part 2) | 0% |
| 1 | 11 | Social Science | 3 | 0.00 | Nash equilibria (Part 1) | 67% | Battle of the Sexes (Part 3) | 100% | burning money (Part 5) | 0% |
| 1 | 11 | Social Science | 3 | 0.00 | Nash equilibria (Part 1) | 67% | Battle of the Sexes (Part 6) | 0% | burning money (Part 2) | 0% |
| 1 | 11 | Social Science | 3 | 0.00 | Nash equilibria (Part 1) | 67% | Battle of the Sexes (Part 6) | 0% | burning money (Part 5) | 0% |
| 1 | 11 | Social Science | 0 | 0.00 | Nash equilibria (Part 4) | 0% | Battle of the Sexes (Part 3) | 0% | burning money (Part 2) | 0% |
| 1 | 11 | Social Science | 0 | 0.00 | Nash equilibria (Part 4) | 0% | Battle of the Sexes (Part 3) | 0% | burning money (Part 5) | 0% |
| 1 | 11 | Social Science | 0 | 0.00 | Nash equilibria (Part 4) | 0% | Battle of the Sexes (Part 6) | 0% | burning money (Part 2) | 0% |
| 1 | 11 | Social Science | 0 | 0.00 | Nash equilibria (Part 4) | 0% | Battle of the Sexes (Part 6) | 0% | burning money (Part 5) | 0% |
| 1 | 12 | Mythology | 3 | 13.33 | Zoroastrianism (Part 1) | 100% | Angra Mainyu (Part 2) | 33% | worms (Part 3) | 0% |
| 1 | 12 | Mythology | 3 | 0.00 | Zoroastrianism (Part 1) | 100% | Angra Mainyu (Part 2) | 33% | worms (Part 6) | 0% |
| 1 | 12 | Mythology | 3 | 0.00 | Zoroastrianism (Part 1) | 100% | Angra Mainyu (Part 5) | 0% | worms (Part 3) | 0% |
| 1 | 12 | Mythology | 3 | 0.00 | Zoroastrianism (Part 1) | 100% | Angra Mainyu (Part 5) | 0% | worms (Part 6) | 0% |
| 1 | 12 | Mythology | 0 | 0.00 | Zoroastrianism (Part 4) | 0% | Angra Mainyu (Part 2) | 0% | worms (Part 3) | 0% |
| 1 | 12 | Mythology | 0 | 0.00 | Zoroastrianism (Part 4) | 0% | Angra Mainyu (Part 2) | 0% | worms (Part 6) | 0% |
| 1 | 12 | Mythology | 0 | 0.00 | Zoroastrianism (Part 4) | 0% | Angra Mainyu (Part 5) | 0% | worms (Part 3) | 0% |
| 1 | 12 | Mythology | 0 | 0.00 | Zoroastrianism (Part 4) | 0% | Angra Mainyu (Part 5) | 0% | worms (Part 6) | 0% |
| 1 | 13 | Literature - British | 3 | 10.00 | Joyce (Part 3) | 67% | Childe Harold (Part 1) | 0% | “I Am” (Part 2) | 33% |
| 1 | 13 | Literature - British | 3 | 0.00 | Joyce (Part 3) | 67% | Childe Harold (Part 1) | 0% | “I Am” (Part 5) | 0% |
| 1 | 13 | Literature - British | 3 | 0.00 | Joyce (Part 3) | 67% | Childe Harold (Part 4) | 0% | “I Am” (Part 2) | 33% |
| 1 | 13 | Literature - British | 3 | 0.00 | Joyce (Part 3) | 67% | Childe Harold (Part 4) | 0% | “I Am” (Part 5) | 0% |
| 1 | 13 | Literature - British | 0 | 0.00 | Joyce (Part 6) | 0% | Childe Harold (Part 1) | 0% | “I Am” (Part 2) | 0% |
| 1 | 13 | Literature - British | 0 | 0.00 | Joyce (Part 6) | 0% | Childe Harold (Part 1) | 0% | “I Am” (Part 5) | 0% |
| 1 | 13 | Literature - British | 0 | 0.00 | Joyce (Part 6) | 0% | Childe Harold (Part 4) | 0% | “I Am” (Part 2) | 0% |
| 1 | 13 | Literature - British | 0 | 0.00 | Joyce (Part 6) | 0% | Childe Harold (Part 4) | 0% | “I Am” (Part 5) | 0% |
| 1 | 14 | Fine Arts - Other | 3 | 13.33 | George Balanchine (Part 3) | 0% | Apollo (Part 2) | 33% | Alicia Alonso (Part 1) | 100% |
| 1 | 14 | Fine Arts - Other | 3 | 0.00 | George Balanchine (Part 3) | 0% | Apollo (Part 2) | 33% | Alicia Alonso (Part 4) | 0% |
| 1 | 14 | Fine Arts - Other | 3 | 0.00 | George Balanchine (Part 3) | 0% | Apollo (Part 5) | 0% | Alicia Alonso (Part 1) | 100% |
| 1 | 14 | Fine Arts - Other | 3 | 0.00 | George Balanchine (Part 3) | 0% | Apollo (Part 5) | 0% | Alicia Alonso (Part 4) | 0% |
| 1 | 14 | Fine Arts - Other | 0 | 0.00 | George Balanchine (Part 6) | 0% | Apollo (Part 2) | 0% | Alicia Alonso (Part 1) | 0% |
| 1 | 14 | Fine Arts - Other | 0 | 0.00 | George Balanchine (Part 6) | 0% | Apollo (Part 2) | 0% | Alicia Alonso (Part 4) | 0% |
| 1 | 14 | Fine Arts - Other | 0 | 0.00 | George Balanchine (Part 6) | 0% | Apollo (Part 5) | 0% | Alicia Alonso (Part 1) | 0% |
| 1 | 14 | Fine Arts - Other | 0 | 0.00 | George Balanchine (Part 6) | 0% | Apollo (Part 5) | 0% | Alicia Alonso (Part 4) | 0% |
| 1 | 15 | Science - Chemistry | 3 | 10.00 | click chemistry (Part 1) | 33% | azide (Part 2) | 0% | Carolyn Ruth Bertozzi (Part 3) | 67% |
| 1 | 15 | Science - Chemistry | 3 | 0.00 | click chemistry (Part 1) | 33% | azide (Part 2) | 0% | Carolyn Ruth Bertozzi (Part 6) | 0% |
| 1 | 15 | Science - Chemistry | 3 | 0.00 | click chemistry (Part 1) | 33% | azide (Part 5) | 0% | Carolyn Ruth Bertozzi (Part 3) | 67% |
| 1 | 15 | Science - Chemistry | 3 | 0.00 | click chemistry (Part 1) | 33% | azide (Part 5) | 0% | Carolyn Ruth Bertozzi (Part 6) | 0% |
| 1 | 15 | Science - Chemistry | 0 | 0.00 | click chemistry (Part 4) | 0% | azide (Part 2) | 0% | Carolyn Ruth Bertozzi (Part 3) | 0% |
| 1 | 15 | Science - Chemistry | 0 | 0.00 | click chemistry (Part 4) | 0% | azide (Part 2) | 0% | Carolyn Ruth Bertozzi (Part 6) | 0% |
| 1 | 15 | Science - Chemistry | 0 | 0.00 | click chemistry (Part 4) | 0% | azide (Part 5) | 0% | Carolyn Ruth Bertozzi (Part 3) | 0% |
| 1 | 15 | Science - Chemistry | 0 | 0.00 | click chemistry (Part 4) | 0% | azide (Part 5) | 0% | Carolyn Ruth Bertozzi (Part 6) | 0% |
| 1 | 16 | History - Other | 3 | 10.00 | Nova Scotia (Part 1) | 100% | Marcus Garvey (Part 2) | 0% | Viola Desmond (Part 3) | 0% |
| 1 | 16 | History - Other | 3 | 0.00 | Nova Scotia (Part 1) | 100% | Marcus Garvey (Part 2) | 0% | Viola Desmond (Part 6) | 0% |
| 1 | 16 | History - Other | 3 | 0.00 | Nova Scotia (Part 1) | 100% | Marcus Garvey (Part 5) | 0% | Viola Desmond (Part 3) | 0% |
| 1 | 16 | History - Other | 3 | 0.00 | Nova Scotia (Part 1) | 100% | Marcus Garvey (Part 5) | 0% | Viola Desmond (Part 6) | 0% |
| 1 | 16 | History - Other | 0 | 0.00 | Nova Scotia (Part 4) | 0% | Marcus Garvey (Part 2) | 0% | Viola Desmond (Part 3) | 0% |
| 1 | 16 | History - Other | 0 | 0.00 | Nova Scotia (Part 4) | 0% | Marcus Garvey (Part 2) | 0% | Viola Desmond (Part 6) | 0% |
| 1 | 16 | History - Other | 0 | 0.00 | Nova Scotia (Part 4) | 0% | Marcus Garvey (Part 5) | 0% | Viola Desmond (Part 3) | 0% |
| 1 | 16 | History - Other | 0 | 0.00 | Nova Scotia (Part 4) | 0% | Marcus Garvey (Part 5) | 0% | Viola Desmond (Part 6) | 0% |
| 1 | 17 | Pop Culture | 2 | 20.00 | Led Zeppelin (Part 1) | 50% | Alice (Part 2) | 100% | black dog (Part 3) | 50% |
| 1 | 17 | Pop Culture | 2 | 0.00 | Led Zeppelin (Part 1) | 50% | Alice (Part 2) | 100% | black dog (Part 6) | 0% |
| 1 | 17 | Pop Culture | 2 | 0.00 | Led Zeppelin (Part 1) | 50% | Alice (Part 5) | 0% | black dog (Part 3) | 50% |
| 1 | 17 | Pop Culture | 2 | 0.00 | Led Zeppelin (Part 1) | 50% | Alice (Part 5) | 0% | black dog (Part 6) | 0% |
| 1 | 17 | Pop Culture | 0 | 0.00 | Led Zeppelin (Part 4) | 0% | Alice (Part 2) | 0% | black dog (Part 3) | 0% |
| 1 | 17 | Pop Culture | 0 | 0.00 | Led Zeppelin (Part 4) | 0% | Alice (Part 2) | 0% | black dog (Part 6) | 0% |
| 1 | 17 | Pop Culture | 0 | 0.00 | Led Zeppelin (Part 4) | 0% | Alice (Part 5) | 0% | black dog (Part 3) | 0% |
| 1 | 17 | Pop Culture | 0 | 0.00 | Led Zeppelin (Part 4) | 0% | Alice (Part 5) | 0% | black dog (Part 6) | 0% |
| 1 | 18 | Science - Physics | 1 | 10.00 | Hooke’s law (Part 3) | 0% | ladder operators (Part 1) | 0% | Fock space (Part 2) | 100% |
| 1 | 18 | Science - Physics | 1 | 0.00 | Hooke’s law (Part 3) | 0% | ladder operators (Part 1) | 0% | Fock space (Part 5) | 0% |
| 1 | 18 | Science - Physics | 1 | 0.00 | Hooke’s law (Part 3) | 0% | ladder operators (Part 4) | 0% | Fock space (Part 2) | 100% |
| 1 | 18 | Science - Physics | 1 | 0.00 | Hooke’s law (Part 3) | 0% | ladder operators (Part 4) | 0% | Fock space (Part 5) | 0% |
| 1 | 18 | Science - Physics | 0 | 0.00 | Hooke’s law (Part 6) | 0% | ladder operators (Part 1) | 0% | Fock space (Part 2) | 0% |
| 1 | 18 | Science - Physics | 0 | 0.00 | Hooke’s law (Part 6) | 0% | ladder operators (Part 1) | 0% | Fock space (Part 5) | 0% |
| 1 | 18 | Science - Physics | 0 | 0.00 | Hooke’s law (Part 6) | 0% | ladder operators (Part 4) | 0% | Fock space (Part 2) | 0% |
| 1 | 18 | Science - Physics | 0 | 0.00 | Hooke’s law (Part 6) | 0% | ladder operators (Part 4) | 0% | Fock space (Part 5) | 0% |
| 1 | 19 | Literature - American | 1 | 20.00 | Gottfried Leibniz (Part 1) | 100% | preacher (Part 2) | 100% | William Howard Gass (Part 3) | 0% |
| 1 | 19 | Literature - American | 1 | 0.00 | Gottfried Leibniz (Part 1) | 100% | preacher (Part 2) | 100% | William Howard Gass (Part 6) | 0% |
| 1 | 19 | Literature - American | 1 | 0.00 | Gottfried Leibniz (Part 1) | 100% | preacher (Part 5) | 0% | William Howard Gass (Part 3) | 0% |
| 1 | 19 | Literature - American | 1 | 0.00 | Gottfried Leibniz (Part 1) | 100% | preacher (Part 5) | 0% | William Howard Gass (Part 6) | 0% |
| 1 | 19 | Literature - American | 0 | 0.00 | Gottfried Leibniz (Part 4) | 0% | preacher (Part 2) | 0% | William Howard Gass (Part 3) | 0% |
| 1 | 19 | Literature - American | 0 | 0.00 | Gottfried Leibniz (Part 4) | 0% | preacher (Part 2) | 0% | William Howard Gass (Part 6) | 0% |
| 1 | 19 | Literature - American | 0 | 0.00 | Gottfried Leibniz (Part 4) | 0% | preacher (Part 5) | 0% | William Howard Gass (Part 3) | 0% |
| 1 | 19 | Literature - American | 0 | 0.00 | Gottfried Leibniz (Part 4) | 0% | preacher (Part 5) | 0% | William Howard Gass (Part 6) | 0% |
| 1 | 20 | History - American | 0 | 0.00 | Teamsters union (Part 3) | 0% | PATCO (Part 1) | 0% | Dodge (Part 2) | 0% |
| 1 | 20 | History - American | 0 | 0.00 | Teamsters union (Part 3) | 0% | PATCO (Part 1) | 0% | Dodge (Part 5) | 0% |
| 1 | 20 | History - American | 0 | 0.00 | Teamsters union (Part 3) | 0% | PATCO (Part 4) | 0% | Dodge (Part 2) | 0% |
| 1 | 20 | History - American | 0 | 0.00 | Teamsters union (Part 3) | 0% | PATCO (Part 4) | 0% | Dodge (Part 5) | 0% |
| 1 | 20 | History - American | 0 | 0.00 | Teamsters union (Part 6) | 0% | PATCO (Part 1) | 0% | Dodge (Part 2) | 0% |
| 1 | 20 | History - American | 0 | 0.00 | Teamsters union (Part 6) | 0% | PATCO (Part 1) | 0% | Dodge (Part 5) | 0% |
| 1 | 20 | History - American | 0 | 0.00 | Teamsters union (Part 6) | 0% | PATCO (Part 4) | 0% | Dodge (Part 2) | 0% |
| 1 | 20 | History - American | 0 | 0.00 | Teamsters union (Part 6) | 0% | PATCO (Part 4) | 0% | Dodge (Part 5) | 0% |
| 2 | 1 | Fine Arts - Auditory | 3 | 13.33 | Adams (Part 3) | 33% | string quartet (Part 1) | 0% | Alaska (Part 2) | 100% |
| 2 | 1 | Fine Arts - Auditory | 3 | 0.00 | Adams (Part 3) | 33% | string quartet (Part 1) | 0% | Alaska (Part 5) | 0% |
| 2 | 1 | Fine Arts - Auditory | 3 | 0.00 | Adams (Part 3) | 33% | string quartet (Part 4) | 0% | Alaska (Part 2) | 100% |
| 2 | 1 | Fine Arts - Auditory | 3 | 0.00 | Adams (Part 3) | 33% | string quartet (Part 4) | 0% | Alaska (Part 5) | 0% |
| 2 | 1 | Fine Arts - Auditory | 0 | 0.00 | Adams (Part 6) | 0% | string quartet (Part 1) | 0% | Alaska (Part 2) | 0% |
| 2 | 1 | Fine Arts - Auditory | 0 | 0.00 | Adams (Part 6) | 0% | string quartet (Part 1) | 0% | Alaska (Part 5) | 0% |
| 2 | 1 | Fine Arts - Auditory | 0 | 0.00 | Adams (Part 6) | 0% | string quartet (Part 4) | 0% | Alaska (Part 2) | 0% |
| 2 | 1 | Fine Arts - Auditory | 0 | 0.00 | Adams (Part 6) | 0% | string quartet (Part 4) | 0% | Alaska (Part 5) | 0% |
| 2 | 2 | History - American | 3 | 13.33 | Articles of Confederation (Part 1) | 67% | Conway Cabal (Part 3) | 67% | Bemis Heights (Part 2) | 0% |
| 2 | 2 | History - American | 3 | 0.00 | Articles of Confederation (Part 1) | 67% | Conway Cabal (Part 3) | 67% | Bemis Heights (Part 5) | 0% |
| 2 | 2 | History - American | 3 | 0.00 | Articles of Confederation (Part 1) | 67% | Conway Cabal (Part 6) | 0% | Bemis Heights (Part 2) | 0% |
| 2 | 2 | History - American | 3 | 0.00 | Articles of Confederation (Part 1) | 67% | Conway Cabal (Part 6) | 0% | Bemis Heights (Part 5) | 0% |
| 2 | 2 | History - American | 0 | 0.00 | Articles of Confederation (Part 4) | 0% | Conway Cabal (Part 3) | 0% | Bemis Heights (Part 2) | 0% |
| 2 | 2 | History - American | 0 | 0.00 | Articles of Confederation (Part 4) | 0% | Conway Cabal (Part 3) | 0% | Bemis Heights (Part 5) | 0% |
| 2 | 2 | History - American | 0 | 0.00 | Articles of Confederation (Part 4) | 0% | Conway Cabal (Part 6) | 0% | Bemis Heights (Part 2) | 0% |
| 2 | 2 | History - American | 0 | 0.00 | Articles of Confederation (Part 4) | 0% | Conway Cabal (Part 6) | 0% | Bemis Heights (Part 5) | 0% |
| 2 | 3 | Fine Arts - Other | 3 | 6.67 | montage (Part 1) | 33% | Andrei Tarkovsky (Part 3) | 0% | Andre Bazin (Part 2) | 33% |
| 2 | 3 | Fine Arts - Other | 3 | 0.00 | montage (Part 1) | 33% | Andrei Tarkovsky (Part 3) | 0% | Andre Bazin (Part 5) | 0% |
| 2 | 3 | Fine Arts - Other | 3 | 0.00 | montage (Part 1) | 33% | Andrei Tarkovsky (Part 6) | 0% | Andre Bazin (Part 2) | 33% |
| 2 | 3 | Fine Arts - Other | 3 | 0.00 | montage (Part 1) | 33% | Andrei Tarkovsky (Part 6) | 0% | Andre Bazin (Part 5) | 0% |
| 2 | 3 | Fine Arts - Other | 0 | 0.00 | montage (Part 4) | 0% | Andrei Tarkovsky (Part 3) | 0% | Andre Bazin (Part 2) | 0% |
| 2 | 3 | Fine Arts - Other | 0 | 0.00 | montage (Part 4) | 0% | Andrei Tarkovsky (Part 3) | 0% | Andre Bazin (Part 5) | 0% |
| 2 | 3 | Fine Arts - Other | 0 | 0.00 | montage (Part 4) | 0% | Andrei Tarkovsky (Part 6) | 0% | Andre Bazin (Part 2) | 0% |
| 2 | 3 | Fine Arts - Other | 0 | 0.00 | montage (Part 4) | 0% | Andrei Tarkovsky (Part 6) | 0% | Andre Bazin (Part 5) | 0% |
| 2 | 4 | Literature - British | 3 | 13.33 | spoken word poetry (Part 1) | 100% | island (Part 2) | 33% | James Berry (Part 3) | 0% |
| 2 | 4 | Literature - British | 3 | 0.00 | spoken word poetry (Part 1) | 100% | island (Part 2) | 33% | James Berry (Part 6) | 0% |
| 2 | 4 | Literature - British | 3 | 0.00 | spoken word poetry (Part 1) | 100% | island (Part 5) | 0% | James Berry (Part 3) | 0% |
| 2 | 4 | Literature - British | 3 | 0.00 | spoken word poetry (Part 1) | 100% | island (Part 5) | 0% | James Berry (Part 6) | 0% |
| 2 | 4 | Literature - British | 0 | 0.00 | spoken word poetry (Part 4) | 0% | island (Part 2) | 0% | James Berry (Part 3) | 0% |
| 2 | 4 | Literature - British | 0 | 0.00 | spoken word poetry (Part 4) | 0% | island (Part 2) | 0% | James Berry (Part 6) | 0% |
| 2 | 4 | Literature - British | 0 | 0.00 | spoken word poetry (Part 4) | 0% | island (Part 5) | 0% | James Berry (Part 3) | 0% |
| 2 | 4 | Literature - British | 0 | 0.00 | spoken word poetry (Part 4) | 0% | island (Part 5) | 0% | James Berry (Part 6) | 0% |
| 2 | 5 | Mythology | 3 | 16.67 | Troy (Part 1) | 33% | Dionysus (Part 2) | 67% | Ate (Part 3) | 67% |
| 2 | 5 | Mythology | 3 | 0.00 | Troy (Part 1) | 33% | Dionysus (Part 2) | 67% | Ate (Part 6) | 0% |
| 2 | 5 | Mythology | 3 | 0.00 | Troy (Part 1) | 33% | Dionysus (Part 5) | 0% | Ate (Part 3) | 67% |
| 2 | 5 | Mythology | 3 | 0.00 | Troy (Part 1) | 33% | Dionysus (Part 5) | 0% | Ate (Part 6) | 0% |
| 2 | 5 | Mythology | 0 | 0.00 | Troy (Part 4) | 0% | Dionysus (Part 2) | 0% | Ate (Part 3) | 0% |
| 2 | 5 | Mythology | 0 | 0.00 | Troy (Part 4) | 0% | Dionysus (Part 2) | 0% | Ate (Part 6) | 0% |
| 2 | 5 | Mythology | 0 | 0.00 | Troy (Part 4) | 0% | Dionysus (Part 5) | 0% | Ate (Part 3) | 0% |
| 2 | 5 | Mythology | 0 | 0.00 | Troy (Part 4) | 0% | Dionysus (Part 5) | 0% | Ate (Part 6) | 0% |
| 2 | 6 | Philosophy | 3 | 13.33 | Walter Benjamin (Part 3) | 33% | What Is to Be Done? (Part 1) | 0% | the Crystal Palace (Part 2) | 100% |
| 2 | 6 | Philosophy | 3 | 0.00 | Walter Benjamin (Part 3) | 33% | What Is to Be Done? (Part 1) | 0% | the Crystal Palace (Part 5) | 0% |
| 2 | 6 | Philosophy | 3 | 0.00 | Walter Benjamin (Part 3) | 33% | What Is to Be Done? (Part 4) | 0% | the Crystal Palace (Part 2) | 100% |
| 2 | 6 | Philosophy | 3 | 0.00 | Walter Benjamin (Part 3) | 33% | What Is to Be Done? (Part 4) | 0% | the Crystal Palace (Part 5) | 0% |
| 2 | 6 | Philosophy | 0 | 0.00 | Walter Benjamin (Part 6) | 0% | What Is to Be Done? (Part 1) | 0% | the Crystal Palace (Part 2) | 0% |
| 2 | 6 | Philosophy | 0 | 0.00 | Walter Benjamin (Part 6) | 0% | What Is to Be Done? (Part 1) | 0% | the Crystal Palace (Part 5) | 0% |
| 2 | 6 | Philosophy | 0 | 0.00 | Walter Benjamin (Part 6) | 0% | What Is to Be Done? (Part 4) | 0% | the Crystal Palace (Part 2) | 0% |
| 2 | 6 | Philosophy | 0 | 0.00 | Walter Benjamin (Part 6) | 0% | What Is to Be Done? (Part 4) | 0% | the Crystal Palace (Part 5) | 0% |
| 2 | 7 | Science - Other | 3 | 10.00 | Venus (Part 1) | 100% | infrared (Part 2) | 0% | SOFIA (Part 3) | 0% |
| 2 | 7 | Science - Other | 3 | 0.00 | Venus (Part 1) | 100% | infrared (Part 2) | 0% | SOFIA (Part 6) | 0% |
| 2 | 7 | Science - Other | 3 | 0.00 | Venus (Part 1) | 100% | infrared (Part 5) | 0% | SOFIA (Part 3) | 0% |
| 2 | 7 | Science - Other | 3 | 0.00 | Venus (Part 1) | 100% | infrared (Part 5) | 0% | SOFIA (Part 6) | 0% |
| 2 | 7 | Science - Other | 0 | 0.00 | Venus (Part 4) | 0% | infrared (Part 2) | 0% | SOFIA (Part 3) | 0% |
| 2 | 7 | Science - Other | 0 | 0.00 | Venus (Part 4) | 0% | infrared (Part 2) | 0% | SOFIA (Part 6) | 0% |
| 2 | 7 | Science - Other | 0 | 0.00 | Venus (Part 4) | 0% | infrared (Part 5) | 0% | SOFIA (Part 3) | 0% |
| 2 | 7 | Science - Other | 0 | 0.00 | Venus (Part 4) | 0% | infrared (Part 5) | 0% | SOFIA (Part 6) | 0% |
| 2 | 8 | Literature - World | 3 | 10.00 | Peter Carey (Part 1) | 100% | Miles Franklin (Part 3) | 0% | emus (Part 2) | 0% |
| 2 | 8 | Literature - World | 3 | 0.00 | Peter Carey (Part 1) | 100% | Miles Franklin (Part 3) | 0% | emus (Part 5) | 0% |
| 2 | 8 | Literature - World | 3 | 0.00 | Peter Carey (Part 1) | 100% | Miles Franklin (Part 6) | 0% | emus (Part 2) | 0% |
| 2 | 8 | Literature - World | 3 | 0.00 | Peter Carey (Part 1) | 100% | Miles Franklin (Part 6) | 0% | emus (Part 5) | 0% |
| 2 | 8 | Literature - World | 0 | 0.00 | Peter Carey (Part 4) | 0% | Miles Franklin (Part 3) | 0% | emus (Part 2) | 0% |
| 2 | 8 | Literature - World | 0 | 0.00 | Peter Carey (Part 4) | 0% | Miles Franklin (Part 3) | 0% | emus (Part 5) | 0% |
| 2 | 8 | Literature - World | 0 | 0.00 | Peter Carey (Part 4) | 0% | Miles Franklin (Part 6) | 0% | emus (Part 2) | 0% |
| 2 | 8 | Literature - World | 0 | 0.00 | Peter Carey (Part 4) | 0% | Miles Franklin (Part 6) | 0% | emus (Part 5) | 0% |
| 2 | 9 | Literature - American | 3 | 13.33 | Margaret Atwood (Part 2) | 33% | Emily St. John Mandel (Part 3) | 0% | Ayad Akhtar (Part 1) | 100% |
| 2 | 9 | Literature - American | 3 | 0.00 | Margaret Atwood (Part 2) | 33% | Emily St. John Mandel (Part 3) | 0% | Ayad Akhtar (Part 4) | 0% |
| 2 | 9 | Literature - American | 3 | 0.00 | Margaret Atwood (Part 2) | 33% | Emily St. John Mandel (Part 6) | 0% | Ayad Akhtar (Part 1) | 100% |
| 2 | 9 | Literature - American | 3 | 0.00 | Margaret Atwood (Part 2) | 33% | Emily St. John Mandel (Part 6) | 0% | Ayad Akhtar (Part 4) | 0% |
| 2 | 9 | Literature - American | 0 | 0.00 | Margaret Atwood (Part 5) | 0% | Emily St. John Mandel (Part 3) | 0% | Ayad Akhtar (Part 1) | 0% |
| 2 | 9 | Literature - American | 0 | 0.00 | Margaret Atwood (Part 5) | 0% | Emily St. John Mandel (Part 3) | 0% | Ayad Akhtar (Part 4) | 0% |
| 2 | 9 | Literature - American | 0 | 0.00 | Margaret Atwood (Part 5) | 0% | Emily St. John Mandel (Part 6) | 0% | Ayad Akhtar (Part 1) | 0% |
| 2 | 9 | Literature - American | 0 | 0.00 | Margaret Atwood (Part 5) | 0% | Emily St. John Mandel (Part 6) | 0% | Ayad Akhtar (Part 4) | 0% |
| 2 | 10 | Literature - European | 3 | 13.33 | Federico García Lorca (Part 3) | 33% | woodcutter (Part 1) | 100% | the Moon (Part 2) | 0% |
| 2 | 10 | Literature - European | 3 | 0.00 | Federico García Lorca (Part 3) | 33% | woodcutter (Part 1) | 100% | the Moon (Part 5) | 0% |
| 2 | 10 | Literature - European | 3 | 0.00 | Federico García Lorca (Part 3) | 33% | woodcutter (Part 4) | 0% | the Moon (Part 2) | 0% |
| 2 | 10 | Literature - European | 3 | 0.00 | Federico García Lorca (Part 3) | 33% | woodcutter (Part 4) | 0% | the Moon (Part 5) | 0% |
| 2 | 10 | Literature - European | 0 | 0.00 | Federico García Lorca (Part 6) | 0% | woodcutter (Part 1) | 0% | the Moon (Part 2) | 0% |
| 2 | 10 | Literature - European | 0 | 0.00 | Federico García Lorca (Part 6) | 0% | woodcutter (Part 1) | 0% | the Moon (Part 5) | 0% |
| 2 | 10 | Literature - European | 0 | 0.00 | Federico García Lorca (Part 6) | 0% | woodcutter (Part 4) | 0% | the Moon (Part 2) | 0% |
| 2 | 10 | Literature - European | 0 | 0.00 | Federico García Lorca (Part 6) | 0% | woodcutter (Part 4) | 0% | the Moon (Part 5) | 0% |
| 2 | 11 | History - Other | 3 | 10.00 | 1990s (Part 1) | 0% | conscription (Part 3) | 100% | Michael Joseph Savage (Part 2) | 0% |
| 2 | 11 | History - Other | 3 | 0.00 | 1990s (Part 1) | 0% | conscription (Part 3) | 100% | Michael Joseph Savage (Part 5) | 0% |
| 2 | 11 | History - Other | 3 | 0.00 | 1990s (Part 1) | 0% | conscription (Part 6) | 0% | Michael Joseph Savage (Part 2) | 0% |
| 2 | 11 | History - Other | 3 | 0.00 | 1990s (Part 1) | 0% | conscription (Part 6) | 0% | Michael Joseph Savage (Part 5) | 0% |
| 2 | 11 | History - Other | 0 | 0.00 | 1990s (Part 4) | 0% | conscription (Part 3) | 0% | Michael Joseph Savage (Part 2) | 0% |
| 2 | 11 | History - Other | 0 | 0.00 | 1990s (Part 4) | 0% | conscription (Part 3) | 0% | Michael Joseph Savage (Part 5) | 0% |
| 2 | 11 | History - Other | 0 | 0.00 | 1990s (Part 4) | 0% | conscription (Part 6) | 0% | Michael Joseph Savage (Part 2) | 0% |
| 2 | 11 | History - Other | 0 | 0.00 | 1990s (Part 4) | 0% | conscription (Part 6) | 0% | Michael Joseph Savage (Part 5) | 0% |
| 2 | 12 | Social Science | 3 | 10.00 | individualism (Part 2) | 67% | Robert Bellah (Part 3) | 33% | Sheilaism (Part 1) | 0% |
| 2 | 12 | Social Science | 3 | 0.00 | individualism (Part 2) | 67% | Robert Bellah (Part 3) | 33% | Sheilaism (Part 4) | 0% |
| 2 | 12 | Social Science | 3 | 0.00 | individualism (Part 2) | 67% | Robert Bellah (Part 6) | 0% | Sheilaism (Part 1) | 0% |
| 2 | 12 | Social Science | 3 | 0.00 | individualism (Part 2) | 67% | Robert Bellah (Part 6) | 0% | Sheilaism (Part 4) | 0% |
| 2 | 12 | Social Science | 0 | 0.00 | individualism (Part 5) | 0% | Robert Bellah (Part 3) | 0% | Sheilaism (Part 1) | 0% |
| 2 | 12 | Social Science | 0 | 0.00 | individualism (Part 5) | 0% | Robert Bellah (Part 3) | 0% | Sheilaism (Part 4) | 0% |
| 2 | 12 | Social Science | 0 | 0.00 | individualism (Part 5) | 0% | Robert Bellah (Part 6) | 0% | Sheilaism (Part 1) | 0% |
| 2 | 12 | Social Science | 0 | 0.00 | individualism (Part 5) | 0% | Robert Bellah (Part 6) | 0% | Sheilaism (Part 4) | 0% |
| 2 | 13 | Religion | 3 | 16.67 | Hasidic Judaism (Part 2) | 67% | Six-Day War (Part 1) | 33% | baal teshuva (Part 3) | 67% |
| 2 | 13 | Religion | 3 | 0.00 | Hasidic Judaism (Part 2) | 67% | Six-Day War (Part 1) | 33% | baal teshuva (Part 6) | 0% |
| 2 | 13 | Religion | 3 | 0.00 | Hasidic Judaism (Part 2) | 67% | Six-Day War (Part 4) | 0% | baal teshuva (Part 3) | 67% |
| 2 | 13 | Religion | 3 | 0.00 | Hasidic Judaism (Part 2) | 67% | Six-Day War (Part 4) | 0% | baal teshuva (Part 6) | 0% |
| 2 | 13 | Religion | 0 | 0.00 | Hasidic Judaism (Part 5) | 0% | Six-Day War (Part 1) | 0% | baal teshuva (Part 3) | 0% |
| 2 | 13 | Religion | 0 | 0.00 | Hasidic Judaism (Part 5) | 0% | Six-Day War (Part 1) | 0% | baal teshuva (Part 6) | 0% |
| 2 | 13 | Religion | 0 | 0.00 | Hasidic Judaism (Part 5) | 0% | Six-Day War (Part 4) | 0% | baal teshuva (Part 3) | 0% |
| 2 | 13 | Religion | 0 | 0.00 | Hasidic Judaism (Part 5) | 0% | Six-Day War (Part 4) | 0% | baal teshuva (Part 6) | 0% |
| 2 | 14 | History - World | 3 | 13.33 | Kolkata (Part 3) | 67% | Rajasthan (Part 1) | 0% | jute (Part 2) | 67% |
| 2 | 14 | History - World | 3 | 0.00 | Kolkata (Part 3) | 67% | Rajasthan (Part 1) | 0% | jute (Part 5) | 0% |
| 2 | 14 | History - World | 3 | 0.00 | Kolkata (Part 3) | 67% | Rajasthan (Part 4) | 0% | jute (Part 2) | 67% |
| 2 | 14 | History - World | 3 | 0.00 | Kolkata (Part 3) | 67% | Rajasthan (Part 4) | 0% | jute (Part 5) | 0% |
| 2 | 14 | History - World | 0 | 0.00 | Kolkata (Part 6) | 0% | Rajasthan (Part 1) | 0% | jute (Part 2) | 0% |
| 2 | 14 | History - World | 0 | 0.00 | Kolkata (Part 6) | 0% | Rajasthan (Part 1) | 0% | jute (Part 5) | 0% |
| 2 | 14 | History - World | 0 | 0.00 | Kolkata (Part 6) | 0% | Rajasthan (Part 4) | 0% | jute (Part 2) | 0% |
| 2 | 14 | History - World | 0 | 0.00 | Kolkata (Part 6) | 0% | Rajasthan (Part 4) | 0% | jute (Part 5) | 0% |
| 2 | 15 | Fine Arts - Visual | 3 | 16.67 | fountain (Part 3) | 67% | mountains (Part 1) | 0% | mirrors (Part 2) | 100% |
| 2 | 15 | Fine Arts - Visual | 3 | 0.00 | fountain (Part 3) | 67% | mountains (Part 1) | 0% | mirrors (Part 5) | 0% |
| 2 | 15 | Fine Arts - Visual | 3 | 0.00 | fountain (Part 3) | 67% | mountains (Part 4) | 0% | mirrors (Part 2) | 100% |
| 2 | 15 | Fine Arts - Visual | 3 | 0.00 | fountain (Part 3) | 67% | mountains (Part 4) | 0% | mirrors (Part 5) | 0% |
| 2 | 15 | Fine Arts - Visual | 0 | 0.00 | fountain (Part 6) | 0% | mountains (Part 1) | 0% | mirrors (Part 2) | 0% |
| 2 | 15 | Fine Arts - Visual | 0 | 0.00 | fountain (Part 6) | 0% | mountains (Part 1) | 0% | mirrors (Part 5) | 0% |
| 2 | 15 | Fine Arts - Visual | 0 | 0.00 | fountain (Part 6) | 0% | mountains (Part 4) | 0% | mirrors (Part 2) | 0% |
| 2 | 15 | Fine Arts - Visual | 0 | 0.00 | fountain (Part 6) | 0% | mountains (Part 4) | 0% | mirrors (Part 5) | 0% |
| 2 | 16 | History - European | 2 | 10.00 | blinding (Part 3) | 0% | Isaurian Dynasty (Part 1) | 100% | nose-cutting (Part 2) | 0% |
| 2 | 16 | History - European | 2 | 0.00 | blinding (Part 3) | 0% | Isaurian Dynasty (Part 1) | 100% | nose-cutting (Part 5) | 0% |
| 2 | 16 | History - European | 2 | 0.00 | blinding (Part 3) | 0% | Isaurian Dynasty (Part 4) | 0% | nose-cutting (Part 2) | 0% |
| 2 | 16 | History - European | 2 | 0.00 | blinding (Part 3) | 0% | Isaurian Dynasty (Part 4) | 0% | nose-cutting (Part 5) | 0% |
| 2 | 16 | History - European | 0 | 0.00 | blinding (Part 6) | 0% | Isaurian Dynasty (Part 1) | 0% | nose-cutting (Part 2) | 0% |
| 2 | 16 | History - European | 0 | 0.00 | blinding (Part 6) | 0% | Isaurian Dynasty (Part 1) | 0% | nose-cutting (Part 5) | 0% |
| 2 | 16 | History - European | 0 | 0.00 | blinding (Part 6) | 0% | Isaurian Dynasty (Part 4) | 0% | nose-cutting (Part 2) | 0% |
| 2 | 16 | History - European | 0 | 0.00 | blinding (Part 6) | 0% | Isaurian Dynasty (Part 4) | 0% | nose-cutting (Part 5) | 0% |
| 2 | 17 | Geography | 1 | 10.00 | Vancouver Island (Part 1) | 0% | Valencia (Part 2) | 0% | telegraphy (Part 3) | 100% |
| 2 | 17 | Geography | 1 | 0.00 | Vancouver Island (Part 1) | 0% | Valencia (Part 2) | 0% | telegraphy (Part 6) | 0% |
| 2 | 17 | Geography | 1 | 0.00 | Vancouver Island (Part 1) | 0% | Valencia (Part 5) | 0% | telegraphy (Part 3) | 100% |
| 2 | 17 | Geography | 1 | 0.00 | Vancouver Island (Part 1) | 0% | Valencia (Part 5) | 0% | telegraphy (Part 6) | 0% |
| 2 | 17 | Geography | 0 | 0.00 | Vancouver Island (Part 4) | 0% | Valencia (Part 2) | 0% | telegraphy (Part 3) | 0% |
| 2 | 17 | Geography | 0 | 0.00 | Vancouver Island (Part 4) | 0% | Valencia (Part 2) | 0% | telegraphy (Part 6) | 0% |
| 2 | 17 | Geography | 0 | 0.00 | Vancouver Island (Part 4) | 0% | Valencia (Part 5) | 0% | telegraphy (Part 3) | 0% |
| 2 | 17 | Geography | 0 | 0.00 | Vancouver Island (Part 4) | 0% | Valencia (Part 5) | 0% | telegraphy (Part 6) | 0% |
| 2 | 18 | Science - Chemistry | 0 | 0.00 | octahedral (Part 1) | 0% | phosphate (Part 2) | 0% | molybdenum (Part 3) | 0% |
| 2 | 18 | Science - Chemistry | 0 | 0.00 | octahedral (Part 1) | 0% | phosphate (Part 2) | 0% | molybdenum (Part 6) | 0% |
| 2 | 18 | Science - Chemistry | 0 | 0.00 | octahedral (Part 1) | 0% | phosphate (Part 5) | 0% | molybdenum (Part 3) | 0% |
| 2 | 18 | Science - Chemistry | 0 | 0.00 | octahedral (Part 1) | 0% | phosphate (Part 5) | 0% | molybdenum (Part 6) | 0% |
| 2 | 18 | Science - Chemistry | 0 | 0.00 | octahedral (Part 4) | 0% | phosphate (Part 2) | 0% | molybdenum (Part 3) | 0% |
| 2 | 18 | Science - Chemistry | 0 | 0.00 | octahedral (Part 4) | 0% | phosphate (Part 2) | 0% | molybdenum (Part 6) | 0% |
| 2 | 18 | Science - Chemistry | 0 | 0.00 | octahedral (Part 4) | 0% | phosphate (Part 5) | 0% | molybdenum (Part 3) | 0% |
| 2 | 18 | Science - Chemistry | 0 | 0.00 | octahedral (Part 4) | 0% | phosphate (Part 5) | 0% | molybdenum (Part 6) | 0% |
| 2 | 19 | Science - Biology | 0 | 0.00 | antibodies (Part 2) | 0% | somatic hypermutation (Part 3) | 0% | complementarity-determining regions (Part 1) | 0% |
| 2 | 19 | Science - Biology | 0 | 0.00 | antibodies (Part 2) | 0% | somatic hypermutation (Part 3) | 0% | complementarity-determining regions (Part 4) | 0% |
| 2 | 19 | Science - Biology | 0 | 0.00 | antibodies (Part 2) | 0% | somatic hypermutation (Part 6) | 0% | complementarity-determining regions (Part 1) | 0% |
| 2 | 19 | Science - Biology | 0 | 0.00 | antibodies (Part 2) | 0% | somatic hypermutation (Part 6) | 0% | complementarity-determining regions (Part 4) | 0% |
| 2 | 19 | Science - Biology | 0 | 0.00 | antibodies (Part 5) | 0% | somatic hypermutation (Part 3) | 0% | complementarity-determining regions (Part 1) | 0% |
| 2 | 19 | Science - Biology | 0 | 0.00 | antibodies (Part 5) | 0% | somatic hypermutation (Part 3) | 0% | complementarity-determining regions (Part 4) | 0% |
| 2 | 19 | Science - Biology | 0 | 0.00 | antibodies (Part 5) | 0% | somatic hypermutation (Part 6) | 0% | complementarity-determining regions (Part 1) | 0% |
| 2 | 19 | Science - Biology | 0 | 0.00 | antibodies (Part 5) | 0% | somatic hypermutation (Part 6) | 0% | complementarity-determining regions (Part 4) | 0% |
| 2 | 20 | Science - Physics | 0 | 0.00 | work (Part 2) | 0% | action (Part 3) | 0% | Hamilton-Jacobi equation (Part 1) | 0% |
| 2 | 20 | Science - Physics | 0 | 0.00 | work (Part 2) | 0% | action (Part 3) | 0% | Hamilton-Jacobi equation (Part 4) | 0% |
| 2 | 20 | Science - Physics | 0 | 0.00 | work (Part 2) | 0% | action (Part 6) | 0% | Hamilton-Jacobi equation (Part 1) | 0% |
| 2 | 20 | Science - Physics | 0 | 0.00 | work (Part 2) | 0% | action (Part 6) | 0% | Hamilton-Jacobi equation (Part 4) | 0% |
| 2 | 20 | Science - Physics | 0 | 0.00 | work (Part 5) | 0% | action (Part 3) | 0% | Hamilton-Jacobi equation (Part 1) | 0% |
| 2 | 20 | Science - Physics | 0 | 0.00 | work (Part 5) | 0% | action (Part 3) | 0% | Hamilton-Jacobi equation (Part 4) | 0% |
| 2 | 20 | Science - Physics | 0 | 0.00 | work (Part 5) | 0% | action (Part 6) | 0% | Hamilton-Jacobi equation (Part 1) | 0% |
| 2 | 20 | Science - Physics | 0 | 0.00 | work (Part 5) | 0% | action (Part 6) | 0% | Hamilton-Jacobi equation (Part 4) | 0% |
| 3 | 1 | Science - Biology | 3 | 3.33 | Carboniferous (Part 3) | 0% | lampreys (Part 1) | 0% | Tully monster (Part 2) | 33% |
| 3 | 1 | Science - Biology | 3 | 0.00 | Carboniferous (Part 3) | 0% | lampreys (Part 1) | 0% | Tully monster (Part 5) | 0% |
| 3 | 1 | Science - Biology | 3 | 0.00 | Carboniferous (Part 3) | 0% | lampreys (Part 4) | 0% | Tully monster (Part 2) | 33% |
| 3 | 1 | Science - Biology | 3 | 0.00 | Carboniferous (Part 3) | 0% | lampreys (Part 4) | 0% | Tully monster (Part 5) | 0% |
| 3 | 1 | Science - Biology | 0 | 0.00 | Carboniferous (Part 6) | 0% | lampreys (Part 1) | 0% | Tully monster (Part 2) | 0% |
| 3 | 1 | Science - Biology | 0 | 0.00 | Carboniferous (Part 6) | 0% | lampreys (Part 1) | 0% | Tully monster (Part 5) | 0% |
| 3 | 1 | Science - Biology | 0 | 0.00 | Carboniferous (Part 6) | 0% | lampreys (Part 4) | 0% | Tully monster (Part 2) | 0% |
| 3 | 1 | Science - Biology | 0 | 0.00 | Carboniferous (Part 6) | 0% | lampreys (Part 4) | 0% | Tully monster (Part 5) | 0% |
| 3 | 2 | Literature - British | 3 | 20.00 | Murder on the Orient Express (Part 1) | 67% | Brighton (Part 3) | 33% | Patrick Hamilton (Part 2) | 100% |
| 3 | 2 | Literature - British | 3 | 0.00 | Murder on the Orient Express (Part 1) | 67% | Brighton (Part 3) | 33% | Patrick Hamilton (Part 5) | 0% |
| 3 | 2 | Literature - British | 3 | 0.00 | Murder on the Orient Express (Part 1) | 67% | Brighton (Part 6) | 0% | Patrick Hamilton (Part 2) | 100% |
| 3 | 2 | Literature - British | 3 | 0.00 | Murder on the Orient Express (Part 1) | 67% | Brighton (Part 6) | 0% | Patrick Hamilton (Part 5) | 0% |
| 3 | 2 | Literature - British | 0 | 0.00 | Murder on the Orient Express (Part 4) | 0% | Brighton (Part 3) | 0% | Patrick Hamilton (Part 2) | 0% |
| 3 | 2 | Literature - British | 0 | 0.00 | Murder on the Orient Express (Part 4) | 0% | Brighton (Part 3) | 0% | Patrick Hamilton (Part 5) | 0% |
| 3 | 2 | Literature - British | 0 | 0.00 | Murder on the Orient Express (Part 4) | 0% | Brighton (Part 6) | 0% | Patrick Hamilton (Part 2) | 0% |
| 3 | 2 | Literature - British | 0 | 0.00 | Murder on the Orient Express (Part 4) | 0% | Brighton (Part 6) | 0% | Patrick Hamilton (Part 5) | 0% |
| 3 | 3 | Fine Arts - Visual | 3 | 13.33 | John Singer Sargent (Part 3) | 0% | Isabella Stewart Gardner (Part 1) | 100% | Boston (Part 2) | 33% |
| 3 | 3 | Fine Arts - Visual | 3 | 0.00 | John Singer Sargent (Part 3) | 0% | Isabella Stewart Gardner (Part 1) | 100% | Boston (Part 5) | 0% |
| 3 | 3 | Fine Arts - Visual | 3 | 0.00 | John Singer Sargent (Part 3) | 0% | Isabella Stewart Gardner (Part 4) | 0% | Boston (Part 2) | 33% |
| 3 | 3 | Fine Arts - Visual | 3 | 0.00 | John Singer Sargent (Part 3) | 0% | Isabella Stewart Gardner (Part 4) | 0% | Boston (Part 5) | 0% |
| 3 | 3 | Fine Arts - Visual | 0 | 0.00 | John Singer Sargent (Part 6) | 0% | Isabella Stewart Gardner (Part 1) | 0% | Boston (Part 2) | 0% |
| 3 | 3 | Fine Arts - Visual | 0 | 0.00 | John Singer Sargent (Part 6) | 0% | Isabella Stewart Gardner (Part 1) | 0% | Boston (Part 5) | 0% |
| 3 | 3 | Fine Arts - Visual | 0 | 0.00 | John Singer Sargent (Part 6) | 0% | Isabella Stewart Gardner (Part 4) | 0% | Boston (Part 2) | 0% |
| 3 | 3 | Fine Arts - Visual | 0 | 0.00 | John Singer Sargent (Part 6) | 0% | Isabella Stewart Gardner (Part 4) | 0% | Boston (Part 5) | 0% |
| 3 | 4 | Mythology | 3 | 13.33 | frog (Part 3) | 100% | Thumbelina (Part 2) | 0% | barley (Part 1) | 33% |
| 3 | 4 | Mythology | 3 | 0.00 | frog (Part 3) | 100% | Thumbelina (Part 2) | 0% | barley (Part 4) | 0% |
| 3 | 4 | Mythology | 3 | 0.00 | frog (Part 3) | 100% | Thumbelina (Part 5) | 0% | barley (Part 1) | 33% |
| 3 | 4 | Mythology | 3 | 0.00 | frog (Part 3) | 100% | Thumbelina (Part 5) | 0% | barley (Part 4) | 0% |
| 3 | 4 | Mythology | 0 | 0.00 | frog (Part 6) | 0% | Thumbelina (Part 2) | 0% | barley (Part 1) | 0% |
| 3 | 4 | Mythology | 0 | 0.00 | frog (Part 6) | 0% | Thumbelina (Part 2) | 0% | barley (Part 4) | 0% |
| 3 | 4 | Mythology | 0 | 0.00 | frog (Part 6) | 0% | Thumbelina (Part 5) | 0% | barley (Part 1) | 0% |
| 3 | 4 | Mythology | 0 | 0.00 | frog (Part 6) | 0% | Thumbelina (Part 5) | 0% | barley (Part 4) | 0% |
| 3 | 5 | Literature - World | 3 | 13.33 | William Shakespeare (Part 1) | 67% | The Tragedy of Julius Caesar (Part 3) | 0% | Congolese (Part 2) | 67% |
| 3 | 5 | Literature - World | 3 | 0.00 | William Shakespeare (Part 1) | 67% | The Tragedy of Julius Caesar (Part 3) | 0% | Congolese (Part 5) | 0% |
| 3 | 5 | Literature - World | 3 | 0.00 | William Shakespeare (Part 1) | 67% | The Tragedy of Julius Caesar (Part 6) | 0% | Congolese (Part 2) | 67% |
| 3 | 5 | Literature - World | 3 | 0.00 | William Shakespeare (Part 1) | 67% | The Tragedy of Julius Caesar (Part 6) | 0% | Congolese (Part 5) | 0% |
| 3 | 5 | Literature - World | 0 | 0.00 | William Shakespeare (Part 4) | 0% | The Tragedy of Julius Caesar (Part 3) | 0% | Congolese (Part 2) | 0% |
| 3 | 5 | Literature - World | 0 | 0.00 | William Shakespeare (Part 4) | 0% | The Tragedy of Julius Caesar (Part 3) | 0% | Congolese (Part 5) | 0% |
| 3 | 5 | Literature - World | 0 | 0.00 | William Shakespeare (Part 4) | 0% | The Tragedy of Julius Caesar (Part 6) | 0% | Congolese (Part 2) | 0% |
| 3 | 5 | Literature - World | 0 | 0.00 | William Shakespeare (Part 4) | 0% | The Tragedy of Julius Caesar (Part 6) | 0% | Congolese (Part 5) | 0% |
| 3 | 6 | Literature - European | 3 | 16.67 | Charlemagne (Part 2) | 100% | Alcuin of York (Part 3) | 67% | Rabanus Maurus (Part 1) | 0% |
| 3 | 6 | Literature - European | 3 | 0.00 | Charlemagne (Part 2) | 100% | Alcuin of York (Part 3) | 67% | Rabanus Maurus (Part 4) | 0% |
| 3 | 6 | Literature - European | 3 | 0.00 | Charlemagne (Part 2) | 100% | Alcuin of York (Part 6) | 0% | Rabanus Maurus (Part 1) | 0% |
| 3 | 6 | Literature - European | 3 | 0.00 | Charlemagne (Part 2) | 100% | Alcuin of York (Part 6) | 0% | Rabanus Maurus (Part 4) | 0% |
| 3 | 6 | Literature - European | 0 | 0.00 | Charlemagne (Part 5) | 0% | Alcuin of York (Part 3) | 0% | Rabanus Maurus (Part 1) | 0% |
| 3 | 6 | Literature - European | 0 | 0.00 | Charlemagne (Part 5) | 0% | Alcuin of York (Part 3) | 0% | Rabanus Maurus (Part 4) | 0% |
| 3 | 6 | Literature - European | 0 | 0.00 | Charlemagne (Part 5) | 0% | Alcuin of York (Part 6) | 0% | Rabanus Maurus (Part 1) | 0% |
| 3 | 6 | Literature - European | 0 | 0.00 | Charlemagne (Part 5) | 0% | Alcuin of York (Part 6) | 0% | Rabanus Maurus (Part 4) | 0% |
| 3 | 7 | Literature - American | 3 | 13.33 | Zora Neale Hurston (Part 1) | 0% | Amiri Baraka (Part 3) | 33% | Larry Neal (Part 2) | 100% |
| 3 | 7 | Literature - American | 3 | 0.00 | Zora Neale Hurston (Part 1) | 0% | Amiri Baraka (Part 3) | 33% | Larry Neal (Part 5) | 0% |
| 3 | 7 | Literature - American | 3 | 0.00 | Zora Neale Hurston (Part 1) | 0% | Amiri Baraka (Part 6) | 0% | Larry Neal (Part 2) | 100% |
| 3 | 7 | Literature - American | 3 | 0.00 | Zora Neale Hurston (Part 1) | 0% | Amiri Baraka (Part 6) | 0% | Larry Neal (Part 5) | 0% |
| 3 | 7 | Literature - American | 0 | 0.00 | Zora Neale Hurston (Part 4) | 0% | Amiri Baraka (Part 3) | 0% | Larry Neal (Part 2) | 0% |
| 3 | 7 | Literature - American | 0 | 0.00 | Zora Neale Hurston (Part 4) | 0% | Amiri Baraka (Part 3) | 0% | Larry Neal (Part 5) | 0% |
| 3 | 7 | Literature - American | 0 | 0.00 | Zora Neale Hurston (Part 4) | 0% | Amiri Baraka (Part 6) | 0% | Larry Neal (Part 2) | 0% |
| 3 | 7 | Literature - American | 0 | 0.00 | Zora Neale Hurston (Part 4) | 0% | Amiri Baraka (Part 6) | 0% | Larry Neal (Part 5) | 0% |
| 3 | 8 | Philosophy | 3 | 6.67 | Arabic (Part 1) | 0% | rhetoric (Part 3) | 33% | Theophrastus (Part 2) | 33% |
| 3 | 8 | Philosophy | 3 | 0.00 | Arabic (Part 1) | 0% | rhetoric (Part 3) | 33% | Theophrastus (Part 5) | 0% |
| 3 | 8 | Philosophy | 3 | 0.00 | Arabic (Part 1) | 0% | rhetoric (Part 6) | 0% | Theophrastus (Part 2) | 33% |
| 3 | 8 | Philosophy | 3 | 0.00 | Arabic (Part 1) | 0% | rhetoric (Part 6) | 0% | Theophrastus (Part 5) | 0% |
| 3 | 8 | Philosophy | 0 | 0.00 | Arabic (Part 4) | 0% | rhetoric (Part 3) | 0% | Theophrastus (Part 2) | 0% |
| 3 | 8 | Philosophy | 0 | 0.00 | Arabic (Part 4) | 0% | rhetoric (Part 3) | 0% | Theophrastus (Part 5) | 0% |
| 3 | 8 | Philosophy | 0 | 0.00 | Arabic (Part 4) | 0% | rhetoric (Part 6) | 0% | Theophrastus (Part 2) | 0% |
| 3 | 8 | Philosophy | 0 | 0.00 | Arabic (Part 4) | 0% | rhetoric (Part 6) | 0% | Theophrastus (Part 5) | 0% |
| 3 | 9 | History - Other | 3 | 13.33 | King David (Part 1) | 33% | seals (Part 2) | 0% | Mazar (Part 3) | 100% |
| 3 | 9 | History - Other | 3 | 0.00 | King David (Part 1) | 33% | seals (Part 2) | 0% | Mazar (Part 6) | 0% |
| 3 | 9 | History - Other | 3 | 0.00 | King David (Part 1) | 33% | seals (Part 5) | 0% | Mazar (Part 3) | 100% |
| 3 | 9 | History - Other | 3 | 0.00 | King David (Part 1) | 33% | seals (Part 5) | 0% | Mazar (Part 6) | 0% |
| 3 | 9 | History - Other | 0 | 0.00 | King David (Part 4) | 0% | seals (Part 2) | 0% | Mazar (Part 3) | 0% |
| 3 | 9 | History - Other | 0 | 0.00 | King David (Part 4) | 0% | seals (Part 2) | 0% | Mazar (Part 6) | 0% |
| 3 | 9 | History - Other | 0 | 0.00 | King David (Part 4) | 0% | seals (Part 5) | 0% | Mazar (Part 3) | 0% |
| 3 | 9 | History - Other | 0 | 0.00 | King David (Part 4) | 0% | seals (Part 5) | 0% | Mazar (Part 6) | 0% |
| 3 | 10 | Science - Physics | 3 | 20.00 | entropy (Part 3) | 67% | microstates (Part 2) | 100% | indistinguishability (Part 1) | 33% |
| 3 | 10 | Science - Physics | 3 | 0.00 | entropy (Part 3) | 67% | microstates (Part 2) | 100% | indistinguishability (Part 4) | 0% |
| 3 | 10 | Science - Physics | 3 | 0.00 | entropy (Part 3) | 67% | microstates (Part 5) | 0% | indistinguishability (Part 1) | 33% |
| 3 | 10 | Science - Physics | 3 | 0.00 | entropy (Part 3) | 67% | microstates (Part 5) | 0% | indistinguishability (Part 4) | 0% |
| 3 | 10 | Science - Physics | 0 | 0.00 | entropy (Part 6) | 0% | microstates (Part 2) | 0% | indistinguishability (Part 1) | 0% |
| 3 | 10 | Science - Physics | 0 | 0.00 | entropy (Part 6) | 0% | microstates (Part 2) | 0% | indistinguishability (Part 4) | 0% |
| 3 | 10 | Science - Physics | 0 | 0.00 | entropy (Part 6) | 0% | microstates (Part 5) | 0% | indistinguishability (Part 1) | 0% |
| 3 | 10 | Science - Physics | 0 | 0.00 | entropy (Part 6) | 0% | microstates (Part 5) | 0% | indistinguishability (Part 4) | 0% |
| 3 | 11 | History - European | 3 | 10.00 | Rene Descartes (Part 3) | 67% | William Harvey (Part 2) | 33% | Montpellier (Part 1) | 0% |
| 3 | 11 | History - European | 3 | 0.00 | Rene Descartes (Part 3) | 67% | William Harvey (Part 2) | 33% | Montpellier (Part 4) | 0% |
| 3 | 11 | History - European | 3 | 0.00 | Rene Descartes (Part 3) | 67% | William Harvey (Part 5) | 0% | Montpellier (Part 1) | 0% |
| 3 | 11 | History - European | 3 | 0.00 | Rene Descartes (Part 3) | 67% | William Harvey (Part 5) | 0% | Montpellier (Part 4) | 0% |
| 3 | 11 | History - European | 0 | 0.00 | Rene Descartes (Part 6) | 0% | William Harvey (Part 2) | 0% | Montpellier (Part 1) | 0% |
| 3 | 11 | History - European | 0 | 0.00 | Rene Descartes (Part 6) | 0% | William Harvey (Part 2) | 0% | Montpellier (Part 4) | 0% |
| 3 | 11 | History - European | 0 | 0.00 | Rene Descartes (Part 6) | 0% | William Harvey (Part 5) | 0% | Montpellier (Part 1) | 0% |
| 3 | 11 | History - European | 0 | 0.00 | Rene Descartes (Part 6) | 0% | William Harvey (Part 5) | 0% | Montpellier (Part 4) | 0% |
| 3 | 12 | Science - Other | 3 | 6.67 | regular (Part 2) | 0% | stack (Part 1) | 33% | pumping lemma (Part 3) | 33% |
| 3 | 12 | Science - Other | 3 | 0.00 | regular (Part 2) | 0% | stack (Part 1) | 33% | pumping lemma (Part 6) | 0% |
| 3 | 12 | Science - Other | 3 | 0.00 | regular (Part 2) | 0% | stack (Part 4) | 0% | pumping lemma (Part 3) | 33% |
| 3 | 12 | Science - Other | 3 | 0.00 | regular (Part 2) | 0% | stack (Part 4) | 0% | pumping lemma (Part 6) | 0% |
| 3 | 12 | Science - Other | 0 | 0.00 | regular (Part 5) | 0% | stack (Part 1) | 0% | pumping lemma (Part 3) | 0% |
| 3 | 12 | Science - Other | 0 | 0.00 | regular (Part 5) | 0% | stack (Part 1) | 0% | pumping lemma (Part 6) | 0% |
| 3 | 12 | Science - Other | 0 | 0.00 | regular (Part 5) | 0% | stack (Part 4) | 0% | pumping lemma (Part 3) | 0% |
| 3 | 12 | Science - Other | 0 | 0.00 | regular (Part 5) | 0% | stack (Part 4) | 0% | pumping lemma (Part 6) | 0% |
| 3 | 13 | Social Science | 3 | 20.00 | social networks (Part 3) | 0% | social capital (Part 2) | 100% | structural holes (Part 1) | 100% |
| 3 | 13 | Social Science | 3 | 0.00 | social networks (Part 3) | 0% | social capital (Part 2) | 100% | structural holes (Part 4) | 0% |
| 3 | 13 | Social Science | 3 | 0.00 | social networks (Part 3) | 0% | social capital (Part 5) | 0% | structural holes (Part 1) | 100% |
| 3 | 13 | Social Science | 3 | 0.00 | social networks (Part 3) | 0% | social capital (Part 5) | 0% | structural holes (Part 4) | 0% |
| 3 | 13 | Social Science | 0 | 0.00 | social networks (Part 6) | 0% | social capital (Part 2) | 0% | structural holes (Part 1) | 0% |
| 3 | 13 | Social Science | 0 | 0.00 | social networks (Part 6) | 0% | social capital (Part 2) | 0% | structural holes (Part 4) | 0% |
| 3 | 13 | Social Science | 0 | 0.00 | social networks (Part 6) | 0% | social capital (Part 5) | 0% | structural holes (Part 1) | 0% |
| 3 | 13 | Social Science | 0 | 0.00 | social networks (Part 6) | 0% | social capital (Part 5) | 0% | structural holes (Part 4) | 0% |
| 3 | 14 | Fine Arts - Other | 2 | 15.00 | Marcel Duchamp (Part 3) | 50% | chess (Part 2) | 100% | Lithuania (Part 1) | 0% |
| 3 | 14 | Fine Arts - Other | 2 | 0.00 | Marcel Duchamp (Part 3) | 50% | chess (Part 2) | 100% | Lithuania (Part 4) | 0% |
| 3 | 14 | Fine Arts - Other | 2 | 0.00 | Marcel Duchamp (Part 3) | 50% | chess (Part 5) | 0% | Lithuania (Part 1) | 0% |
| 3 | 14 | Fine Arts - Other | 2 | 0.00 | Marcel Duchamp (Part 3) | 50% | chess (Part 5) | 0% | Lithuania (Part 4) | 0% |
| 3 | 14 | Fine Arts - Other | 0 | 0.00 | Marcel Duchamp (Part 6) | 0% | chess (Part 2) | 0% | Lithuania (Part 1) | 0% |
| 3 | 14 | Fine Arts - Other | 0 | 0.00 | Marcel Duchamp (Part 6) | 0% | chess (Part 2) | 0% | Lithuania (Part 4) | 0% |
| 3 | 14 | Fine Arts - Other | 0 | 0.00 | Marcel Duchamp (Part 6) | 0% | chess (Part 5) | 0% | Lithuania (Part 1) | 0% |
| 3 | 14 | Fine Arts - Other | 0 | 0.00 | Marcel Duchamp (Part 6) | 0% | chess (Part 5) | 0% | Lithuania (Part 4) | 0% |
| 3 | 15 | History - World | 2 | 15.00 | Deccan Plateau (Part 3) | 100% | Delhi Sultanate (Part 2) | 50% | Afro-Indian (Part 1) | 0% |
| 3 | 15 | History - World | 2 | 0.00 | Deccan Plateau (Part 3) | 100% | Delhi Sultanate (Part 2) | 50% | Afro-Indian (Part 4) | 0% |
| 3 | 15 | History - World | 2 | 0.00 | Deccan Plateau (Part 3) | 100% | Delhi Sultanate (Part 5) | 0% | Afro-Indian (Part 1) | 0% |
| 3 | 15 | History - World | 2 | 0.00 | Deccan Plateau (Part 3) | 100% | Delhi Sultanate (Part 5) | 0% | Afro-Indian (Part 4) | 0% |
| 3 | 15 | History - World | 0 | 0.00 | Deccan Plateau (Part 6) | 0% | Delhi Sultanate (Part 2) | 0% | Afro-Indian (Part 1) | 0% |
| 3 | 15 | History - World | 0 | 0.00 | Deccan Plateau (Part 6) | 0% | Delhi Sultanate (Part 2) | 0% | Afro-Indian (Part 4) | 0% |
| 3 | 15 | History - World | 0 | 0.00 | Deccan Plateau (Part 6) | 0% | Delhi Sultanate (Part 5) | 0% | Afro-Indian (Part 1) | 0% |
| 3 | 15 | History - World | 0 | 0.00 | Deccan Plateau (Part 6) | 0% | Delhi Sultanate (Part 5) | 0% | Afro-Indian (Part 4) | 0% |
| 3 | 16 | Religion | 2 | 15.00 | Sufi Islam (Part 1) | 50% | Ahmadiyya Muslim Community (Part 3) | 0% | 40 (Part 2) | 100% |
| 3 | 16 | Religion | 2 | 0.00 | Sufi Islam (Part 1) | 50% | Ahmadiyya Muslim Community (Part 3) | 0% | 40 (Part 5) | 0% |
| 3 | 16 | Religion | 2 | 0.00 | Sufi Islam (Part 1) | 50% | Ahmadiyya Muslim Community (Part 6) | 0% | 40 (Part 2) | 100% |
| 3 | 16 | Religion | 2 | 0.00 | Sufi Islam (Part 1) | 50% | Ahmadiyya Muslim Community (Part 6) | 0% | 40 (Part 5) | 0% |
| 3 | 16 | Religion | 0 | 0.00 | Sufi Islam (Part 4) | 0% | Ahmadiyya Muslim Community (Part 3) | 0% | 40 (Part 2) | 0% |
| 3 | 16 | Religion | 0 | 0.00 | Sufi Islam (Part 4) | 0% | Ahmadiyya Muslim Community (Part 3) | 0% | 40 (Part 5) | 0% |
| 3 | 16 | Religion | 0 | 0.00 | Sufi Islam (Part 4) | 0% | Ahmadiyya Muslim Community (Part 6) | 0% | 40 (Part 2) | 0% |
| 3 | 16 | Religion | 0 | 0.00 | Sufi Islam (Part 4) | 0% | Ahmadiyya Muslim Community (Part 6) | 0% | 40 (Part 5) | 0% |
| 3 | 17 | History - American | 1 | 10.00 | John Joseph Pershing (Part 3) | 100% | Second Battle of the Marne (Part 1) | 0% | Harlem (Part 2) | 0% |
| 3 | 17 | History - American | 1 | 0.00 | John Joseph Pershing (Part 3) | 100% | Second Battle of the Marne (Part 1) | 0% | Harlem (Part 5) | 0% |
| 3 | 17 | History - American | 1 | 0.00 | John Joseph Pershing (Part 3) | 100% | Second Battle of the Marne (Part 4) | 0% | Harlem (Part 2) | 0% |
| 3 | 17 | History - American | 1 | 0.00 | John Joseph Pershing (Part 3) | 100% | Second Battle of the Marne (Part 4) | 0% | Harlem (Part 5) | 0% |
| 3 | 17 | History - American | 0 | 0.00 | John Joseph Pershing (Part 6) | 0% | Second Battle of the Marne (Part 1) | 0% | Harlem (Part 2) | 0% |
| 3 | 17 | History - American | 0 | 0.00 | John Joseph Pershing (Part 6) | 0% | Second Battle of the Marne (Part 1) | 0% | Harlem (Part 5) | 0% |
| 3 | 17 | History - American | 0 | 0.00 | John Joseph Pershing (Part 6) | 0% | Second Battle of the Marne (Part 4) | 0% | Harlem (Part 2) | 0% |
| 3 | 17 | History - American | 0 | 0.00 | John Joseph Pershing (Part 6) | 0% | Second Battle of the Marne (Part 4) | 0% | Harlem (Part 5) | 0% |
| 3 | 18 | Science - Chemistry | 1 | 0.00 | chemical shift (Part 3) | 0% | Berry pseudorotation (Part 1) | 0% | trichloro•fluoro•methane (Part 2) | 0% |
| 3 | 18 | Science - Chemistry | 1 | 0.00 | chemical shift (Part 3) | 0% | Berry pseudorotation (Part 1) | 0% | trichloro•fluoro•methane (Part 5) | 0% |
| 3 | 18 | Science - Chemistry | 1 | 0.00 | chemical shift (Part 3) | 0% | Berry pseudorotation (Part 4) | 0% | trichloro•fluoro•methane (Part 2) | 0% |
| 3 | 18 | Science - Chemistry | 1 | 0.00 | chemical shift (Part 3) | 0% | Berry pseudorotation (Part 4) | 0% | trichloro•fluoro•methane (Part 5) | 0% |
| 3 | 18 | Science - Chemistry | 0 | 0.00 | chemical shift (Part 6) | 0% | Berry pseudorotation (Part 1) | 0% | trichloro•fluoro•methane (Part 2) | 0% |
| 3 | 18 | Science - Chemistry | 0 | 0.00 | chemical shift (Part 6) | 0% | Berry pseudorotation (Part 1) | 0% | trichloro•fluoro•methane (Part 5) | 0% |
| 3 | 18 | Science - Chemistry | 0 | 0.00 | chemical shift (Part 6) | 0% | Berry pseudorotation (Part 4) | 0% | trichloro•fluoro•methane (Part 2) | 0% |
| 3 | 18 | Science - Chemistry | 0 | 0.00 | chemical shift (Part 6) | 0% | Berry pseudorotation (Part 4) | 0% | trichloro•fluoro•methane (Part 5) | 0% |
| 3 | 19 | Pop Culture | 0 | 0.00 | David Lynch (Part 1) | 0% | Peter Sellers (Part 2) | 0% | Dougie Jones (Part 3) | 0% |
| 3 | 19 | Pop Culture | 0 | 0.00 | David Lynch (Part 1) | 0% | Peter Sellers (Part 2) | 0% | Dougie Jones (Part 6) | 0% |
| 3 | 19 | Pop Culture | 0 | 0.00 | David Lynch (Part 1) | 0% | Peter Sellers (Part 5) | 0% | Dougie Jones (Part 3) | 0% |
| 3 | 19 | Pop Culture | 0 | 0.00 | David Lynch (Part 1) | 0% | Peter Sellers (Part 5) | 0% | Dougie Jones (Part 6) | 0% |
| 3 | 19 | Pop Culture | 0 | 0.00 | David Lynch (Part 4) | 0% | Peter Sellers (Part 2) | 0% | Dougie Jones (Part 3) | 0% |
| 3 | 19 | Pop Culture | 0 | 0.00 | David Lynch (Part 4) | 0% | Peter Sellers (Part 2) | 0% | Dougie Jones (Part 6) | 0% |
| 3 | 19 | Pop Culture | 0 | 0.00 | David Lynch (Part 4) | 0% | Peter Sellers (Part 5) | 0% | Dougie Jones (Part 3) | 0% |
| 3 | 19 | Pop Culture | 0 | 0.00 | David Lynch (Part 4) | 0% | Peter Sellers (Part 5) | 0% | Dougie Jones (Part 6) | 0% |
| 3 | 20 | Fine Arts - Auditory | 0 | 0.00 | Felix Mendelssohn (Part 3) | 0% | Joseph Joachim (Part 1) | 0% | Johannes Brahms’ Violin Concerto in D Major (Part 2) | 0% |
| 3 | 20 | Fine Arts - Auditory | 0 | 0.00 | Felix Mendelssohn (Part 3) | 0% | Joseph Joachim (Part 1) | 0% | Johannes Brahms’ Violin Concerto in D Major (Part 5) | 0% |
| 3 | 20 | Fine Arts - Auditory | 0 | 0.00 | Felix Mendelssohn (Part 3) | 0% | Joseph Joachim (Part 4) | 0% | Johannes Brahms’ Violin Concerto in D Major (Part 2) | 0% |
| 3 | 20 | Fine Arts - Auditory | 0 | 0.00 | Felix Mendelssohn (Part 3) | 0% | Joseph Joachim (Part 4) | 0% | Johannes Brahms’ Violin Concerto in D Major (Part 5) | 0% |
| 3 | 20 | Fine Arts - Auditory | 0 | 0.00 | Felix Mendelssohn (Part 6) | 0% | Joseph Joachim (Part 1) | 0% | Johannes Brahms’ Violin Concerto in D Major (Part 2) | 0% |
| 3 | 20 | Fine Arts - Auditory | 0 | 0.00 | Felix Mendelssohn (Part 6) | 0% | Joseph Joachim (Part 1) | 0% | Johannes Brahms’ Violin Concerto in D Major (Part 5) | 0% |
| 3 | 20 | Fine Arts - Auditory | 0 | 0.00 | Felix Mendelssohn (Part 6) | 0% | Joseph Joachim (Part 4) | 0% | Johannes Brahms’ Violin Concerto in D Major (Part 2) | 0% |
| 3 | 20 | Fine Arts - Auditory | 0 | 0.00 | Felix Mendelssohn (Part 6) | 0% | Joseph Joachim (Part 4) | 0% | Johannes Brahms’ Violin Concerto in D Major (Part 5) | 0% |
| 4 | 1 | Literature - European | 3 | 13.33 | Rainer Maria Rilke (Part 1) | 33% | Heinrich von Kleist (Part 3) | 100% | puppets (Part 2) | 0% |
| 4 | 1 | Literature - European | 3 | 0.00 | Rainer Maria Rilke (Part 1) | 33% | Heinrich von Kleist (Part 3) | 100% | puppets (Part 5) | 0% |
| 4 | 1 | Literature - European | 3 | 0.00 | Rainer Maria Rilke (Part 1) | 33% | Heinrich von Kleist (Part 6) | 0% | puppets (Part 2) | 0% |
| 4 | 1 | Literature - European | 3 | 0.00 | Rainer Maria Rilke (Part 1) | 33% | Heinrich von Kleist (Part 6) | 0% | puppets (Part 5) | 0% |
| 4 | 1 | Literature - European | 0 | 0.00 | Rainer Maria Rilke (Part 4) | 0% | Heinrich von Kleist (Part 3) | 0% | puppets (Part 2) | 0% |
| 4 | 1 | Literature - European | 0 | 0.00 | Rainer Maria Rilke (Part 4) | 0% | Heinrich von Kleist (Part 3) | 0% | puppets (Part 5) | 0% |
| 4 | 1 | Literature - European | 0 | 0.00 | Rainer Maria Rilke (Part 4) | 0% | Heinrich von Kleist (Part 6) | 0% | puppets (Part 2) | 0% |
| 4 | 1 | Literature - European | 0 | 0.00 | Rainer Maria Rilke (Part 4) | 0% | Heinrich von Kleist (Part 6) | 0% | puppets (Part 5) | 0% |
| 4 | 2 | Fine Arts - Visual | 3 | 13.33 | Pre-Raphaelite Brotherhood (Part 3) | 67% | The Light of the World (Part 2) | 0% | Thomas Carlyle (Part 1) | 67% |
| 4 | 2 | Fine Arts - Visual | 3 | 0.00 | Pre-Raphaelite Brotherhood (Part 3) | 67% | The Light of the World (Part 2) | 0% | Thomas Carlyle (Part 4) | 0% |
| 4 | 2 | Fine Arts - Visual | 3 | 0.00 | Pre-Raphaelite Brotherhood (Part 3) | 67% | The Light of the World (Part 5) | 0% | Thomas Carlyle (Part 1) | 67% |
| 4 | 2 | Fine Arts - Visual | 3 | 0.00 | Pre-Raphaelite Brotherhood (Part 3) | 67% | The Light of the World (Part 5) | 0% | Thomas Carlyle (Part 4) | 0% |
| 4 | 2 | Fine Arts - Visual | 0 | 0.00 | Pre-Raphaelite Brotherhood (Part 6) | 0% | The Light of the World (Part 2) | 0% | Thomas Carlyle (Part 1) | 0% |
| 4 | 2 | Fine Arts - Visual | 0 | 0.00 | Pre-Raphaelite Brotherhood (Part 6) | 0% | The Light of the World (Part 2) | 0% | Thomas Carlyle (Part 4) | 0% |
| 4 | 2 | Fine Arts - Visual | 0 | 0.00 | Pre-Raphaelite Brotherhood (Part 6) | 0% | The Light of the World (Part 5) | 0% | Thomas Carlyle (Part 1) | 0% |
| 4 | 2 | Fine Arts - Visual | 0 | 0.00 | Pre-Raphaelite Brotherhood (Part 6) | 0% | The Light of the World (Part 5) | 0% | Thomas Carlyle (Part 4) | 0% |
| 4 | 3 | Fine Arts - Auditory | 3 | 10.00 | Ludwig van Beethoven (Part 3) | 0% | choral (Part 2) | 100% | Credo (Part 1) | 0% |
| 4 | 3 | Fine Arts - Auditory | 3 | 0.00 | Ludwig van Beethoven (Part 3) | 0% | choral (Part 2) | 100% | Credo (Part 4) | 0% |
| 4 | 3 | Fine Arts - Auditory | 3 | 0.00 | Ludwig van Beethoven (Part 3) | 0% | choral (Part 5) | 0% | Credo (Part 1) | 0% |
| 4 | 3 | Fine Arts - Auditory | 3 | 0.00 | Ludwig van Beethoven (Part 3) | 0% | choral (Part 5) | 0% | Credo (Part 4) | 0% |
| 4 | 3 | Fine Arts - Auditory | 0 | 0.00 | Ludwig van Beethoven (Part 6) | 0% | choral (Part 2) | 0% | Credo (Part 1) | 0% |
| 4 | 3 | Fine Arts - Auditory | 0 | 0.00 | Ludwig van Beethoven (Part 6) | 0% | choral (Part 2) | 0% | Credo (Part 4) | 0% |
| 4 | 3 | Fine Arts - Auditory | 0 | 0.00 | Ludwig van Beethoven (Part 6) | 0% | choral (Part 5) | 0% | Credo (Part 1) | 0% |
| 4 | 3 | Fine Arts - Auditory | 0 | 0.00 | Ludwig van Beethoven (Part 6) | 0% | choral (Part 5) | 0% | Credo (Part 4) | 0% |
| 4 | 4 | History - Other | 3 | 13.33 | Bantu (Part 3) | 100% | San people (Part 2) | 33% | South Africa (Part 1) | 0% |
| 4 | 4 | History - Other | 3 | 0.00 | Bantu (Part 3) | 100% | San people (Part 2) | 33% | South Africa (Part 4) | 0% |
| 4 | 4 | History - Other | 3 | 0.00 | Bantu (Part 3) | 100% | San people (Part 5) | 0% | South Africa (Part 1) | 0% |
| 4 | 4 | History - Other | 3 | 0.00 | Bantu (Part 3) | 100% | San people (Part 5) | 0% | South Africa (Part 4) | 0% |
| 4 | 4 | History - Other | 0 | 0.00 | Bantu (Part 6) | 0% | San people (Part 2) | 0% | South Africa (Part 1) | 0% |
| 4 | 4 | History - Other | 0 | 0.00 | Bantu (Part 6) | 0% | San people (Part 2) | 0% | South Africa (Part 4) | 0% |
| 4 | 4 | History - Other | 0 | 0.00 | Bantu (Part 6) | 0% | San people (Part 5) | 0% | South Africa (Part 1) | 0% |
| 4 | 4 | History - Other | 0 | 0.00 | Bantu (Part 6) | 0% | San people (Part 5) | 0% | South Africa (Part 4) | 0% |
| 4 | 5 | History - European | 3 | 3.33 | burning at the stake (Part 1) | 0% | Giordano Bruno (Part 2) | 33% | Robert Bellarmine (Part 3) | 0% |
| 4 | 5 | History - European | 3 | 0.00 | burning at the stake (Part 1) | 0% | Giordano Bruno (Part 2) | 33% | Robert Bellarmine (Part 6) | 0% |
| 4 | 5 | History - European | 3 | 0.00 | burning at the stake (Part 1) | 0% | Giordano Bruno (Part 5) | 0% | Robert Bellarmine (Part 3) | 0% |
| 4 | 5 | History - European | 3 | 0.00 | burning at the stake (Part 1) | 0% | Giordano Bruno (Part 5) | 0% | Robert Bellarmine (Part 6) | 0% |
| 4 | 5 | History - European | 0 | 0.00 | burning at the stake (Part 4) | 0% | Giordano Bruno (Part 2) | 0% | Robert Bellarmine (Part 3) | 0% |
| 4 | 5 | History - European | 0 | 0.00 | burning at the stake (Part 4) | 0% | Giordano Bruno (Part 2) | 0% | Robert Bellarmine (Part 6) | 0% |
| 4 | 5 | History - European | 0 | 0.00 | burning at the stake (Part 4) | 0% | Giordano Bruno (Part 5) | 0% | Robert Bellarmine (Part 3) | 0% |
| 4 | 5 | History - European | 0 | 0.00 | burning at the stake (Part 4) | 0% | Giordano Bruno (Part 5) | 0% | Robert Bellarmine (Part 6) | 0% |
| 4 | 6 | Other Academic | 3 | 13.33 | Wikipedia (Part 1) | 33% | web scraping (Part 3) | 0% | Stable Diffusion (Part 2) | 100% |
| 4 | 6 | Other Academic | 3 | 0.00 | Wikipedia (Part 1) | 33% | web scraping (Part 3) | 0% | Stable Diffusion (Part 5) | 0% |
| 4 | 6 | Other Academic | 3 | 0.00 | Wikipedia (Part 1) | 33% | web scraping (Part 6) | 0% | Stable Diffusion (Part 2) | 100% |
| 4 | 6 | Other Academic | 3 | 0.00 | Wikipedia (Part 1) | 33% | web scraping (Part 6) | 0% | Stable Diffusion (Part 5) | 0% |
| 4 | 6 | Other Academic | 0 | 0.00 | Wikipedia (Part 4) | 0% | web scraping (Part 3) | 0% | Stable Diffusion (Part 2) | 0% |
| 4 | 6 | Other Academic | 0 | 0.00 | Wikipedia (Part 4) | 0% | web scraping (Part 3) | 0% | Stable Diffusion (Part 5) | 0% |
| 4 | 6 | Other Academic | 0 | 0.00 | Wikipedia (Part 4) | 0% | web scraping (Part 6) | 0% | Stable Diffusion (Part 2) | 0% |
| 4 | 6 | Other Academic | 0 | 0.00 | Wikipedia (Part 4) | 0% | web scraping (Part 6) | 0% | Stable Diffusion (Part 5) | 0% |
| 4 | 7 | Literature - British | 3 | 6.67 | Cressida (Part 1) | 67% | butler (Part 2) | 0% | Mark Ravenhill (Part 3) | 0% |
| 4 | 7 | Literature - British | 3 | 0.00 | Cressida (Part 1) | 67% | butler (Part 2) | 0% | Mark Ravenhill (Part 6) | 0% |
| 4 | 7 | Literature - British | 3 | 0.00 | Cressida (Part 1) | 67% | butler (Part 5) | 0% | Mark Ravenhill (Part 3) | 0% |
| 4 | 7 | Literature - British | 3 | 0.00 | Cressida (Part 1) | 67% | butler (Part 5) | 0% | Mark Ravenhill (Part 6) | 0% |
| 4 | 7 | Literature - British | 0 | 0.00 | Cressida (Part 4) | 0% | butler (Part 2) | 0% | Mark Ravenhill (Part 3) | 0% |
| 4 | 7 | Literature - British | 0 | 0.00 | Cressida (Part 4) | 0% | butler (Part 2) | 0% | Mark Ravenhill (Part 6) | 0% |
| 4 | 7 | Literature - British | 0 | 0.00 | Cressida (Part 4) | 0% | butler (Part 5) | 0% | Mark Ravenhill (Part 3) | 0% |
| 4 | 7 | Literature - British | 0 | 0.00 | Cressida (Part 4) | 0% | butler (Part 5) | 0% | Mark Ravenhill (Part 6) | 0% |
| 4 | 8 | Science - Physics | 3 | 16.67 | standing waves (Part 1) | 33% | fundamental frequency (Part 3) | 100% | Kundt’s tube (Part 2) | 33% |
| 4 | 8 | Science - Physics | 3 | 0.00 | standing waves (Part 1) | 33% | fundamental frequency (Part 3) | 100% | Kundt’s tube (Part 5) | 0% |
| 4 | 8 | Science - Physics | 3 | 0.00 | standing waves (Part 1) | 33% | fundamental frequency (Part 6) | 0% | Kundt’s tube (Part 2) | 33% |
| 4 | 8 | Science - Physics | 3 | 0.00 | standing waves (Part 1) | 33% | fundamental frequency (Part 6) | 0% | Kundt’s tube (Part 5) | 0% |
| 4 | 8 | Science - Physics | 0 | 0.00 | standing waves (Part 4) | 0% | fundamental frequency (Part 3) | 0% | Kundt’s tube (Part 2) | 0% |
| 4 | 8 | Science - Physics | 0 | 0.00 | standing waves (Part 4) | 0% | fundamental frequency (Part 3) | 0% | Kundt’s tube (Part 5) | 0% |
| 4 | 8 | Science - Physics | 0 | 0.00 | standing waves (Part 4) | 0% | fundamental frequency (Part 6) | 0% | Kundt’s tube (Part 2) | 0% |
| 4 | 8 | Science - Physics | 0 | 0.00 | standing waves (Part 4) | 0% | fundamental frequency (Part 6) | 0% | Kundt’s tube (Part 5) | 0% |
| 4 | 9 | History - World | 3 | 10.00 | Maya (Part 1) | 100% | Rafael Trujillo (Part 3) | 0% | Carlos Castillo Armas (Part 2) | 0% |
| 4 | 9 | History - World | 3 | 0.00 | Maya (Part 1) | 100% | Rafael Trujillo (Part 3) | 0% | Carlos Castillo Armas (Part 5) | 0% |
| 4 | 9 | History - World | 3 | 0.00 | Maya (Part 1) | 100% | Rafael Trujillo (Part 6) | 0% | Carlos Castillo Armas (Part 2) | 0% |
| 4 | 9 | History - World | 3 | 0.00 | Maya (Part 1) | 100% | Rafael Trujillo (Part 6) | 0% | Carlos Castillo Armas (Part 5) | 0% |
| 4 | 9 | History - World | 0 | 0.00 | Maya (Part 4) | 0% | Rafael Trujillo (Part 3) | 0% | Carlos Castillo Armas (Part 2) | 0% |
| 4 | 9 | History - World | 0 | 0.00 | Maya (Part 4) | 0% | Rafael Trujillo (Part 3) | 0% | Carlos Castillo Armas (Part 5) | 0% |
| 4 | 9 | History - World | 0 | 0.00 | Maya (Part 4) | 0% | Rafael Trujillo (Part 6) | 0% | Carlos Castillo Armas (Part 2) | 0% |
| 4 | 9 | History - World | 0 | 0.00 | Maya (Part 4) | 0% | Rafael Trujillo (Part 6) | 0% | Carlos Castillo Armas (Part 5) | 0% |
| 4 | 10 | Fine Arts - Other | 3 | 13.33 | Mughal Empire (Part 3) | 33% | arches (Part 1) | 0% | stepwells (Part 2) | 100% |
| 4 | 10 | Fine Arts - Other | 3 | 0.00 | Mughal Empire (Part 3) | 33% | arches (Part 1) | 0% | stepwells (Part 5) | 0% |
| 4 | 10 | Fine Arts - Other | 3 | 0.00 | Mughal Empire (Part 3) | 33% | arches (Part 4) | 0% | stepwells (Part 2) | 100% |
| 4 | 10 | Fine Arts - Other | 3 | 0.00 | Mughal Empire (Part 3) | 33% | arches (Part 4) | 0% | stepwells (Part 5) | 0% |
| 4 | 10 | Fine Arts - Other | 0 | 0.00 | Mughal Empire (Part 6) | 0% | arches (Part 1) | 0% | stepwells (Part 2) | 0% |
| 4 | 10 | Fine Arts - Other | 0 | 0.00 | Mughal Empire (Part 6) | 0% | arches (Part 1) | 0% | stepwells (Part 5) | 0% |
| 4 | 10 | Fine Arts - Other | 0 | 0.00 | Mughal Empire (Part 6) | 0% | arches (Part 4) | 0% | stepwells (Part 2) | 0% |
| 4 | 10 | Fine Arts - Other | 0 | 0.00 | Mughal Empire (Part 6) | 0% | arches (Part 4) | 0% | stepwells (Part 5) | 0% |
| 4 | 11 | History - American | 3 | 10.00 | Civil Rights Act (Part 3) | 33% | St. Louis (Part 1) | 67% | Shelley v. Kraemer (Part 2) | 0% |
| 4 | 11 | History - American | 3 | 0.00 | Civil Rights Act (Part 3) | 33% | St. Louis (Part 1) | 67% | Shelley v. Kraemer (Part 5) | 0% |
| 4 | 11 | History - American | 3 | 0.00 | Civil Rights Act (Part 3) | 33% | St. Louis (Part 4) | 0% | Shelley v. Kraemer (Part 2) | 0% |
| 4 | 11 | History - American | 3 | 0.00 | Civil Rights Act (Part 3) | 33% | St. Louis (Part 4) | 0% | Shelley v. Kraemer (Part 5) | 0% |
| 4 | 11 | History - American | 0 | 0.00 | Civil Rights Act (Part 6) | 0% | St. Louis (Part 1) | 0% | Shelley v. Kraemer (Part 2) | 0% |
| 4 | 11 | History - American | 0 | 0.00 | Civil Rights Act (Part 6) | 0% | St. Louis (Part 1) | 0% | Shelley v. Kraemer (Part 5) | 0% |
| 4 | 11 | History - American | 0 | 0.00 | Civil Rights Act (Part 6) | 0% | St. Louis (Part 4) | 0% | Shelley v. Kraemer (Part 2) | 0% |
| 4 | 11 | History - American | 0 | 0.00 | Civil Rights Act (Part 6) | 0% | St. Louis (Part 4) | 0% | Shelley v. Kraemer (Part 5) | 0% |
| 4 | 12 | Science - Chemistry | 3 | 13.33 | tartaric acid (Part 1) | 0% | proline (Part 2) | 67% | BINOL (Part 3) | 67% |
| 4 | 12 | Science - Chemistry | 3 | 0.00 | tartaric acid (Part 1) | 0% | proline (Part 2) | 67% | BINOL (Part 6) | 0% |
| 4 | 12 | Science - Chemistry | 3 | 0.00 | tartaric acid (Part 1) | 0% | proline (Part 5) | 0% | BINOL (Part 3) | 67% |
| 4 | 12 | Science - Chemistry | 3 | 0.00 | tartaric acid (Part 1) | 0% | proline (Part 5) | 0% | BINOL (Part 6) | 0% |
| 4 | 12 | Science - Chemistry | 0 | 0.00 | tartaric acid (Part 4) | 0% | proline (Part 2) | 0% | BINOL (Part 3) | 0% |
| 4 | 12 | Science - Chemistry | 0 | 0.00 | tartaric acid (Part 4) | 0% | proline (Part 2) | 0% | BINOL (Part 6) | 0% |
| 4 | 12 | Science - Chemistry | 0 | 0.00 | tartaric acid (Part 4) | 0% | proline (Part 5) | 0% | BINOL (Part 3) | 0% |
| 4 | 12 | Science - Chemistry | 0 | 0.00 | tartaric acid (Part 4) | 0% | proline (Part 5) | 0% | BINOL (Part 6) | 0% |
| 4 | 13 | Science - Other | 3 | 13.33 | Gemini (Part 2) | 33% | pulsars (Part 1) | 67% | dwarf novae (Part 3) | 33% |
| 4 | 13 | Science - Other | 3 | 0.00 | Gemini (Part 2) | 33% | pulsars (Part 1) | 67% | dwarf novae (Part 6) | 0% |
| 4 | 13 | Science - Other | 3 | 0.00 | Gemini (Part 2) | 33% | pulsars (Part 4) | 0% | dwarf novae (Part 3) | 33% |
| 4 | 13 | Science - Other | 3 | 0.00 | Gemini (Part 2) | 33% | pulsars (Part 4) | 0% | dwarf novae (Part 6) | 0% |
| 4 | 13 | Science - Other | 0 | 0.00 | Gemini (Part 5) | 0% | pulsars (Part 1) | 0% | dwarf novae (Part 3) | 0% |
| 4 | 13 | Science - Other | 0 | 0.00 | Gemini (Part 5) | 0% | pulsars (Part 1) | 0% | dwarf novae (Part 6) | 0% |
| 4 | 13 | Science - Other | 0 | 0.00 | Gemini (Part 5) | 0% | pulsars (Part 4) | 0% | dwarf novae (Part 3) | 0% |
| 4 | 13 | Science - Other | 0 | 0.00 | Gemini (Part 5) | 0% | pulsars (Part 4) | 0% | dwarf novae (Part 6) | 0% |
| 4 | 14 | Social Science | 2 | 10.00 | oligopoly (Part 1) | 0% | monopolistic competition (Part 2) | 0% | demand AND average total cost (Part 3) | 100% |
| 4 | 14 | Social Science | 2 | 0.00 | oligopoly (Part 1) | 0% | monopolistic competition (Part 2) | 0% | demand AND average total cost (Part 6) | 0% |
| 4 | 14 | Social Science | 2 | 0.00 | oligopoly (Part 1) | 0% | monopolistic competition (Part 5) | 0% | demand AND average total cost (Part 3) | 100% |
| 4 | 14 | Social Science | 2 | 0.00 | oligopoly (Part 1) | 0% | monopolistic competition (Part 5) | 0% | demand AND average total cost (Part 6) | 0% |
| 4 | 14 | Social Science | 0 | 0.00 | oligopoly (Part 4) | 0% | monopolistic competition (Part 2) | 0% | demand AND average total cost (Part 3) | 0% |
| 4 | 14 | Social Science | 0 | 0.00 | oligopoly (Part 4) | 0% | monopolistic competition (Part 2) | 0% | demand AND average total cost (Part 6) | 0% |
| 4 | 14 | Social Science | 0 | 0.00 | oligopoly (Part 4) | 0% | monopolistic competition (Part 5) | 0% | demand AND average total cost (Part 3) | 0% |
| 4 | 14 | Social Science | 0 | 0.00 | oligopoly (Part 4) | 0% | monopolistic competition (Part 5) | 0% | demand AND average total cost (Part 6) | 0% |
| 4 | 15 | Religion | 2 | 10.00 | shofar (Part 3) | 0% | Methodism (Part 1) | 0% | Asbury University (Part 2) | 100% |
| 4 | 15 | Religion | 2 | 0.00 | shofar (Part 3) | 0% | Methodism (Part 1) | 0% | Asbury University (Part 5) | 0% |
| 4 | 15 | Religion | 2 | 0.00 | shofar (Part 3) | 0% | Methodism (Part 4) | 0% | Asbury University (Part 2) | 100% |
| 4 | 15 | Religion | 2 | 0.00 | shofar (Part 3) | 0% | Methodism (Part 4) | 0% | Asbury University (Part 5) | 0% |
| 4 | 15 | Religion | 0 | 0.00 | shofar (Part 6) | 0% | Methodism (Part 1) | 0% | Asbury University (Part 2) | 0% |
| 4 | 15 | Religion | 0 | 0.00 | shofar (Part 6) | 0% | Methodism (Part 1) | 0% | Asbury University (Part 5) | 0% |
| 4 | 15 | Religion | 0 | 0.00 | shofar (Part 6) | 0% | Methodism (Part 4) | 0% | Asbury University (Part 2) | 0% |
| 4 | 15 | Religion | 0 | 0.00 | shofar (Part 6) | 0% | Methodism (Part 4) | 0% | Asbury University (Part 5) | 0% |
| 4 | 16 | Philosophy | 2 | 15.00 | Bertrand Russell (Part 3) | 0% | evolution (Part 1) | 50% | élan vital (Part 2) | 100% |
| 4 | 16 | Philosophy | 2 | 0.00 | Bertrand Russell (Part 3) | 0% | evolution (Part 1) | 50% | élan vital (Part 5) | 0% |
| 4 | 16 | Philosophy | 2 | 0.00 | Bertrand Russell (Part 3) | 0% | evolution (Part 4) | 0% | élan vital (Part 2) | 100% |
| 4 | 16 | Philosophy | 2 | 0.00 | Bertrand Russell (Part 3) | 0% | evolution (Part 4) | 0% | élan vital (Part 5) | 0% |
| 4 | 16 | Philosophy | 0 | 0.00 | Bertrand Russell (Part 6) | 0% | evolution (Part 1) | 0% | élan vital (Part 2) | 0% |
| 4 | 16 | Philosophy | 0 | 0.00 | Bertrand Russell (Part 6) | 0% | evolution (Part 1) | 0% | élan vital (Part 5) | 0% |
| 4 | 16 | Philosophy | 0 | 0.00 | Bertrand Russell (Part 6) | 0% | evolution (Part 4) | 0% | élan vital (Part 2) | 0% |
| 4 | 16 | Philosophy | 0 | 0.00 | Bertrand Russell (Part 6) | 0% | evolution (Part 4) | 0% | élan vital (Part 5) | 0% |
| 4 | 17 | Mythology | 1 | 20.00 | Kali (Part 3) | 100% | yugas (Part 1) | 0% | blood (Part 2) | 100% |
| 4 | 17 | Mythology | 1 | 0.00 | Kali (Part 3) | 100% | yugas (Part 1) | 0% | blood (Part 5) | 0% |
| 4 | 17 | Mythology | 1 | 0.00 | Kali (Part 3) | 100% | yugas (Part 4) | 0% | blood (Part 2) | 100% |
| 4 | 17 | Mythology | 1 | 0.00 | Kali (Part 3) | 100% | yugas (Part 4) | 0% | blood (Part 5) | 0% |
| 4 | 17 | Mythology | 0 | 0.00 | Kali (Part 6) | 0% | yugas (Part 1) | 0% | blood (Part 2) | 0% |
| 4 | 17 | Mythology | 0 | 0.00 | Kali (Part 6) | 0% | yugas (Part 1) | 0% | blood (Part 5) | 0% |
| 4 | 17 | Mythology | 0 | 0.00 | Kali (Part 6) | 0% | yugas (Part 4) | 0% | blood (Part 2) | 0% |
| 4 | 17 | Mythology | 0 | 0.00 | Kali (Part 6) | 0% | yugas (Part 4) | 0% | blood (Part 5) | 0% |
| 4 | 18 | Literature - American | 0 | 0.00 | L. Frank Baum (Part 3) | 0% | Theodore Dreiser (Part 2) | 0% | shirts (Part 1) | 0% |
| 4 | 18 | Literature - American | 0 | 0.00 | L. Frank Baum (Part 3) | 0% | Theodore Dreiser (Part 2) | 0% | shirts (Part 4) | 0% |
| 4 | 18 | Literature - American | 0 | 0.00 | L. Frank Baum (Part 3) | 0% | Theodore Dreiser (Part 5) | 0% | shirts (Part 1) | 0% |
| 4 | 18 | Literature - American | 0 | 0.00 | L. Frank Baum (Part 3) | 0% | Theodore Dreiser (Part 5) | 0% | shirts (Part 4) | 0% |
| 4 | 18 | Literature - American | 0 | 0.00 | L. Frank Baum (Part 6) | 0% | Theodore Dreiser (Part 2) | 0% | shirts (Part 1) | 0% |
| 4 | 18 | Literature - American | 0 | 0.00 | L. Frank Baum (Part 6) | 0% | Theodore Dreiser (Part 2) | 0% | shirts (Part 4) | 0% |
| 4 | 18 | Literature - American | 0 | 0.00 | L. Frank Baum (Part 6) | 0% | Theodore Dreiser (Part 5) | 0% | shirts (Part 1) | 0% |
| 4 | 18 | Literature - American | 0 | 0.00 | L. Frank Baum (Part 6) | 0% | Theodore Dreiser (Part 5) | 0% | shirts (Part 4) | 0% |
| 4 | 19 | Science - Biology | 0 | 0.00 | periodic cicadas (Part 3) | 0% | predator satiation (Part 1) | 0% | bamboo (Part 2) | 0% |
| 4 | 19 | Science - Biology | 0 | 0.00 | periodic cicadas (Part 3) | 0% | predator satiation (Part 1) | 0% | bamboo (Part 5) | 0% |
| 4 | 19 | Science - Biology | 0 | 0.00 | periodic cicadas (Part 3) | 0% | predator satiation (Part 4) | 0% | bamboo (Part 2) | 0% |
| 4 | 19 | Science - Biology | 0 | 0.00 | periodic cicadas (Part 3) | 0% | predator satiation (Part 4) | 0% | bamboo (Part 5) | 0% |
| 4 | 19 | Science - Biology | 0 | 0.00 | periodic cicadas (Part 6) | 0% | predator satiation (Part 1) | 0% | bamboo (Part 2) | 0% |
| 4 | 19 | Science - Biology | 0 | 0.00 | periodic cicadas (Part 6) | 0% | predator satiation (Part 1) | 0% | bamboo (Part 5) | 0% |
| 4 | 19 | Science - Biology | 0 | 0.00 | periodic cicadas (Part 6) | 0% | predator satiation (Part 4) | 0% | bamboo (Part 2) | 0% |
| 4 | 19 | Science - Biology | 0 | 0.00 | periodic cicadas (Part 6) | 0% | predator satiation (Part 4) | 0% | bamboo (Part 5) | 0% |
| 4 | 20 | Literature - World | 0 | 0.00 | masks (Part 2) | 0% | bunraku (Part 1) | 0% | pansori (Part 3) | 0% |
| 4 | 20 | Literature - World | 0 | 0.00 | masks (Part 2) | 0% | bunraku (Part 1) | 0% | pansori (Part 6) | 0% |
| 4 | 20 | Literature - World | 0 | 0.00 | masks (Part 2) | 0% | bunraku (Part 4) | 0% | pansori (Part 3) | 0% |
| 4 | 20 | Literature - World | 0 | 0.00 | masks (Part 2) | 0% | bunraku (Part 4) | 0% | pansori (Part 6) | 0% |
| 4 | 20 | Literature - World | 0 | 0.00 | masks (Part 5) | 0% | bunraku (Part 1) | 0% | pansori (Part 3) | 0% |
| 4 | 20 | Literature - World | 0 | 0.00 | masks (Part 5) | 0% | bunraku (Part 1) | 0% | pansori (Part 6) | 0% |
| 4 | 20 | Literature - World | 0 | 0.00 | masks (Part 5) | 0% | bunraku (Part 4) | 0% | pansori (Part 3) | 0% |
| 4 | 20 | Literature - World | 0 | 0.00 | masks (Part 5) | 0% | bunraku (Part 4) | 0% | pansori (Part 6) | 0% |
| 5 | 1 | Science - Biology | 3 | 10.00 | depression (Part 1) | 67% | hallucinogenicity (Part 2) | 33% | tdTomato (Part 3) | 0% |
| 5 | 1 | Science - Biology | 3 | 0.00 | depression (Part 1) | 67% | hallucinogenicity (Part 2) | 33% | tdTomato (Part 6) | 0% |
| 5 | 1 | Science - Biology | 3 | 0.00 | depression (Part 1) | 67% | hallucinogenicity (Part 5) | 0% | tdTomato (Part 3) | 0% |
| 5 | 1 | Science - Biology | 3 | 0.00 | depression (Part 1) | 67% | hallucinogenicity (Part 5) | 0% | tdTomato (Part 6) | 0% |
| 5 | 1 | Science - Biology | 0 | 0.00 | depression (Part 4) | 0% | hallucinogenicity (Part 2) | 0% | tdTomato (Part 3) | 0% |
| 5 | 1 | Science - Biology | 0 | 0.00 | depression (Part 4) | 0% | hallucinogenicity (Part 2) | 0% | tdTomato (Part 6) | 0% |
| 5 | 1 | Science - Biology | 0 | 0.00 | depression (Part 4) | 0% | hallucinogenicity (Part 5) | 0% | tdTomato (Part 3) | 0% |
| 5 | 1 | Science - Biology | 0 | 0.00 | depression (Part 4) | 0% | hallucinogenicity (Part 5) | 0% | tdTomato (Part 6) | 0% |
| 5 | 2 | History - World | 3 | 20.00 | Republic of Haiti (Part 1) | 100% | asiento system (Part 2) | 100% | Cuba (Part 3) | 0% |
| 5 | 2 | History - World | 3 | 0.00 | Republic of Haiti (Part 1) | 100% | asiento system (Part 2) | 100% | Cuba (Part 6) | 0% |
| 5 | 2 | History - World | 3 | 0.00 | Republic of Haiti (Part 1) | 100% | asiento system (Part 5) | 0% | Cuba (Part 3) | 0% |
| 5 | 2 | History - World | 3 | 0.00 | Republic of Haiti (Part 1) | 100% | asiento system (Part 5) | 0% | Cuba (Part 6) | 0% |
| 5 | 2 | History - World | 0 | 0.00 | Republic of Haiti (Part 4) | 0% | asiento system (Part 2) | 0% | Cuba (Part 3) | 0% |
| 5 | 2 | History - World | 0 | 0.00 | Republic of Haiti (Part 4) | 0% | asiento system (Part 2) | 0% | Cuba (Part 6) | 0% |
| 5 | 2 | History - World | 0 | 0.00 | Republic of Haiti (Part 4) | 0% | asiento system (Part 5) | 0% | Cuba (Part 3) | 0% |
| 5 | 2 | History - World | 0 | 0.00 | Republic of Haiti (Part 4) | 0% | asiento system (Part 5) | 0% | Cuba (Part 6) | 0% |
| 5 | 3 | History - American | 3 | 16.67 | Ottoman Empire (Part 2) | 100% | USS Philadelphia (Part 1) | 33% | Baltimore (Part 3) | 33% |
| 5 | 3 | History - American | 3 | 0.00 | Ottoman Empire (Part 2) | 100% | USS Philadelphia (Part 1) | 33% | Baltimore (Part 6) | 0% |
| 5 | 3 | History - American | 3 | 0.00 | Ottoman Empire (Part 2) | 100% | USS Philadelphia (Part 4) | 0% | Baltimore (Part 3) | 33% |
| 5 | 3 | History - American | 3 | 0.00 | Ottoman Empire (Part 2) | 100% | USS Philadelphia (Part 4) | 0% | Baltimore (Part 6) | 0% |
| 5 | 3 | History - American | 0 | 0.00 | Ottoman Empire (Part 5) | 0% | USS Philadelphia (Part 1) | 0% | Baltimore (Part 3) | 0% |
| 5 | 3 | History - American | 0 | 0.00 | Ottoman Empire (Part 5) | 0% | USS Philadelphia (Part 1) | 0% | Baltimore (Part 6) | 0% |
| 5 | 3 | History - American | 0 | 0.00 | Ottoman Empire (Part 5) | 0% | USS Philadelphia (Part 4) | 0% | Baltimore (Part 3) | 0% |
| 5 | 3 | History - American | 0 | 0.00 | Ottoman Empire (Part 5) | 0% | USS Philadelphia (Part 4) | 0% | Baltimore (Part 6) | 0% |
| 5 | 4 | Literature - World | 3 | 13.33 | Li Bai (Part 3) | 67% | Sweden (Part 2) | 33% | Cultural Revolution (Part 1) | 33% |
| 5 | 4 | Literature - World | 3 | 0.00 | Li Bai (Part 3) | 67% | Sweden (Part 2) | 33% | Cultural Revolution (Part 4) | 0% |
| 5 | 4 | Literature - World | 3 | 0.00 | Li Bai (Part 3) | 67% | Sweden (Part 5) | 0% | Cultural Revolution (Part 1) | 33% |
| 5 | 4 | Literature - World | 3 | 0.00 | Li Bai (Part 3) | 67% | Sweden (Part 5) | 0% | Cultural Revolution (Part 4) | 0% |
| 5 | 4 | Literature - World | 0 | 0.00 | Li Bai (Part 6) | 0% | Sweden (Part 2) | 0% | Cultural Revolution (Part 1) | 0% |
| 5 | 4 | Literature - World | 0 | 0.00 | Li Bai (Part 6) | 0% | Sweden (Part 2) | 0% | Cultural Revolution (Part 4) | 0% |
| 5 | 4 | Literature - World | 0 | 0.00 | Li Bai (Part 6) | 0% | Sweden (Part 5) | 0% | Cultural Revolution (Part 1) | 0% |
| 5 | 4 | Literature - World | 0 | 0.00 | Li Bai (Part 6) | 0% | Sweden (Part 5) | 0% | Cultural Revolution (Part 4) | 0% |
| 5 | 5 | Literature - British | 3 | 6.67 | du Maurier (Part 1) | 0% | Anthony Trollope (Part 3) | 0% | Cranford (Part 2) | 67% |
| 5 | 5 | Literature - British | 3 | 0.00 | du Maurier (Part 1) | 0% | Anthony Trollope (Part 3) | 0% | Cranford (Part 5) | 0% |
| 5 | 5 | Literature - British | 3 | 0.00 | du Maurier (Part 1) | 0% | Anthony Trollope (Part 6) | 0% | Cranford (Part 2) | 67% |
| 5 | 5 | Literature - British | 3 | 0.00 | du Maurier (Part 1) | 0% | Anthony Trollope (Part 6) | 0% | Cranford (Part 5) | 0% |
| 5 | 5 | Literature - British | 0 | 0.00 | du Maurier (Part 4) | 0% | Anthony Trollope (Part 3) | 0% | Cranford (Part 2) | 0% |
| 5 | 5 | Literature - British | 0 | 0.00 | du Maurier (Part 4) | 0% | Anthony Trollope (Part 3) | 0% | Cranford (Part 5) | 0% |
| 5 | 5 | Literature - British | 0 | 0.00 | du Maurier (Part 4) | 0% | Anthony Trollope (Part 6) | 0% | Cranford (Part 2) | 0% |
| 5 | 5 | Literature - British | 0 | 0.00 | du Maurier (Part 4) | 0% | Anthony Trollope (Part 6) | 0% | Cranford (Part 5) | 0% |
| 5 | 6 | Mythology | 3 | 23.33 | Aphrodite (Part 1) | 100% | the Myrmidons (Part 3) | 67% | laos AND laas (Part 2) | 67% |
| 5 | 6 | Mythology | 3 | 0.00 | Aphrodite (Part 1) | 100% | the Myrmidons (Part 3) | 67% | laos AND laas (Part 5) | 0% |
| 5 | 6 | Mythology | 3 | 0.00 | Aphrodite (Part 1) | 100% | the Myrmidons (Part 6) | 0% | laos AND laas (Part 2) | 67% |
| 5 | 6 | Mythology | 3 | 0.00 | Aphrodite (Part 1) | 100% | the Myrmidons (Part 6) | 0% | laos AND laas (Part 5) | 0% |
| 5 | 6 | Mythology | 0 | 0.00 | Aphrodite (Part 4) | 0% | the Myrmidons (Part 3) | 0% | laos AND laas (Part 2) | 0% |
| 5 | 6 | Mythology | 0 | 0.00 | Aphrodite (Part 4) | 0% | the Myrmidons (Part 3) | 0% | laos AND laas (Part 5) | 0% |
| 5 | 6 | Mythology | 0 | 0.00 | Aphrodite (Part 4) | 0% | the Myrmidons (Part 6) | 0% | laos AND laas (Part 2) | 0% |
| 5 | 6 | Mythology | 0 | 0.00 | Aphrodite (Part 4) | 0% | the Myrmidons (Part 6) | 0% | laos AND laas (Part 5) | 0% |
| 5 | 7 | History - European | 3 | 10.00 | maps (Part 2) | 100% | Roger (Part 3) | 0% | south is at the top (Part 1) | 0% |
| 5 | 7 | History - European | 3 | 0.00 | maps (Part 2) | 100% | Roger (Part 3) | 0% | south is at the top (Part 4) | 0% |
| 5 | 7 | History - European | 3 | 0.00 | maps (Part 2) | 100% | Roger (Part 6) | 0% | south is at the top (Part 1) | 0% |
| 5 | 7 | History - European | 3 | 0.00 | maps (Part 2) | 100% | Roger (Part 6) | 0% | south is at the top (Part 4) | 0% |
| 5 | 7 | History - European | 0 | 0.00 | maps (Part 5) | 0% | Roger (Part 3) | 0% | south is at the top (Part 1) | 0% |
| 5 | 7 | History - European | 0 | 0.00 | maps (Part 5) | 0% | Roger (Part 3) | 0% | south is at the top (Part 4) | 0% |
| 5 | 7 | History - European | 0 | 0.00 | maps (Part 5) | 0% | Roger (Part 6) | 0% | south is at the top (Part 1) | 0% |
| 5 | 7 | History - European | 0 | 0.00 | maps (Part 5) | 0% | Roger (Part 6) | 0% | south is at the top (Part 4) | 0% |
| 5 | 8 | Philosophy | 3 | 20.00 | Kwame Nkrumah (Part 1) | 33% | Ghana (Part 2) | 100% | ethnophilosophy (Part 3) | 67% |
| 5 | 8 | Philosophy | 3 | 0.00 | Kwame Nkrumah (Part 1) | 33% | Ghana (Part 2) | 100% | ethnophilosophy (Part 6) | 0% |
| 5 | 8 | Philosophy | 3 | 0.00 | Kwame Nkrumah (Part 1) | 33% | Ghana (Part 5) | 0% | ethnophilosophy (Part 3) | 67% |
| 5 | 8 | Philosophy | 3 | 0.00 | Kwame Nkrumah (Part 1) | 33% | Ghana (Part 5) | 0% | ethnophilosophy (Part 6) | 0% |
| 5 | 8 | Philosophy | 0 | 0.00 | Kwame Nkrumah (Part 4) | 0% | Ghana (Part 2) | 0% | ethnophilosophy (Part 3) | 0% |
| 5 | 8 | Philosophy | 0 | 0.00 | Kwame Nkrumah (Part 4) | 0% | Ghana (Part 2) | 0% | ethnophilosophy (Part 6) | 0% |
| 5 | 8 | Philosophy | 0 | 0.00 | Kwame Nkrumah (Part 4) | 0% | Ghana (Part 5) | 0% | ethnophilosophy (Part 3) | 0% |
| 5 | 8 | Philosophy | 0 | 0.00 | Kwame Nkrumah (Part 4) | 0% | Ghana (Part 5) | 0% | ethnophilosophy (Part 6) | 0% |
| 5 | 9 | Science - Physics | 3 | 10.00 | weak force (Part 3) | 0% | Majorana particles (Part 2) | 100% | sterile neutrinos (Part 1) | 0% |
| 5 | 9 | Science - Physics | 3 | 0.00 | weak force (Part 3) | 0% | Majorana particles (Part 2) | 100% | sterile neutrinos (Part 4) | 0% |
| 5 | 9 | Science - Physics | 3 | 0.00 | weak force (Part 3) | 0% | Majorana particles (Part 5) | 0% | sterile neutrinos (Part 1) | 0% |
| 5 | 9 | Science - Physics | 3 | 0.00 | weak force (Part 3) | 0% | Majorana particles (Part 5) | 0% | sterile neutrinos (Part 4) | 0% |
| 5 | 9 | Science - Physics | 0 | 0.00 | weak force (Part 6) | 0% | Majorana particles (Part 2) | 0% | sterile neutrinos (Part 1) | 0% |
| 5 | 9 | Science - Physics | 0 | 0.00 | weak force (Part 6) | 0% | Majorana particles (Part 2) | 0% | sterile neutrinos (Part 4) | 0% |
| 5 | 9 | Science - Physics | 0 | 0.00 | weak force (Part 6) | 0% | Majorana particles (Part 5) | 0% | sterile neutrinos (Part 1) | 0% |
| 5 | 9 | Science - Physics | 0 | 0.00 | weak force (Part 6) | 0% | Majorana particles (Part 5) | 0% | sterile neutrinos (Part 4) | 0% |
| 5 | 10 | Literature - European | 3 | 6.67 | Auschwitz concentration camp (Part 1) | 33% | The Periodic Table (Part 2) | 33% | The Investigation: Oratorio in 11 Cantos (Part 3) | 0% |
| 5 | 10 | Literature - European | 3 | 0.00 | Auschwitz concentration camp (Part 1) | 33% | The Periodic Table (Part 2) | 33% | The Investigation: Oratorio in 11 Cantos (Part 6) | 0% |
| 5 | 10 | Literature - European | 3 | 0.00 | Auschwitz concentration camp (Part 1) | 33% | The Periodic Table (Part 5) | 0% | The Investigation: Oratorio in 11 Cantos (Part 3) | 0% |
| 5 | 10 | Literature - European | 3 | 0.00 | Auschwitz concentration camp (Part 1) | 33% | The Periodic Table (Part 5) | 0% | The Investigation: Oratorio in 11 Cantos (Part 6) | 0% |
| 5 | 10 | Literature - European | 0 | 0.00 | Auschwitz concentration camp (Part 4) | 0% | The Periodic Table (Part 2) | 0% | The Investigation: Oratorio in 11 Cantos (Part 3) | 0% |
| 5 | 10 | Literature - European | 0 | 0.00 | Auschwitz concentration camp (Part 4) | 0% | The Periodic Table (Part 2) | 0% | The Investigation: Oratorio in 11 Cantos (Part 6) | 0% |
| 5 | 10 | Literature - European | 0 | 0.00 | Auschwitz concentration camp (Part 4) | 0% | The Periodic Table (Part 5) | 0% | The Investigation: Oratorio in 11 Cantos (Part 3) | 0% |
| 5 | 10 | Literature - European | 0 | 0.00 | Auschwitz concentration camp (Part 4) | 0% | The Periodic Table (Part 5) | 0% | The Investigation: Oratorio in 11 Cantos (Part 6) | 0% |
| 5 | 11 | History - Other | 3 | 6.67 | New Caledonia (Part 3) | 0% | Jacques René Chirac (Part 1) | 67% | Kanaks (Part 2) | 0% |
| 5 | 11 | History - Other | 3 | 0.00 | New Caledonia (Part 3) | 0% | Jacques René Chirac (Part 1) | 67% | Kanaks (Part 5) | 0% |
| 5 | 11 | History - Other | 3 | 0.00 | New Caledonia (Part 3) | 0% | Jacques René Chirac (Part 4) | 0% | Kanaks (Part 2) | 0% |
| 5 | 11 | History - Other | 3 | 0.00 | New Caledonia (Part 3) | 0% | Jacques René Chirac (Part 4) | 0% | Kanaks (Part 5) | 0% |
| 5 | 11 | History - Other | 0 | 0.00 | New Caledonia (Part 6) | 0% | Jacques René Chirac (Part 1) | 0% | Kanaks (Part 2) | 0% |
| 5 | 11 | History - Other | 0 | 0.00 | New Caledonia (Part 6) | 0% | Jacques René Chirac (Part 1) | 0% | Kanaks (Part 5) | 0% |
| 5 | 11 | History - Other | 0 | 0.00 | New Caledonia (Part 6) | 0% | Jacques René Chirac (Part 4) | 0% | Kanaks (Part 2) | 0% |
| 5 | 11 | History - Other | 0 | 0.00 | New Caledonia (Part 6) | 0% | Jacques René Chirac (Part 4) | 0% | Kanaks (Part 5) | 0% |
| 5 | 12 | Religion | 3 | 10.00 | Friday (Part 3) | 100% | Night of Power (Part 2) | 0% | Day of ‘Arafah (Part 1) | 0% |
| 5 | 12 | Religion | 3 | 0.00 | Friday (Part 3) | 100% | Night of Power (Part 2) | 0% | Day of ‘Arafah (Part 4) | 0% |
| 5 | 12 | Religion | 3 | 0.00 | Friday (Part 3) | 100% | Night of Power (Part 5) | 0% | Day of ‘Arafah (Part 1) | 0% |
| 5 | 12 | Religion | 3 | 0.00 | Friday (Part 3) | 100% | Night of Power (Part 5) | 0% | Day of ‘Arafah (Part 4) | 0% |
| 5 | 12 | Religion | 0 | 0.00 | Friday (Part 6) | 0% | Night of Power (Part 2) | 0% | Day of ‘Arafah (Part 1) | 0% |
| 5 | 12 | Religion | 0 | 0.00 | Friday (Part 6) | 0% | Night of Power (Part 2) | 0% | Day of ‘Arafah (Part 4) | 0% |
| 5 | 12 | Religion | 0 | 0.00 | Friday (Part 6) | 0% | Night of Power (Part 5) | 0% | Day of ‘Arafah (Part 1) | 0% |
| 5 | 12 | Religion | 0 | 0.00 | Friday (Part 6) | 0% | Night of Power (Part 5) | 0% | Day of ‘Arafah (Part 4) | 0% |
| 5 | 13 | Science - Other | 3 | 16.67 | anthropogenic climate change (Part 2) | 100% | stratosphere (Part 3) | 67% | solar geoengineering (Part 1) | 0% |
| 5 | 13 | Science - Other | 3 | 0.00 | anthropogenic climate change (Part 2) | 100% | stratosphere (Part 3) | 67% | solar geoengineering (Part 4) | 0% |
| 5 | 13 | Science - Other | 3 | 0.00 | anthropogenic climate change (Part 2) | 100% | stratosphere (Part 6) | 0% | solar geoengineering (Part 1) | 0% |
| 5 | 13 | Science - Other | 3 | 0.00 | anthropogenic climate change (Part 2) | 100% | stratosphere (Part 6) | 0% | solar geoengineering (Part 4) | 0% |
| 5 | 13 | Science - Other | 0 | 0.00 | anthropogenic climate change (Part 5) | 0% | stratosphere (Part 3) | 0% | solar geoengineering (Part 1) | 0% |
| 5 | 13 | Science - Other | 0 | 0.00 | anthropogenic climate change (Part 5) | 0% | stratosphere (Part 3) | 0% | solar geoengineering (Part 4) | 0% |
| 5 | 13 | Science - Other | 0 | 0.00 | anthropogenic climate change (Part 5) | 0% | stratosphere (Part 6) | 0% | solar geoengineering (Part 1) | 0% |
| 5 | 13 | Science - Other | 0 | 0.00 | anthropogenic climate change (Part 5) | 0% | stratosphere (Part 6) | 0% | solar geoengineering (Part 4) | 0% |
| 5 | 14 | Other Academic | 3 | 16.67 | paying the fare (Part 1) | 100% | Curitiba (Part 3) | 0% | Bus Rapid Transit (Part 2) | 67% |
| 5 | 14 | Other Academic | 3 | 0.00 | paying the fare (Part 1) | 100% | Curitiba (Part 3) | 0% | Bus Rapid Transit (Part 5) | 0% |
| 5 | 14 | Other Academic | 3 | 0.00 | paying the fare (Part 1) | 100% | Curitiba (Part 6) | 0% | Bus Rapid Transit (Part 2) | 67% |
| 5 | 14 | Other Academic | 3 | 0.00 | paying the fare (Part 1) | 100% | Curitiba (Part 6) | 0% | Bus Rapid Transit (Part 5) | 0% |
| 5 | 14 | Other Academic | 0 | 0.00 | paying the fare (Part 4) | 0% | Curitiba (Part 3) | 0% | Bus Rapid Transit (Part 2) | 0% |
| 5 | 14 | Other Academic | 0 | 0.00 | paying the fare (Part 4) | 0% | Curitiba (Part 3) | 0% | Bus Rapid Transit (Part 5) | 0% |
| 5 | 14 | Other Academic | 0 | 0.00 | paying the fare (Part 4) | 0% | Curitiba (Part 6) | 0% | Bus Rapid Transit (Part 2) | 0% |
| 5 | 14 | Other Academic | 0 | 0.00 | paying the fare (Part 4) | 0% | Curitiba (Part 6) | 0% | Bus Rapid Transit (Part 5) | 0% |
| 5 | 15 | Science - Chemistry | 3 | 13.33 | bond order (Part 1) | 33% | three-center two-electron bonds (Part 3) | 0% | Wade’s rules (Part 2) | 100% |
| 5 | 15 | Science - Chemistry | 3 | 0.00 | bond order (Part 1) | 33% | three-center two-electron bonds (Part 3) | 0% | Wade’s rules (Part 5) | 0% |
| 5 | 15 | Science - Chemistry | 3 | 0.00 | bond order (Part 1) | 33% | three-center two-electron bonds (Part 6) | 0% | Wade’s rules (Part 2) | 100% |
| 5 | 15 | Science - Chemistry | 3 | 0.00 | bond order (Part 1) | 33% | three-center two-electron bonds (Part 6) | 0% | Wade’s rules (Part 5) | 0% |
| 5 | 15 | Science - Chemistry | 0 | 0.00 | bond order (Part 4) | 0% | three-center two-electron bonds (Part 3) | 0% | Wade’s rules (Part 2) | 0% |
| 5 | 15 | Science - Chemistry | 0 | 0.00 | bond order (Part 4) | 0% | three-center two-electron bonds (Part 3) | 0% | Wade’s rules (Part 5) | 0% |
| 5 | 15 | Science - Chemistry | 0 | 0.00 | bond order (Part 4) | 0% | three-center two-electron bonds (Part 6) | 0% | Wade’s rules (Part 2) | 0% |
| 5 | 15 | Science - Chemistry | 0 | 0.00 | bond order (Part 4) | 0% | three-center two-electron bonds (Part 6) | 0% | Wade’s rules (Part 5) | 0% |
| 5 | 16 | Fine Arts - Visual | 3 | 16.67 | Leonardo da Vinci (Part 2) | 67% | burials (Part 3) | 0% | Jusepe de Ribera (Part 1) | 100% |
| 5 | 16 | Fine Arts - Visual | 3 | 0.00 | Leonardo da Vinci (Part 2) | 67% | burials (Part 3) | 0% | Jusepe de Ribera (Part 4) | 0% |
| 5 | 16 | Fine Arts - Visual | 3 | 0.00 | Leonardo da Vinci (Part 2) | 67% | burials (Part 6) | 0% | Jusepe de Ribera (Part 1) | 100% |
| 5 | 16 | Fine Arts - Visual | 3 | 0.00 | Leonardo da Vinci (Part 2) | 67% | burials (Part 6) | 0% | Jusepe de Ribera (Part 4) | 0% |
| 5 | 16 | Fine Arts - Visual | 0 | 0.00 | Leonardo da Vinci (Part 5) | 0% | burials (Part 3) | 0% | Jusepe de Ribera (Part 1) | 0% |
| 5 | 16 | Fine Arts - Visual | 0 | 0.00 | Leonardo da Vinci (Part 5) | 0% | burials (Part 3) | 0% | Jusepe de Ribera (Part 4) | 0% |
| 5 | 16 | Fine Arts - Visual | 0 | 0.00 | Leonardo da Vinci (Part 5) | 0% | burials (Part 6) | 0% | Jusepe de Ribera (Part 1) | 0% |
| 5 | 16 | Fine Arts - Visual | 0 | 0.00 | Leonardo da Vinci (Part 5) | 0% | burials (Part 6) | 0% | Jusepe de Ribera (Part 4) | 0% |
| 5 | 17 | Fine Arts - Auditory | 3 | 16.67 | soprano (Part 1) | 33% | Pietro Mascagni (Part 3) | 33% | L'amico Fritz (Part 2) | 100% |
| 5 | 17 | Fine Arts - Auditory | 3 | 0.00 | soprano (Part 1) | 33% | Pietro Mascagni (Part 3) | 33% | L'amico Fritz (Part 5) | 0% |
| 5 | 17 | Fine Arts - Auditory | 3 | 0.00 | soprano (Part 1) | 33% | Pietro Mascagni (Part 6) | 0% | L'amico Fritz (Part 2) | 100% |
| 5 | 17 | Fine Arts - Auditory | 3 | 0.00 | soprano (Part 1) | 33% | Pietro Mascagni (Part 6) | 0% | L'amico Fritz (Part 5) | 0% |
| 5 | 17 | Fine Arts - Auditory | 0 | 0.00 | soprano (Part 4) | 0% | Pietro Mascagni (Part 3) | 0% | L'amico Fritz (Part 2) | 0% |
| 5 | 17 | Fine Arts - Auditory | 0 | 0.00 | soprano (Part 4) | 0% | Pietro Mascagni (Part 3) | 0% | L'amico Fritz (Part 5) | 0% |
| 5 | 17 | Fine Arts - Auditory | 0 | 0.00 | soprano (Part 4) | 0% | Pietro Mascagni (Part 6) | 0% | L'amico Fritz (Part 2) | 0% |
| 5 | 17 | Fine Arts - Auditory | 0 | 0.00 | soprano (Part 4) | 0% | Pietro Mascagni (Part 6) | 0% | L'amico Fritz (Part 5) | 0% |
| 5 | 18 | Literature - American | 1 | 20.00 | Madame Butterfly (Part 2) | 100% | realism (Part 1) | 0% | David Belasco (Part 3) | 100% |
| 5 | 18 | Literature - American | 1 | 0.00 | Madame Butterfly (Part 2) | 100% | realism (Part 1) | 0% | David Belasco (Part 6) | 0% |
| 5 | 18 | Literature - American | 1 | 0.00 | Madame Butterfly (Part 2) | 100% | realism (Part 4) | 0% | David Belasco (Part 3) | 100% |
| 5 | 18 | Literature - American | 1 | 0.00 | Madame Butterfly (Part 2) | 100% | realism (Part 4) | 0% | David Belasco (Part 6) | 0% |
| 5 | 18 | Literature - American | 0 | 0.00 | Madame Butterfly (Part 5) | 0% | realism (Part 1) | 0% | David Belasco (Part 3) | 0% |
| 5 | 18 | Literature - American | 0 | 0.00 | Madame Butterfly (Part 5) | 0% | realism (Part 1) | 0% | David Belasco (Part 6) | 0% |
| 5 | 18 | Literature - American | 0 | 0.00 | Madame Butterfly (Part 5) | 0% | realism (Part 4) | 0% | David Belasco (Part 3) | 0% |
| 5 | 18 | Literature - American | 0 | 0.00 | Madame Butterfly (Part 5) | 0% | realism (Part 4) | 0% | David Belasco (Part 6) | 0% |
| 5 | 19 | Fine Arts - Other | 0 | 0.00 | tango (Part 1) | 0% | theater (Part 3) | 0% | Argentina (Part 2) | 0% |
| 5 | 19 | Fine Arts - Other | 0 | 0.00 | tango (Part 1) | 0% | theater (Part 3) | 0% | Argentina (Part 5) | 0% |
| 5 | 19 | Fine Arts - Other | 0 | 0.00 | tango (Part 1) | 0% | theater (Part 6) | 0% | Argentina (Part 2) | 0% |
| 5 | 19 | Fine Arts - Other | 0 | 0.00 | tango (Part 1) | 0% | theater (Part 6) | 0% | Argentina (Part 5) | 0% |
| 5 | 19 | Fine Arts - Other | 0 | 0.00 | tango (Part 4) | 0% | theater (Part 3) | 0% | Argentina (Part 2) | 0% |
| 5 | 19 | Fine Arts - Other | 0 | 0.00 | tango (Part 4) | 0% | theater (Part 3) | 0% | Argentina (Part 5) | 0% |
| 5 | 19 | Fine Arts - Other | 0 | 0.00 | tango (Part 4) | 0% | theater (Part 6) | 0% | Argentina (Part 2) | 0% |
| 5 | 19 | Fine Arts - Other | 0 | 0.00 | tango (Part 4) | 0% | theater (Part 6) | 0% | Argentina (Part 5) | 0% |
| 5 | 20 | Social Science | 0 | 0.00 | recursion (Part 2) | 0% | Minimalist Program (Part 1) | 0% | Merge (Part 3) | 0% |
| 5 | 20 | Social Science | 0 | 0.00 | recursion (Part 2) | 0% | Minimalist Program (Part 1) | 0% | Merge (Part 6) | 0% |
| 5 | 20 | Social Science | 0 | 0.00 | recursion (Part 2) | 0% | Minimalist Program (Part 4) | 0% | Merge (Part 3) | 0% |
| 5 | 20 | Social Science | 0 | 0.00 | recursion (Part 2) | 0% | Minimalist Program (Part 4) | 0% | Merge (Part 6) | 0% |
| 5 | 20 | Social Science | 0 | 0.00 | recursion (Part 5) | 0% | Minimalist Program (Part 1) | 0% | Merge (Part 3) | 0% |
| 5 | 20 | Social Science | 0 | 0.00 | recursion (Part 5) | 0% | Minimalist Program (Part 1) | 0% | Merge (Part 6) | 0% |
| 5 | 20 | Social Science | 0 | 0.00 | recursion (Part 5) | 0% | Minimalist Program (Part 4) | 0% | Merge (Part 3) | 0% |
| 5 | 20 | Social Science | 0 | 0.00 | recursion (Part 5) | 0% | Minimalist Program (Part 4) | 0% | Merge (Part 6) | 0% |
| 6 | 1 | Literature - World | 3 | 20.00 | Nadine Gordimer (Part 1) | 33% | Afrikaans (Part 2) | 100% | Breyten Breytenbach (Part 3) | 67% |
| 6 | 1 | Literature - World | 3 | 0.00 | Nadine Gordimer (Part 1) | 33% | Afrikaans (Part 2) | 100% | Breyten Breytenbach (Part 6) | 0% |
| 6 | 1 | Literature - World | 3 | 0.00 | Nadine Gordimer (Part 1) | 33% | Afrikaans (Part 5) | 0% | Breyten Breytenbach (Part 3) | 67% |
| 6 | 1 | Literature - World | 3 | 0.00 | Nadine Gordimer (Part 1) | 33% | Afrikaans (Part 5) | 0% | Breyten Breytenbach (Part 6) | 0% |
| 6 | 1 | Literature - World | 0 | 0.00 | Nadine Gordimer (Part 4) | 0% | Afrikaans (Part 2) | 0% | Breyten Breytenbach (Part 3) | 0% |
| 6 | 1 | Literature - World | 0 | 0.00 | Nadine Gordimer (Part 4) | 0% | Afrikaans (Part 2) | 0% | Breyten Breytenbach (Part 6) | 0% |
| 6 | 1 | Literature - World | 0 | 0.00 | Nadine Gordimer (Part 4) | 0% | Afrikaans (Part 5) | 0% | Breyten Breytenbach (Part 3) | 0% |
| 6 | 1 | Literature - World | 0 | 0.00 | Nadine Gordimer (Part 4) | 0% | Afrikaans (Part 5) | 0% | Breyten Breytenbach (Part 6) | 0% |
| 6 | 2 | Literature - British | 3 | 13.33 | yellow (Part 2) | 100% | Enoch Soames (Part 3) | 0% | Max Beerbohm (Part 1) | 33% |
| 6 | 2 | Literature - British | 3 | 0.00 | yellow (Part 2) | 100% | Enoch Soames (Part 3) | 0% | Max Beerbohm (Part 4) | 0% |
| 6 | 2 | Literature - British | 3 | 0.00 | yellow (Part 2) | 100% | Enoch Soames (Part 6) | 0% | Max Beerbohm (Part 1) | 33% |
| 6 | 2 | Literature - British | 3 | 0.00 | yellow (Part 2) | 100% | Enoch Soames (Part 6) | 0% | Max Beerbohm (Part 4) | 0% |
| 6 | 2 | Literature - British | 0 | 0.00 | yellow (Part 5) | 0% | Enoch Soames (Part 3) | 0% | Max Beerbohm (Part 1) | 0% |
| 6 | 2 | Literature - British | 0 | 0.00 | yellow (Part 5) | 0% | Enoch Soames (Part 3) | 0% | Max Beerbohm (Part 4) | 0% |
| 6 | 2 | Literature - British | 0 | 0.00 | yellow (Part 5) | 0% | Enoch Soames (Part 6) | 0% | Max Beerbohm (Part 1) | 0% |
| 6 | 2 | Literature - British | 0 | 0.00 | yellow (Part 5) | 0% | Enoch Soames (Part 6) | 0% | Max Beerbohm (Part 4) | 0% |
| 6 | 3 | History - World | 3 | 10.00 | Spain and Portugal (Part 3) | 0% | São Paulo (Part 2) | 0% | Guarani people (Part 1) | 100% |
| 6 | 3 | History - World | 3 | 0.00 | Spain and Portugal (Part 3) | 0% | São Paulo (Part 2) | 0% | Guarani people (Part 4) | 0% |
| 6 | 3 | History - World | 3 | 0.00 | Spain and Portugal (Part 3) | 0% | São Paulo (Part 5) | 0% | Guarani people (Part 1) | 100% |
| 6 | 3 | History - World | 3 | 0.00 | Spain and Portugal (Part 3) | 0% | São Paulo (Part 5) | 0% | Guarani people (Part 4) | 0% |
| 6 | 3 | History - World | 0 | 0.00 | Spain and Portugal (Part 6) | 0% | São Paulo (Part 2) | 0% | Guarani people (Part 1) | 0% |
| 6 | 3 | History - World | 0 | 0.00 | Spain and Portugal (Part 6) | 0% | São Paulo (Part 2) | 0% | Guarani people (Part 4) | 0% |
| 6 | 3 | History - World | 0 | 0.00 | Spain and Portugal (Part 6) | 0% | São Paulo (Part 5) | 0% | Guarani people (Part 1) | 0% |
| 6 | 3 | History - World | 0 | 0.00 | Spain and Portugal (Part 6) | 0% | São Paulo (Part 5) | 0% | Guarani people (Part 4) | 0% |
| 6 | 4 | Social Science | 3 | 13.33 | Ouija boards (Part 3) | 33% | apraxia (Part 2) | 100% | facilitated communication (Part 1) | 0% |
| 6 | 4 | Social Science | 3 | 0.00 | Ouija boards (Part 3) | 33% | apraxia (Part 2) | 100% | facilitated communication (Part 4) | 0% |
| 6 | 4 | Social Science | 3 | 0.00 | Ouija boards (Part 3) | 33% | apraxia (Part 5) | 0% | facilitated communication (Part 1) | 0% |
| 6 | 4 | Social Science | 3 | 0.00 | Ouija boards (Part 3) | 33% | apraxia (Part 5) | 0% | facilitated communication (Part 4) | 0% |
| 6 | 4 | Social Science | 0 | 0.00 | Ouija boards (Part 6) | 0% | apraxia (Part 2) | 0% | facilitated communication (Part 1) | 0% |
| 6 | 4 | Social Science | 0 | 0.00 | Ouija boards (Part 6) | 0% | apraxia (Part 2) | 0% | facilitated communication (Part 4) | 0% |
| 6 | 4 | Social Science | 0 | 0.00 | Ouija boards (Part 6) | 0% | apraxia (Part 5) | 0% | facilitated communication (Part 1) | 0% |
| 6 | 4 | Social Science | 0 | 0.00 | Ouija boards (Part 6) | 0% | apraxia (Part 5) | 0% | facilitated communication (Part 4) | 0% |
| 6 | 5 | Fine Arts - Auditory | 3 | 16.67 | drums (Part 1) | 67% | Germany (Part 3) | 67% | Susan B. Anthony (Part 2) | 33% |
| 6 | 5 | Fine Arts - Auditory | 3 | 0.00 | drums (Part 1) | 67% | Germany (Part 3) | 67% | Susan B. Anthony (Part 5) | 0% |
| 6 | 5 | Fine Arts - Auditory | 3 | 0.00 | drums (Part 1) | 67% | Germany (Part 6) | 0% | Susan B. Anthony (Part 2) | 33% |
| 6 | 5 | Fine Arts - Auditory | 3 | 0.00 | drums (Part 1) | 67% | Germany (Part 6) | 0% | Susan B. Anthony (Part 5) | 0% |
| 6 | 5 | Fine Arts - Auditory | 0 | 0.00 | drums (Part 4) | 0% | Germany (Part 3) | 0% | Susan B. Anthony (Part 2) | 0% |
| 6 | 5 | Fine Arts - Auditory | 0 | 0.00 | drums (Part 4) | 0% | Germany (Part 3) | 0% | Susan B. Anthony (Part 5) | 0% |
| 6 | 5 | Fine Arts - Auditory | 0 | 0.00 | drums (Part 4) | 0% | Germany (Part 6) | 0% | Susan B. Anthony (Part 2) | 0% |
| 6 | 5 | Fine Arts - Auditory | 0 | 0.00 | drums (Part 4) | 0% | Germany (Part 6) | 0% | Susan B. Anthony (Part 5) | 0% |
| 6 | 6 | Fine Arts - Visual | 3 | 16.67 | HIV/AIDS (Part 3) | 0% | Aunt Jemima (Part 2) | 100% | Gee’s Bend, Alabama (Part 1) | 67% |
| 6 | 6 | Fine Arts - Visual | 3 | 0.00 | HIV/AIDS (Part 3) | 0% | Aunt Jemima (Part 2) | 100% | Gee’s Bend, Alabama (Part 4) | 0% |
| 6 | 6 | Fine Arts - Visual | 3 | 0.00 | HIV/AIDS (Part 3) | 0% | Aunt Jemima (Part 5) | 0% | Gee’s Bend, Alabama (Part 1) | 67% |
| 6 | 6 | Fine Arts - Visual | 3 | 0.00 | HIV/AIDS (Part 3) | 0% | Aunt Jemima (Part 5) | 0% | Gee’s Bend, Alabama (Part 4) | 0% |
| 6 | 6 | Fine Arts - Visual | 0 | 0.00 | HIV/AIDS (Part 6) | 0% | Aunt Jemima (Part 2) | 0% | Gee’s Bend, Alabama (Part 1) | 0% |
| 6 | 6 | Fine Arts - Visual | 0 | 0.00 | HIV/AIDS (Part 6) | 0% | Aunt Jemima (Part 2) | 0% | Gee’s Bend, Alabama (Part 4) | 0% |
| 6 | 6 | Fine Arts - Visual | 0 | 0.00 | HIV/AIDS (Part 6) | 0% | Aunt Jemima (Part 5) | 0% | Gee’s Bend, Alabama (Part 1) | 0% |
| 6 | 6 | Fine Arts - Visual | 0 | 0.00 | HIV/AIDS (Part 6) | 0% | Aunt Jemima (Part 5) | 0% | Gee’s Bend, Alabama (Part 4) | 0% |
| 6 | 7 | History - American | 3 | 16.67 | USA PATRIOT Act (Part 1) | 100% | Hmong Americans (Part 2) | 0% | Vang Pao (Part 3) | 67% |
| 6 | 7 | History - American | 3 | 0.00 | USA PATRIOT Act (Part 1) | 100% | Hmong Americans (Part 2) | 0% | Vang Pao (Part 6) | 0% |
| 6 | 7 | History - American | 3 | 0.00 | USA PATRIOT Act (Part 1) | 100% | Hmong Americans (Part 5) | 0% | Vang Pao (Part 3) | 67% |
| 6 | 7 | History - American | 3 | 0.00 | USA PATRIOT Act (Part 1) | 100% | Hmong Americans (Part 5) | 0% | Vang Pao (Part 6) | 0% |
| 6 | 7 | History - American | 0 | 0.00 | USA PATRIOT Act (Part 4) | 0% | Hmong Americans (Part 2) | 0% | Vang Pao (Part 3) | 0% |
| 6 | 7 | History - American | 0 | 0.00 | USA PATRIOT Act (Part 4) | 0% | Hmong Americans (Part 2) | 0% | Vang Pao (Part 6) | 0% |
| 6 | 7 | History - American | 0 | 0.00 | USA PATRIOT Act (Part 4) | 0% | Hmong Americans (Part 5) | 0% | Vang Pao (Part 3) | 0% |
| 6 | 7 | History - American | 0 | 0.00 | USA PATRIOT Act (Part 4) | 0% | Hmong Americans (Part 5) | 0% | Vang Pao (Part 6) | 0% |
| 6 | 8 | Science - Biology | 3 | 20.00 | albinism (Part 3) | 100% | vitiligo (Part 2) | 100% | tyrosinase (Part 1) | 0% |
| 6 | 8 | Science - Biology | 3 | 0.00 | albinism (Part 3) | 100% | vitiligo (Part 2) | 100% | tyrosinase (Part 4) | 0% |
| 6 | 8 | Science - Biology | 3 | 0.00 | albinism (Part 3) | 100% | vitiligo (Part 5) | 0% | tyrosinase (Part 1) | 0% |
| 6 | 8 | Science - Biology | 3 | 0.00 | albinism (Part 3) | 100% | vitiligo (Part 5) | 0% | tyrosinase (Part 4) | 0% |
| 6 | 8 | Science - Biology | 0 | 0.00 | albinism (Part 6) | 0% | vitiligo (Part 2) | 0% | tyrosinase (Part 1) | 0% |
| 6 | 8 | Science - Biology | 0 | 0.00 | albinism (Part 6) | 0% | vitiligo (Part 2) | 0% | tyrosinase (Part 4) | 0% |
| 6 | 8 | Science - Biology | 0 | 0.00 | albinism (Part 6) | 0% | vitiligo (Part 5) | 0% | tyrosinase (Part 1) | 0% |
| 6 | 8 | Science - Biology | 0 | 0.00 | albinism (Part 6) | 0% | vitiligo (Part 5) | 0% | tyrosinase (Part 4) | 0% |
| 6 | 9 | Religion | 3 | 10.00 | Tetragrammaton (Part 1) | 0% | HaShem (Part 3) | 0% | El Shaddai (Part 2) | 100% |
| 6 | 9 | Religion | 3 | 0.00 | Tetragrammaton (Part 1) | 0% | HaShem (Part 3) | 0% | El Shaddai (Part 5) | 0% |
| 6 | 9 | Religion | 3 | 0.00 | Tetragrammaton (Part 1) | 0% | HaShem (Part 6) | 0% | El Shaddai (Part 2) | 100% |
| 6 | 9 | Religion | 3 | 0.00 | Tetragrammaton (Part 1) | 0% | HaShem (Part 6) | 0% | El Shaddai (Part 5) | 0% |
| 6 | 9 | Religion | 0 | 0.00 | Tetragrammaton (Part 4) | 0% | HaShem (Part 3) | 0% | El Shaddai (Part 2) | 0% |
| 6 | 9 | Religion | 0 | 0.00 | Tetragrammaton (Part 4) | 0% | HaShem (Part 3) | 0% | El Shaddai (Part 5) | 0% |
| 6 | 9 | Religion | 0 | 0.00 | Tetragrammaton (Part 4) | 0% | HaShem (Part 6) | 0% | El Shaddai (Part 2) | 0% |
| 6 | 9 | Religion | 0 | 0.00 | Tetragrammaton (Part 4) | 0% | HaShem (Part 6) | 0% | El Shaddai (Part 5) | 0% |
| 6 | 10 | Literature - European | 3 | 10.00 | Moby-Dick (Part 3) | 67% | Apuleius (Part 1) | 33% | Flights (Part 2) | 0% |
| 6 | 10 | Literature - European | 3 | 0.00 | Moby-Dick (Part 3) | 67% | Apuleius (Part 1) | 33% | Flights (Part 5) | 0% |
| 6 | 10 | Literature - European | 3 | 0.00 | Moby-Dick (Part 3) | 67% | Apuleius (Part 4) | 0% | Flights (Part 2) | 0% |
| 6 | 10 | Literature - European | 3 | 0.00 | Moby-Dick (Part 3) | 67% | Apuleius (Part 4) | 0% | Flights (Part 5) | 0% |
| 6 | 10 | Literature - European | 0 | 0.00 | Moby-Dick (Part 6) | 0% | Apuleius (Part 1) | 0% | Flights (Part 2) | 0% |
| 6 | 10 | Literature - European | 0 | 0.00 | Moby-Dick (Part 6) | 0% | Apuleius (Part 1) | 0% | Flights (Part 5) | 0% |
| 6 | 10 | Literature - European | 0 | 0.00 | Moby-Dick (Part 6) | 0% | Apuleius (Part 4) | 0% | Flights (Part 2) | 0% |
| 6 | 10 | Literature - European | 0 | 0.00 | Moby-Dick (Part 6) | 0% | Apuleius (Part 4) | 0% | Flights (Part 5) | 0% |
| 6 | 11 | Mythology | 3 | 6.67 | Russian (Part 2) | 67% | chronicle (Part 3) | 0% | bogatyrs (Part 1) | 0% |
| 6 | 11 | Mythology | 3 | 0.00 | Russian (Part 2) | 67% | chronicle (Part 3) | 0% | bogatyrs (Part 4) | 0% |
| 6 | 11 | Mythology | 3 | 0.00 | Russian (Part 2) | 67% | chronicle (Part 6) | 0% | bogatyrs (Part 1) | 0% |
| 6 | 11 | Mythology | 3 | 0.00 | Russian (Part 2) | 67% | chronicle (Part 6) | 0% | bogatyrs (Part 4) | 0% |
| 6 | 11 | Mythology | 0 | 0.00 | Russian (Part 5) | 0% | chronicle (Part 3) | 0% | bogatyrs (Part 1) | 0% |
| 6 | 11 | Mythology | 0 | 0.00 | Russian (Part 5) | 0% | chronicle (Part 3) | 0% | bogatyrs (Part 4) | 0% |
| 6 | 11 | Mythology | 0 | 0.00 | Russian (Part 5) | 0% | chronicle (Part 6) | 0% | bogatyrs (Part 1) | 0% |
| 6 | 11 | Mythology | 0 | 0.00 | Russian (Part 5) | 0% | chronicle (Part 6) | 0% | bogatyrs (Part 4) | 0% |
| 6 | 12 | Pop Culture | 3 | 16.67 | Mark Walhberg (Part 1) | 0% | Matt Damon AND Ben Affleck (Part 2) | 67% | David Fincher (Part 3) | 100% |
| 6 | 12 | Pop Culture | 3 | 0.00 | Mark Walhberg (Part 1) | 0% | Matt Damon AND Ben Affleck (Part 2) | 67% | David Fincher (Part 6) | 0% |
| 6 | 12 | Pop Culture | 3 | 0.00 | Mark Walhberg (Part 1) | 0% | Matt Damon AND Ben Affleck (Part 5) | 0% | David Fincher (Part 3) | 100% |
| 6 | 12 | Pop Culture | 3 | 0.00 | Mark Walhberg (Part 1) | 0% | Matt Damon AND Ben Affleck (Part 5) | 0% | David Fincher (Part 6) | 0% |
| 6 | 12 | Pop Culture | 0 | 0.00 | Mark Walhberg (Part 4) | 0% | Matt Damon AND Ben Affleck (Part 2) | 0% | David Fincher (Part 3) | 0% |
| 6 | 12 | Pop Culture | 0 | 0.00 | Mark Walhberg (Part 4) | 0% | Matt Damon AND Ben Affleck (Part 2) | 0% | David Fincher (Part 6) | 0% |
| 6 | 12 | Pop Culture | 0 | 0.00 | Mark Walhberg (Part 4) | 0% | Matt Damon AND Ben Affleck (Part 5) | 0% | David Fincher (Part 3) | 0% |
| 6 | 12 | Pop Culture | 0 | 0.00 | Mark Walhberg (Part 4) | 0% | Matt Damon AND Ben Affleck (Part 5) | 0% | David Fincher (Part 6) | 0% |
| 6 | 13 | History - Other | 3 | 13.33 | Ptolemaic Dynasty (Part 3) | 33% | Antiochus (Part 2) | 0% | Upper Egypt (Part 1) | 100% |
| 6 | 13 | History - Other | 3 | 0.00 | Ptolemaic Dynasty (Part 3) | 33% | Antiochus (Part 2) | 0% | Upper Egypt (Part 4) | 0% |
| 6 | 13 | History - Other | 3 | 0.00 | Ptolemaic Dynasty (Part 3) | 33% | Antiochus (Part 5) | 0% | Upper Egypt (Part 1) | 100% |
| 6 | 13 | History - Other | 3 | 0.00 | Ptolemaic Dynasty (Part 3) | 33% | Antiochus (Part 5) | 0% | Upper Egypt (Part 4) | 0% |
| 6 | 13 | History - Other | 0 | 0.00 | Ptolemaic Dynasty (Part 6) | 0% | Antiochus (Part 2) | 0% | Upper Egypt (Part 1) | 0% |
| 6 | 13 | History - Other | 0 | 0.00 | Ptolemaic Dynasty (Part 6) | 0% | Antiochus (Part 2) | 0% | Upper Egypt (Part 4) | 0% |
| 6 | 13 | History - Other | 0 | 0.00 | Ptolemaic Dynasty (Part 6) | 0% | Antiochus (Part 5) | 0% | Upper Egypt (Part 1) | 0% |
| 6 | 13 | History - Other | 0 | 0.00 | Ptolemaic Dynasty (Part 6) | 0% | Antiochus (Part 5) | 0% | Upper Egypt (Part 4) | 0% |
| 6 | 14 | Science - Other | 3 | 20.00 | continuity (Part 1) | 67% | compactness (Part 3) | 33% | discrete topology (Part 2) | 100% |
| 6 | 14 | Science - Other | 3 | 0.00 | continuity (Part 1) | 67% | compactness (Part 3) | 33% | discrete topology (Part 5) | 0% |
| 6 | 14 | Science - Other | 3 | 0.00 | continuity (Part 1) | 67% | compactness (Part 6) | 0% | discrete topology (Part 2) | 100% |
| 6 | 14 | Science - Other | 3 | 0.00 | continuity (Part 1) | 67% | compactness (Part 6) | 0% | discrete topology (Part 5) | 0% |
| 6 | 14 | Science - Other | 0 | 0.00 | continuity (Part 4) | 0% | compactness (Part 3) | 0% | discrete topology (Part 2) | 0% |
| 6 | 14 | Science - Other | 0 | 0.00 | continuity (Part 4) | 0% | compactness (Part 3) | 0% | discrete topology (Part 5) | 0% |
| 6 | 14 | Science - Other | 0 | 0.00 | continuity (Part 4) | 0% | compactness (Part 6) | 0% | discrete topology (Part 2) | 0% |
| 6 | 14 | Science - Other | 0 | 0.00 | continuity (Part 4) | 0% | compactness (Part 6) | 0% | discrete topology (Part 5) | 0% |
| 6 | 15 | Philosophy | 3 | 13.33 | Jacques Derrida (Part 2) | 33% | Gilles Deleuze (Part 3) | 0% | Jacques Rancière (Part 1) | 100% |
| 6 | 15 | Philosophy | 3 | 0.00 | Jacques Derrida (Part 2) | 33% | Gilles Deleuze (Part 3) | 0% | Jacques Rancière (Part 4) | 0% |
| 6 | 15 | Philosophy | 3 | 0.00 | Jacques Derrida (Part 2) | 33% | Gilles Deleuze (Part 6) | 0% | Jacques Rancière (Part 1) | 100% |
| 6 | 15 | Philosophy | 3 | 0.00 | Jacques Derrida (Part 2) | 33% | Gilles Deleuze (Part 6) | 0% | Jacques Rancière (Part 4) | 0% |
| 6 | 15 | Philosophy | 0 | 0.00 | Jacques Derrida (Part 5) | 0% | Gilles Deleuze (Part 3) | 0% | Jacques Rancière (Part 1) | 0% |
| 6 | 15 | Philosophy | 0 | 0.00 | Jacques Derrida (Part 5) | 0% | Gilles Deleuze (Part 3) | 0% | Jacques Rancière (Part 4) | 0% |
| 6 | 15 | Philosophy | 0 | 0.00 | Jacques Derrida (Part 5) | 0% | Gilles Deleuze (Part 6) | 0% | Jacques Rancière (Part 1) | 0% |
| 6 | 15 | Philosophy | 0 | 0.00 | Jacques Derrida (Part 5) | 0% | Gilles Deleuze (Part 6) | 0% | Jacques Rancière (Part 4) | 0% |
| 6 | 16 | Literature - American | 3 | 10.00 | Edgar Allan Poe (Part 2) | 100% | “A Psalm of Life” (Part 3) | 0% | Annie (Part 1) | 0% |
| 6 | 16 | Literature - American | 3 | 0.00 | Edgar Allan Poe (Part 2) | 100% | “A Psalm of Life” (Part 3) | 0% | Annie (Part 4) | 0% |
| 6 | 16 | Literature - American | 3 | 0.00 | Edgar Allan Poe (Part 2) | 100% | “A Psalm of Life” (Part 6) | 0% | Annie (Part 1) | 0% |
| 6 | 16 | Literature - American | 3 | 0.00 | Edgar Allan Poe (Part 2) | 100% | “A Psalm of Life” (Part 6) | 0% | Annie (Part 4) | 0% |
| 6 | 16 | Literature - American | 0 | 0.00 | Edgar Allan Poe (Part 5) | 0% | “A Psalm of Life” (Part 3) | 0% | Annie (Part 1) | 0% |
| 6 | 16 | Literature - American | 0 | 0.00 | Edgar Allan Poe (Part 5) | 0% | “A Psalm of Life” (Part 3) | 0% | Annie (Part 4) | 0% |
| 6 | 16 | Literature - American | 0 | 0.00 | Edgar Allan Poe (Part 5) | 0% | “A Psalm of Life” (Part 6) | 0% | Annie (Part 1) | 0% |
| 6 | 16 | Literature - American | 0 | 0.00 | Edgar Allan Poe (Part 5) | 0% | “A Psalm of Life” (Part 6) | 0% | Annie (Part 4) | 0% |
| 6 | 17 | Science - Chemistry | 3 | 10.00 | lanthanides (Part 2) | 0% | thorium and uranium (Part 3) | 0% | radioactive decay (Part 1) | 100% |
| 6 | 17 | Science - Chemistry | 3 | 0.00 | lanthanides (Part 2) | 0% | thorium and uranium (Part 3) | 0% | radioactive decay (Part 4) | 0% |
| 6 | 17 | Science - Chemistry | 3 | 0.00 | lanthanides (Part 2) | 0% | thorium and uranium (Part 6) | 0% | radioactive decay (Part 1) | 100% |
| 6 | 17 | Science - Chemistry | 3 | 0.00 | lanthanides (Part 2) | 0% | thorium and uranium (Part 6) | 0% | radioactive decay (Part 4) | 0% |
| 6 | 17 | Science - Chemistry | 0 | 0.00 | lanthanides (Part 5) | 0% | thorium and uranium (Part 3) | 0% | radioactive decay (Part 1) | 0% |
| 6 | 17 | Science - Chemistry | 0 | 0.00 | lanthanides (Part 5) | 0% | thorium and uranium (Part 3) | 0% | radioactive decay (Part 4) | 0% |
| 6 | 17 | Science - Chemistry | 0 | 0.00 | lanthanides (Part 5) | 0% | thorium and uranium (Part 6) | 0% | radioactive decay (Part 1) | 0% |
| 6 | 17 | Science - Chemistry | 0 | 0.00 | lanthanides (Part 5) | 0% | thorium and uranium (Part 6) | 0% | radioactive decay (Part 4) | 0% |
| 6 | 18 | Science - Physics | 3 | 3.33 | linear momentum (Part 3) | 0% | delta-v (Part 2) | 33% | Oberth effect (Part 1) | 0% |
| 6 | 18 | Science - Physics | 3 | 0.00 | linear momentum (Part 3) | 0% | delta-v (Part 2) | 33% | Oberth effect (Part 4) | 0% |
| 6 | 18 | Science - Physics | 3 | 0.00 | linear momentum (Part 3) | 0% | delta-v (Part 5) | 0% | Oberth effect (Part 1) | 0% |
| 6 | 18 | Science - Physics | 3 | 0.00 | linear momentum (Part 3) | 0% | delta-v (Part 5) | 0% | Oberth effect (Part 4) | 0% |
| 6 | 18 | Science - Physics | 0 | 0.00 | linear momentum (Part 6) | 0% | delta-v (Part 2) | 0% | Oberth effect (Part 1) | 0% |
| 6 | 18 | Science - Physics | 0 | 0.00 | linear momentum (Part 6) | 0% | delta-v (Part 2) | 0% | Oberth effect (Part 4) | 0% |
| 6 | 18 | Science - Physics | 0 | 0.00 | linear momentum (Part 6) | 0% | delta-v (Part 5) | 0% | Oberth effect (Part 1) | 0% |
| 6 | 18 | Science - Physics | 0 | 0.00 | linear momentum (Part 6) | 0% | delta-v (Part 5) | 0% | Oberth effect (Part 4) | 0% |
| 6 | 19 | History - European | 3 | 10.00 | enlightened despotism (Part 1) | 33% | Potsdam (Part 3) | 0% | Francois Quesnay (Part 2) | 67% |
| 6 | 19 | History - European | 3 | 0.00 | enlightened despotism (Part 1) | 33% | Potsdam (Part 3) | 0% | Francois Quesnay (Part 5) | 0% |
| 6 | 19 | History - European | 3 | 0.00 | enlightened despotism (Part 1) | 33% | Potsdam (Part 6) | 0% | Francois Quesnay (Part 2) | 67% |
| 6 | 19 | History - European | 3 | 0.00 | enlightened despotism (Part 1) | 33% | Potsdam (Part 6) | 0% | Francois Quesnay (Part 5) | 0% |
| 6 | 19 | History - European | 0 | 0.00 | enlightened despotism (Part 4) | 0% | Potsdam (Part 3) | 0% | Francois Quesnay (Part 2) | 0% |
| 6 | 19 | History - European | 0 | 0.00 | enlightened despotism (Part 4) | 0% | Potsdam (Part 3) | 0% | Francois Quesnay (Part 5) | 0% |
| 6 | 19 | History - European | 0 | 0.00 | enlightened despotism (Part 4) | 0% | Potsdam (Part 6) | 0% | Francois Quesnay (Part 2) | 0% |
| 6 | 19 | History - European | 0 | 0.00 | enlightened despotism (Part 4) | 0% | Potsdam (Part 6) | 0% | Francois Quesnay (Part 5) | 0% |
| 6 | 20 | Fine Arts - Other | 1 | 30.00 | Thelonius Monk (Part 2) | 100% | Chick Corea (Part 3) | 100% | Bud Powell (Part 1) | 100% |
| 6 | 20 | Fine Arts - Other | 1 | 0.00 | Thelonius Monk (Part 2) | 100% | Chick Corea (Part 3) | 100% | Bud Powell (Part 4) | 0% |
| 6 | 20 | Fine Arts - Other | 1 | 0.00 | Thelonius Monk (Part 2) | 100% | Chick Corea (Part 6) | 0% | Bud Powell (Part 1) | 100% |
| 6 | 20 | Fine Arts - Other | 1 | 0.00 | Thelonius Monk (Part 2) | 100% | Chick Corea (Part 6) | 0% | Bud Powell (Part 4) | 0% |
| 6 | 20 | Fine Arts - Other | 0 | 0.00 | Thelonius Monk (Part 5) | 0% | Chick Corea (Part 3) | 0% | Bud Powell (Part 1) | 0% |
| 6 | 20 | Fine Arts - Other | 0 | 0.00 | Thelonius Monk (Part 5) | 0% | Chick Corea (Part 3) | 0% | Bud Powell (Part 4) | 0% |
| 6 | 20 | Fine Arts - Other | 0 | 0.00 | Thelonius Monk (Part 5) | 0% | Chick Corea (Part 6) | 0% | Bud Powell (Part 1) | 0% |
| 6 | 20 | Fine Arts - Other | 0 | 0.00 | Thelonius Monk (Part 5) | 0% | Chick Corea (Part 6) | 0% | Bud Powell (Part 4) | 0% |
| 7 | 1 | Mythology | 3 | 10.00 | fish (Part 3) | 0% | Horus’s hand (Part 1) | 100% | Crocodilopolis (Part 2) | 0% |
| 7 | 1 | Mythology | 3 | 0.00 | fish (Part 3) | 0% | Horus’s hand (Part 1) | 100% | Crocodilopolis (Part 5) | 0% |
| 7 | 1 | Mythology | 3 | 0.00 | fish (Part 3) | 0% | Horus’s hand (Part 4) | 0% | Crocodilopolis (Part 2) | 0% |
| 7 | 1 | Mythology | 3 | 0.00 | fish (Part 3) | 0% | Horus’s hand (Part 4) | 0% | Crocodilopolis (Part 5) | 0% |
| 7 | 1 | Mythology | 0 | 0.00 | fish (Part 6) | 0% | Horus’s hand (Part 1) | 0% | Crocodilopolis (Part 2) | 0% |
| 7 | 1 | Mythology | 0 | 0.00 | fish (Part 6) | 0% | Horus’s hand (Part 1) | 0% | Crocodilopolis (Part 5) | 0% |
| 7 | 1 | Mythology | 0 | 0.00 | fish (Part 6) | 0% | Horus’s hand (Part 4) | 0% | Crocodilopolis (Part 2) | 0% |
| 7 | 1 | Mythology | 0 | 0.00 | fish (Part 6) | 0% | Horus’s hand (Part 4) | 0% | Crocodilopolis (Part 5) | 0% |
| 7 | 2 | Literature - World | 3 | 10.00 | Rabindranath Tagore (Part 1) | 0% | Afghanistan (Part 2) | 100% | Bengali (Part 3) | 0% |
| 7 | 2 | Literature - World | 3 | 0.00 | Rabindranath Tagore (Part 1) | 0% | Afghanistan (Part 2) | 100% | Bengali (Part 6) | 0% |
| 7 | 2 | Literature - World | 3 | 0.00 | Rabindranath Tagore (Part 1) | 0% | Afghanistan (Part 5) | 0% | Bengali (Part 3) | 0% |
| 7 | 2 | Literature - World | 3 | 0.00 | Rabindranath Tagore (Part 1) | 0% | Afghanistan (Part 5) | 0% | Bengali (Part 6) | 0% |
| 7 | 2 | Literature - World | 0 | 0.00 | Rabindranath Tagore (Part 4) | 0% | Afghanistan (Part 2) | 0% | Bengali (Part 3) | 0% |
| 7 | 2 | Literature - World | 0 | 0.00 | Rabindranath Tagore (Part 4) | 0% | Afghanistan (Part 2) | 0% | Bengali (Part 6) | 0% |
| 7 | 2 | Literature - World | 0 | 0.00 | Rabindranath Tagore (Part 4) | 0% | Afghanistan (Part 5) | 0% | Bengali (Part 3) | 0% |
| 7 | 2 | Literature - World | 0 | 0.00 | Rabindranath Tagore (Part 4) | 0% | Afghanistan (Part 5) | 0% | Bengali (Part 6) | 0% |
| 7 | 3 | Literature - European | 3 | 16.67 | France (Part 1) | 67% | sestina (Part 3) | 100% | The Hunger Angel (Part 2) | 0% |
| 7 | 3 | Literature - European | 3 | 0.00 | France (Part 1) | 67% | sestina (Part 3) | 100% | The Hunger Angel (Part 5) | 0% |
| 7 | 3 | Literature - European | 3 | 0.00 | France (Part 1) | 67% | sestina (Part 6) | 0% | The Hunger Angel (Part 2) | 0% |
| 7 | 3 | Literature - European | 3 | 0.00 | France (Part 1) | 67% | sestina (Part 6) | 0% | The Hunger Angel (Part 5) | 0% |
| 7 | 3 | Literature - European | 0 | 0.00 | France (Part 4) | 0% | sestina (Part 3) | 0% | The Hunger Angel (Part 2) | 0% |
| 7 | 3 | Literature - European | 0 | 0.00 | France (Part 4) | 0% | sestina (Part 3) | 0% | The Hunger Angel (Part 5) | 0% |
| 7 | 3 | Literature - European | 0 | 0.00 | France (Part 4) | 0% | sestina (Part 6) | 0% | The Hunger Angel (Part 2) | 0% |
| 7 | 3 | Literature - European | 0 | 0.00 | France (Part 4) | 0% | sestina (Part 6) | 0% | The Hunger Angel (Part 5) | 0% |
| 7 | 4 | Pop Culture | 3 | 16.67 | roulette (Part 1) | 33% | baccarat (Part 2) | 100% | odds bet (Part 3) | 33% |
| 7 | 4 | Pop Culture | 3 | 0.00 | roulette (Part 1) | 33% | baccarat (Part 2) | 100% | odds bet (Part 6) | 0% |
| 7 | 4 | Pop Culture | 3 | 0.00 | roulette (Part 1) | 33% | baccarat (Part 5) | 0% | odds bet (Part 3) | 33% |
| 7 | 4 | Pop Culture | 3 | 0.00 | roulette (Part 1) | 33% | baccarat (Part 5) | 0% | odds bet (Part 6) | 0% |
| 7 | 4 | Pop Culture | 0 | 0.00 | roulette (Part 4) | 0% | baccarat (Part 2) | 0% | odds bet (Part 3) | 0% |
| 7 | 4 | Pop Culture | 0 | 0.00 | roulette (Part 4) | 0% | baccarat (Part 2) | 0% | odds bet (Part 6) | 0% |
| 7 | 4 | Pop Culture | 0 | 0.00 | roulette (Part 4) | 0% | baccarat (Part 5) | 0% | odds bet (Part 3) | 0% |
| 7 | 4 | Pop Culture | 0 | 0.00 | roulette (Part 4) | 0% | baccarat (Part 5) | 0% | odds bet (Part 6) | 0% |
| 7 | 5 | History - European | 3 | 16.67 | Henry Morgan (Part 3) | 67% | Santiago (Part 2) | 100% | Campeche (Part 1) | 0% |
| 7 | 5 | History - European | 3 | 0.00 | Henry Morgan (Part 3) | 67% | Santiago (Part 2) | 100% | Campeche (Part 4) | 0% |
| 7 | 5 | History - European | 3 | 0.00 | Henry Morgan (Part 3) | 67% | Santiago (Part 5) | 0% | Campeche (Part 1) | 0% |
| 7 | 5 | History - European | 3 | 0.00 | Henry Morgan (Part 3) | 67% | Santiago (Part 5) | 0% | Campeche (Part 4) | 0% |
| 7 | 5 | History - European | 0 | 0.00 | Henry Morgan (Part 6) | 0% | Santiago (Part 2) | 0% | Campeche (Part 1) | 0% |
| 7 | 5 | History - European | 0 | 0.00 | Henry Morgan (Part 6) | 0% | Santiago (Part 2) | 0% | Campeche (Part 4) | 0% |
| 7 | 5 | History - European | 0 | 0.00 | Henry Morgan (Part 6) | 0% | Santiago (Part 5) | 0% | Campeche (Part 1) | 0% |
| 7 | 5 | History - European | 0 | 0.00 | Henry Morgan (Part 6) | 0% | Santiago (Part 5) | 0% | Campeche (Part 4) | 0% |
| 7 | 6 | Fine Arts - Other | 3 | 13.33 | E.T. the Extra-Terrestrial (Part 2) | 33% | Alien (Part 1) | 33% | Howard Hanson (Part 3) | 67% |
| 7 | 6 | Fine Arts - Other | 3 | 0.00 | E.T. the Extra-Terrestrial (Part 2) | 33% | Alien (Part 1) | 33% | Howard Hanson (Part 6) | 0% |
| 7 | 6 | Fine Arts - Other | 3 | 0.00 | E.T. the Extra-Terrestrial (Part 2) | 33% | Alien (Part 4) | 0% | Howard Hanson (Part 3) | 67% |
| 7 | 6 | Fine Arts - Other | 3 | 0.00 | E.T. the Extra-Terrestrial (Part 2) | 33% | Alien (Part 4) | 0% | Howard Hanson (Part 6) | 0% |
| 7 | 6 | Fine Arts - Other | 0 | 0.00 | E.T. the Extra-Terrestrial (Part 5) | 0% | Alien (Part 1) | 0% | Howard Hanson (Part 3) | 0% |
| 7 | 6 | Fine Arts - Other | 0 | 0.00 | E.T. the Extra-Terrestrial (Part 5) | 0% | Alien (Part 1) | 0% | Howard Hanson (Part 6) | 0% |
| 7 | 6 | Fine Arts - Other | 0 | 0.00 | E.T. the Extra-Terrestrial (Part 5) | 0% | Alien (Part 4) | 0% | Howard Hanson (Part 3) | 0% |
| 7 | 6 | Fine Arts - Other | 0 | 0.00 | E.T. the Extra-Terrestrial (Part 5) | 0% | Alien (Part 4) | 0% | Howard Hanson (Part 6) | 0% |
| 7 | 7 | Social Science | 3 | 13.33 | class (Part 2) | 33% | oppression (Part 1) | 0% | Patricia Hill Collins (Part 3) | 100% |
| 7 | 7 | Social Science | 3 | 0.00 | class (Part 2) | 33% | oppression (Part 1) | 0% | Patricia Hill Collins (Part 6) | 0% |
| 7 | 7 | Social Science | 3 | 0.00 | class (Part 2) | 33% | oppression (Part 4) | 0% | Patricia Hill Collins (Part 3) | 100% |
| 7 | 7 | Social Science | 3 | 0.00 | class (Part 2) | 33% | oppression (Part 4) | 0% | Patricia Hill Collins (Part 6) | 0% |
| 7 | 7 | Social Science | 0 | 0.00 | class (Part 5) | 0% | oppression (Part 1) | 0% | Patricia Hill Collins (Part 3) | 0% |
| 7 | 7 | Social Science | 0 | 0.00 | class (Part 5) | 0% | oppression (Part 1) | 0% | Patricia Hill Collins (Part 6) | 0% |
| 7 | 7 | Social Science | 0 | 0.00 | class (Part 5) | 0% | oppression (Part 4) | 0% | Patricia Hill Collins (Part 3) | 0% |
| 7 | 7 | Social Science | 0 | 0.00 | class (Part 5) | 0% | oppression (Part 4) | 0% | Patricia Hill Collins (Part 6) | 0% |
| 7 | 8 | History - World | 3 | 10.00 | Swahili (Part 1) | 0% | Iran (Part 2) | 67% | The Comoros AND Mayotte (Part 3) | 33% |
| 7 | 8 | History - World | 3 | 0.00 | Swahili (Part 1) | 0% | Iran (Part 2) | 67% | The Comoros AND Mayotte (Part 6) | 0% |
| 7 | 8 | History - World | 3 | 0.00 | Swahili (Part 1) | 0% | Iran (Part 5) | 0% | The Comoros AND Mayotte (Part 3) | 33% |
| 7 | 8 | History - World | 3 | 0.00 | Swahili (Part 1) | 0% | Iran (Part 5) | 0% | The Comoros AND Mayotte (Part 6) | 0% |
| 7 | 8 | History - World | 0 | 0.00 | Swahili (Part 4) | 0% | Iran (Part 2) | 0% | The Comoros AND Mayotte (Part 3) | 0% |
| 7 | 8 | History - World | 0 | 0.00 | Swahili (Part 4) | 0% | Iran (Part 2) | 0% | The Comoros AND Mayotte (Part 6) | 0% |
| 7 | 8 | History - World | 0 | 0.00 | Swahili (Part 4) | 0% | Iran (Part 5) | 0% | The Comoros AND Mayotte (Part 3) | 0% |
| 7 | 8 | History - World | 0 | 0.00 | Swahili (Part 4) | 0% | Iran (Part 5) | 0% | The Comoros AND Mayotte (Part 6) | 0% |
| 7 | 9 | Science - Chemistry | 3 | 6.67 | oxidation (Part 2) | 67% | nitrogen and oxygen (Part 3) | 0% | Frémy’s salt (Part 1) | 0% |
| 7 | 9 | Science - Chemistry | 3 | 0.00 | oxidation (Part 2) | 67% | nitrogen and oxygen (Part 3) | 0% | Frémy’s salt (Part 4) | 0% |
| 7 | 9 | Science - Chemistry | 3 | 0.00 | oxidation (Part 2) | 67% | nitrogen and oxygen (Part 6) | 0% | Frémy’s salt (Part 1) | 0% |
| 7 | 9 | Science - Chemistry | 3 | 0.00 | oxidation (Part 2) | 67% | nitrogen and oxygen (Part 6) | 0% | Frémy’s salt (Part 4) | 0% |
| 7 | 9 | Science - Chemistry | 0 | 0.00 | oxidation (Part 5) | 0% | nitrogen and oxygen (Part 3) | 0% | Frémy’s salt (Part 1) | 0% |
| 7 | 9 | Science - Chemistry | 0 | 0.00 | oxidation (Part 5) | 0% | nitrogen and oxygen (Part 3) | 0% | Frémy’s salt (Part 4) | 0% |
| 7 | 9 | Science - Chemistry | 0 | 0.00 | oxidation (Part 5) | 0% | nitrogen and oxygen (Part 6) | 0% | Frémy’s salt (Part 1) | 0% |
| 7 | 9 | Science - Chemistry | 0 | 0.00 | oxidation (Part 5) | 0% | nitrogen and oxygen (Part 6) | 0% | Frémy’s salt (Part 4) | 0% |
| 7 | 10 | History - American | 3 | 16.67 | Prohibition (Part 3) | 33% | Jeanette Rankin (Part 2) | 100% | Kansas (Part 1) | 33% |
| 7 | 10 | History - American | 3 | 0.00 | Prohibition (Part 3) | 33% | Jeanette Rankin (Part 2) | 100% | Kansas (Part 4) | 0% |
| 7 | 10 | History - American | 3 | 0.00 | Prohibition (Part 3) | 33% | Jeanette Rankin (Part 5) | 0% | Kansas (Part 1) | 33% |
| 7 | 10 | History - American | 3 | 0.00 | Prohibition (Part 3) | 33% | Jeanette Rankin (Part 5) | 0% | Kansas (Part 4) | 0% |
| 7 | 10 | History - American | 0 | 0.00 | Prohibition (Part 6) | 0% | Jeanette Rankin (Part 2) | 0% | Kansas (Part 1) | 0% |
| 7 | 10 | History - American | 0 | 0.00 | Prohibition (Part 6) | 0% | Jeanette Rankin (Part 2) | 0% | Kansas (Part 4) | 0% |
| 7 | 10 | History - American | 0 | 0.00 | Prohibition (Part 6) | 0% | Jeanette Rankin (Part 5) | 0% | Kansas (Part 1) | 0% |
| 7 | 10 | History - American | 0 | 0.00 | Prohibition (Part 6) | 0% | Jeanette Rankin (Part 5) | 0% | Kansas (Part 4) | 0% |
| 7 | 11 | Science - Physics | 3 | 10.00 | 0 (Part 3) | 100% | harmonics (Part 1) | 0% | weak-field approximation (Part 2) | 0% |
| 7 | 11 | Science - Physics | 3 | 0.00 | 0 (Part 3) | 100% | harmonics (Part 1) | 0% | weak-field approximation (Part 5) | 0% |
| 7 | 11 | Science - Physics | 3 | 0.00 | 0 (Part 3) | 100% | harmonics (Part 4) | 0% | weak-field approximation (Part 2) | 0% |
| 7 | 11 | Science - Physics | 3 | 0.00 | 0 (Part 3) | 100% | harmonics (Part 4) | 0% | weak-field approximation (Part 5) | 0% |
| 7 | 11 | Science - Physics | 0 | 0.00 | 0 (Part 6) | 0% | harmonics (Part 1) | 0% | weak-field approximation (Part 2) | 0% |
| 7 | 11 | Science - Physics | 0 | 0.00 | 0 (Part 6) | 0% | harmonics (Part 1) | 0% | weak-field approximation (Part 5) | 0% |
| 7 | 11 | Science - Physics | 0 | 0.00 | 0 (Part 6) | 0% | harmonics (Part 4) | 0% | weak-field approximation (Part 2) | 0% |
| 7 | 11 | Science - Physics | 0 | 0.00 | 0 (Part 6) | 0% | harmonics (Part 4) | 0% | weak-field approximation (Part 5) | 0% |
| 7 | 12 | Science - Biology | 3 | 10.00 | plankton (Part 1) | 0% | diatoms (Part 3) | 0% | radiolarians (Part 2) | 100% |
| 7 | 12 | Science - Biology | 3 | 0.00 | plankton (Part 1) | 0% | diatoms (Part 3) | 0% | radiolarians (Part 5) | 0% |
| 7 | 12 | Science - Biology | 3 | 0.00 | plankton (Part 1) | 0% | diatoms (Part 6) | 0% | radiolarians (Part 2) | 100% |
| 7 | 12 | Science - Biology | 3 | 0.00 | plankton (Part 1) | 0% | diatoms (Part 6) | 0% | radiolarians (Part 5) | 0% |
| 7 | 12 | Science - Biology | 0 | 0.00 | plankton (Part 4) | 0% | diatoms (Part 3) | 0% | radiolarians (Part 2) | 0% |
| 7 | 12 | Science - Biology | 0 | 0.00 | plankton (Part 4) | 0% | diatoms (Part 3) | 0% | radiolarians (Part 5) | 0% |
| 7 | 12 | Science - Biology | 0 | 0.00 | plankton (Part 4) | 0% | diatoms (Part 6) | 0% | radiolarians (Part 2) | 0% |
| 7 | 12 | Science - Biology | 0 | 0.00 | plankton (Part 4) | 0% | diatoms (Part 6) | 0% | radiolarians (Part 5) | 0% |
| 7 | 13 | Literature - British | 3 | 20.00 | "To His Coy Mistress" (Part 2) | 100% | Andrew Marvell (Part 3) | 100% | Richard Lovelace (Part 1) | 0% |
| 7 | 13 | Literature - British | 3 | 0.00 | "To His Coy Mistress" (Part 2) | 100% | Andrew Marvell (Part 3) | 100% | Richard Lovelace (Part 4) | 0% |
| 7 | 13 | Literature - British | 3 | 0.00 | "To His Coy Mistress" (Part 2) | 100% | Andrew Marvell (Part 6) | 0% | Richard Lovelace (Part 1) | 0% |
| 7 | 13 | Literature - British | 3 | 0.00 | "To His Coy Mistress" (Part 2) | 100% | Andrew Marvell (Part 6) | 0% | Richard Lovelace (Part 4) | 0% |
| 7 | 13 | Literature - British | 0 | 0.00 | "To His Coy Mistress" (Part 5) | 0% | Andrew Marvell (Part 3) | 0% | Richard Lovelace (Part 1) | 0% |
| 7 | 13 | Literature - British | 0 | 0.00 | "To His Coy Mistress" (Part 5) | 0% | Andrew Marvell (Part 3) | 0% | Richard Lovelace (Part 4) | 0% |
| 7 | 13 | Literature - British | 0 | 0.00 | "To His Coy Mistress" (Part 5) | 0% | Andrew Marvell (Part 6) | 0% | Richard Lovelace (Part 1) | 0% |
| 7 | 13 | Literature - British | 0 | 0.00 | "To His Coy Mistress" (Part 5) | 0% | Andrew Marvell (Part 6) | 0% | Richard Lovelace (Part 4) | 0% |
| 7 | 14 | Science - Other | 3 | 13.33 | Microsoft (Part 1) | 100% | transformer (Part 2) | 33% | Long short-term memory network (Part 3) | 0% |
| 7 | 14 | Science - Other | 3 | 0.00 | Microsoft (Part 1) | 100% | transformer (Part 2) | 33% | Long short-term memory network (Part 6) | 0% |
| 7 | 14 | Science - Other | 3 | 0.00 | Microsoft (Part 1) | 100% | transformer (Part 5) | 0% | Long short-term memory network (Part 3) | 0% |
| 7 | 14 | Science - Other | 3 | 0.00 | Microsoft (Part 1) | 100% | transformer (Part 5) | 0% | Long short-term memory network (Part 6) | 0% |
| 7 | 14 | Science - Other | 0 | 0.00 | Microsoft (Part 4) | 0% | transformer (Part 2) | 0% | Long short-term memory network (Part 3) | 0% |
| 7 | 14 | Science - Other | 0 | 0.00 | Microsoft (Part 4) | 0% | transformer (Part 2) | 0% | Long short-term memory network (Part 6) | 0% |
| 7 | 14 | Science - Other | 0 | 0.00 | Microsoft (Part 4) | 0% | transformer (Part 5) | 0% | Long short-term memory network (Part 3) | 0% |
| 7 | 14 | Science - Other | 0 | 0.00 | Microsoft (Part 4) | 0% | transformer (Part 5) | 0% | Long short-term memory network (Part 6) | 0% |
| 7 | 15 | Fine Arts - Visual | 3 | 13.33 | Diego Rivera (Part 2) | 100% | The Epic of American Civilization (Part 3) | 33% | Rufino Tamayo (Part 1) | 0% |
| 7 | 15 | Fine Arts - Visual | 3 | 0.00 | Diego Rivera (Part 2) | 100% | The Epic of American Civilization (Part 3) | 33% | Rufino Tamayo (Part 4) | 0% |
| 7 | 15 | Fine Arts - Visual | 3 | 0.00 | Diego Rivera (Part 2) | 100% | The Epic of American Civilization (Part 6) | 0% | Rufino Tamayo (Part 1) | 0% |
| 7 | 15 | Fine Arts - Visual | 3 | 0.00 | Diego Rivera (Part 2) | 100% | The Epic of American Civilization (Part 6) | 0% | Rufino Tamayo (Part 4) | 0% |
| 7 | 15 | Fine Arts - Visual | 0 | 0.00 | Diego Rivera (Part 5) | 0% | The Epic of American Civilization (Part 3) | 0% | Rufino Tamayo (Part 1) | 0% |
| 7 | 15 | Fine Arts - Visual | 0 | 0.00 | Diego Rivera (Part 5) | 0% | The Epic of American Civilization (Part 3) | 0% | Rufino Tamayo (Part 4) | 0% |
| 7 | 15 | Fine Arts - Visual | 0 | 0.00 | Diego Rivera (Part 5) | 0% | The Epic of American Civilization (Part 6) | 0% | Rufino Tamayo (Part 1) | 0% |
| 7 | 15 | Fine Arts - Visual | 0 | 0.00 | Diego Rivera (Part 5) | 0% | The Epic of American Civilization (Part 6) | 0% | Rufino Tamayo (Part 4) | 0% |
| 7 | 16 | Literature - American | 3 | 13.33 | American Revolution (Part 3) | 100% | The Father (Part 1) | 0% | Mercy Otis Warren (Part 2) | 33% |
| 7 | 16 | Literature - American | 3 | 0.00 | American Revolution (Part 3) | 100% | The Father (Part 1) | 0% | Mercy Otis Warren (Part 5) | 0% |
| 7 | 16 | Literature - American | 3 | 0.00 | American Revolution (Part 3) | 100% | The Father (Part 4) | 0% | Mercy Otis Warren (Part 2) | 33% |
| 7 | 16 | Literature - American | 3 | 0.00 | American Revolution (Part 3) | 100% | The Father (Part 4) | 0% | Mercy Otis Warren (Part 5) | 0% |
| 7 | 16 | Literature - American | 0 | 0.00 | American Revolution (Part 6) | 0% | The Father (Part 1) | 0% | Mercy Otis Warren (Part 2) | 0% |
| 7 | 16 | Literature - American | 0 | 0.00 | American Revolution (Part 6) | 0% | The Father (Part 1) | 0% | Mercy Otis Warren (Part 5) | 0% |
| 7 | 16 | Literature - American | 0 | 0.00 | American Revolution (Part 6) | 0% | The Father (Part 4) | 0% | Mercy Otis Warren (Part 2) | 0% |
| 7 | 16 | Literature - American | 0 | 0.00 | American Revolution (Part 6) | 0% | The Father (Part 4) | 0% | Mercy Otis Warren (Part 5) | 0% |
| 7 | 17 | Religion | 3 | 13.33 | Lotus Sutra (Part 2) | 100% | Nichiren (Part 3) | 33% | Namu-myōhō-renge-kyō (Part 1) | 0% |
| 7 | 17 | Religion | 3 | 0.00 | Lotus Sutra (Part 2) | 100% | Nichiren (Part 3) | 33% | Namu-myōhō-renge-kyō (Part 4) | 0% |
| 7 | 17 | Religion | 3 | 0.00 | Lotus Sutra (Part 2) | 100% | Nichiren (Part 6) | 0% | Namu-myōhō-renge-kyō (Part 1) | 0% |
| 7 | 17 | Religion | 3 | 0.00 | Lotus Sutra (Part 2) | 100% | Nichiren (Part 6) | 0% | Namu-myōhō-renge-kyō (Part 4) | 0% |
| 7 | 17 | Religion | 0 | 0.00 | Lotus Sutra (Part 5) | 0% | Nichiren (Part 3) | 0% | Namu-myōhō-renge-kyō (Part 1) | 0% |
| 7 | 17 | Religion | 0 | 0.00 | Lotus Sutra (Part 5) | 0% | Nichiren (Part 3) | 0% | Namu-myōhō-renge-kyō (Part 4) | 0% |
| 7 | 17 | Religion | 0 | 0.00 | Lotus Sutra (Part 5) | 0% | Nichiren (Part 6) | 0% | Namu-myōhō-renge-kyō (Part 1) | 0% |
| 7 | 17 | Religion | 0 | 0.00 | Lotus Sutra (Part 5) | 0% | Nichiren (Part 6) | 0% | Namu-myōhō-renge-kyō (Part 4) | 0% |
| 7 | 18 | Fine Arts - Auditory | 1 | 10.00 | polyphony (Part 2) | 0% | perfect (Part 1) | 100% | mensural notation (Part 3) | 0% |
| 7 | 18 | Fine Arts - Auditory | 1 | 0.00 | polyphony (Part 2) | 0% | perfect (Part 1) | 100% | mensural notation (Part 6) | 0% |
| 7 | 18 | Fine Arts - Auditory | 1 | 0.00 | polyphony (Part 2) | 0% | perfect (Part 4) | 0% | mensural notation (Part 3) | 0% |
| 7 | 18 | Fine Arts - Auditory | 1 | 0.00 | polyphony (Part 2) | 0% | perfect (Part 4) | 0% | mensural notation (Part 6) | 0% |
| 7 | 18 | Fine Arts - Auditory | 0 | 0.00 | polyphony (Part 5) | 0% | perfect (Part 1) | 0% | mensural notation (Part 3) | 0% |
| 7 | 18 | Fine Arts - Auditory | 0 | 0.00 | polyphony (Part 5) | 0% | perfect (Part 1) | 0% | mensural notation (Part 6) | 0% |
| 7 | 18 | Fine Arts - Auditory | 0 | 0.00 | polyphony (Part 5) | 0% | perfect (Part 4) | 0% | mensural notation (Part 3) | 0% |
| 7 | 18 | Fine Arts - Auditory | 0 | 0.00 | polyphony (Part 5) | 0% | perfect (Part 4) | 0% | mensural notation (Part 6) | 0% |
| 7 | 19 | History - Other | 1 | 10.00 | pyramids (Part 1) | 0% | Cholula (Part 2) | 100% | Tlaxcala (Part 3) | 0% |
| 7 | 19 | History - Other | 1 | 0.00 | pyramids (Part 1) | 0% | Cholula (Part 2) | 100% | Tlaxcala (Part 6) | 0% |
| 7 | 19 | History - Other | 1 | 0.00 | pyramids (Part 1) | 0% | Cholula (Part 5) | 0% | Tlaxcala (Part 3) | 0% |
| 7 | 19 | History - Other | 1 | 0.00 | pyramids (Part 1) | 0% | Cholula (Part 5) | 0% | Tlaxcala (Part 6) | 0% |
| 7 | 19 | History - Other | 0 | 0.00 | pyramids (Part 4) | 0% | Cholula (Part 2) | 0% | Tlaxcala (Part 3) | 0% |
| 7 | 19 | History - Other | 0 | 0.00 | pyramids (Part 4) | 0% | Cholula (Part 2) | 0% | Tlaxcala (Part 6) | 0% |
| 7 | 19 | History - Other | 0 | 0.00 | pyramids (Part 4) | 0% | Cholula (Part 5) | 0% | Tlaxcala (Part 3) | 0% |
| 7 | 19 | History - Other | 0 | 0.00 | pyramids (Part 4) | 0% | Cholula (Part 5) | 0% | Tlaxcala (Part 6) | 0% |
| 7 | 20 | Philosophy | 1 | 20.00 | Aristotle (Part 3) | 100% | gardens (Part 2) | 100% | Boethius (Part 1) | 0% |
| 7 | 20 | Philosophy | 1 | 0.00 | Aristotle (Part 3) | 100% | gardens (Part 2) | 100% | Boethius (Part 4) | 0% |
| 7 | 20 | Philosophy | 1 | 0.00 | Aristotle (Part 3) | 100% | gardens (Part 5) | 0% | Boethius (Part 1) | 0% |
| 7 | 20 | Philosophy | 1 | 0.00 | Aristotle (Part 3) | 100% | gardens (Part 5) | 0% | Boethius (Part 4) | 0% |
| 7 | 20 | Philosophy | 0 | 0.00 | Aristotle (Part 6) | 0% | gardens (Part 2) | 0% | Boethius (Part 1) | 0% |
| 7 | 20 | Philosophy | 0 | 0.00 | Aristotle (Part 6) | 0% | gardens (Part 2) | 0% | Boethius (Part 4) | 0% |
| 7 | 20 | Philosophy | 0 | 0.00 | Aristotle (Part 6) | 0% | gardens (Part 5) | 0% | Boethius (Part 1) | 0% |
| 7 | 20 | Philosophy | 0 | 0.00 | Aristotle (Part 6) | 0% | gardens (Part 5) | 0% | Boethius (Part 4) | 0% |
| 8 | 1 | Literature - American | 3 | 13.33 | The Cantos (Part 1) | 0% | H.D. (Part 2) | 33% | vortex (Part 3) | 100% |
| 8 | 1 | Literature - American | 3 | 0.00 | The Cantos (Part 1) | 0% | H.D. (Part 2) | 33% | vortex (Part 6) | 0% |
| 8 | 1 | Literature - American | 3 | 0.00 | The Cantos (Part 1) | 0% | H.D. (Part 5) | 0% | vortex (Part 3) | 100% |
| 8 | 1 | Literature - American | 3 | 0.00 | The Cantos (Part 1) | 0% | H.D. (Part 5) | 0% | vortex (Part 6) | 0% |
| 8 | 1 | Literature - American | 0 | 0.00 | The Cantos (Part 4) | 0% | H.D. (Part 2) | 0% | vortex (Part 3) | 0% |
| 8 | 1 | Literature - American | 0 | 0.00 | The Cantos (Part 4) | 0% | H.D. (Part 2) | 0% | vortex (Part 6) | 0% |
| 8 | 1 | Literature - American | 0 | 0.00 | The Cantos (Part 4) | 0% | H.D. (Part 5) | 0% | vortex (Part 3) | 0% |
| 8 | 1 | Literature - American | 0 | 0.00 | The Cantos (Part 4) | 0% | H.D. (Part 5) | 0% | vortex (Part 6) | 0% |
| 8 | 2 | Religion | 3 | 6.67 | confession (Part 2) | 0% | Pope John Paul II (Part 3) | 0% | Saint Pio of Pietrelcina (Part 1) | 67% |
| 8 | 2 | Religion | 3 | 0.00 | confession (Part 2) | 0% | Pope John Paul II (Part 3) | 0% | Saint Pio of Pietrelcina (Part 4) | 0% |
| 8 | 2 | Religion | 3 | 0.00 | confession (Part 2) | 0% | Pope John Paul II (Part 6) | 0% | Saint Pio of Pietrelcina (Part 1) | 67% |
| 8 | 2 | Religion | 3 | 0.00 | confession (Part 2) | 0% | Pope John Paul II (Part 6) | 0% | Saint Pio of Pietrelcina (Part 4) | 0% |
| 8 | 2 | Religion | 0 | 0.00 | confession (Part 5) | 0% | Pope John Paul II (Part 3) | 0% | Saint Pio of Pietrelcina (Part 1) | 0% |
| 8 | 2 | Religion | 0 | 0.00 | confession (Part 5) | 0% | Pope John Paul II (Part 3) | 0% | Saint Pio of Pietrelcina (Part 4) | 0% |
| 8 | 2 | Religion | 0 | 0.00 | confession (Part 5) | 0% | Pope John Paul II (Part 6) | 0% | Saint Pio of Pietrelcina (Part 1) | 0% |
| 8 | 2 | Religion | 0 | 0.00 | confession (Part 5) | 0% | Pope John Paul II (Part 6) | 0% | Saint Pio of Pietrelcina (Part 4) | 0% |
| 8 | 3 | Literature - World | 3 | 13.33 | Haruki Murakami (Part 3) | 33% | Norwegian Wood (Part 1) | 33% | Japan and Germany (Part 2) | 67% |
| 8 | 3 | Literature - World | 3 | 0.00 | Haruki Murakami (Part 3) | 33% | Norwegian Wood (Part 1) | 33% | Japan and Germany (Part 5) | 0% |
| 8 | 3 | Literature - World | 3 | 0.00 | Haruki Murakami (Part 3) | 33% | Norwegian Wood (Part 4) | 0% | Japan and Germany (Part 2) | 67% |
| 8 | 3 | Literature - World | 3 | 0.00 | Haruki Murakami (Part 3) | 33% | Norwegian Wood (Part 4) | 0% | Japan and Germany (Part 5) | 0% |
| 8 | 3 | Literature - World | 0 | 0.00 | Haruki Murakami (Part 6) | 0% | Norwegian Wood (Part 1) | 0% | Japan and Germany (Part 2) | 0% |
| 8 | 3 | Literature - World | 0 | 0.00 | Haruki Murakami (Part 6) | 0% | Norwegian Wood (Part 1) | 0% | Japan and Germany (Part 5) | 0% |
| 8 | 3 | Literature - World | 0 | 0.00 | Haruki Murakami (Part 6) | 0% | Norwegian Wood (Part 4) | 0% | Japan and Germany (Part 2) | 0% |
| 8 | 3 | Literature - World | 0 | 0.00 | Haruki Murakami (Part 6) | 0% | Norwegian Wood (Part 4) | 0% | Japan and Germany (Part 5) | 0% |
| 8 | 4 | Current Events | 3 | 20.00 | Israel AND India (Part 3) | 33% | drones (Part 2) | 100% | Gautam Adani (Part 1) | 67% |
| 8 | 4 | Current Events | 3 | 0.00 | Israel AND India (Part 3) | 33% | drones (Part 2) | 100% | Gautam Adani (Part 4) | 0% |
| 8 | 4 | Current Events | 3 | 0.00 | Israel AND India (Part 3) | 33% | drones (Part 5) | 0% | Gautam Adani (Part 1) | 67% |
| 8 | 4 | Current Events | 3 | 0.00 | Israel AND India (Part 3) | 33% | drones (Part 5) | 0% | Gautam Adani (Part 4) | 0% |
| 8 | 4 | Current Events | 0 | 0.00 | Israel AND India (Part 6) | 0% | drones (Part 2) | 0% | Gautam Adani (Part 1) | 0% |
| 8 | 4 | Current Events | 0 | 0.00 | Israel AND India (Part 6) | 0% | drones (Part 2) | 0% | Gautam Adani (Part 4) | 0% |
| 8 | 4 | Current Events | 0 | 0.00 | Israel AND India (Part 6) | 0% | drones (Part 5) | 0% | Gautam Adani (Part 1) | 0% |
| 8 | 4 | Current Events | 0 | 0.00 | Israel AND India (Part 6) | 0% | drones (Part 5) | 0% | Gautam Adani (Part 4) | 0% |
| 8 | 5 | History - World | 3 | 13.33 | cassava (Part 2) | 33% | Akan (Part 3) | 100% | Tanzania (Part 1) | 0% |
| 8 | 5 | History - World | 3 | 0.00 | cassava (Part 2) | 33% | Akan (Part 3) | 100% | Tanzania (Part 4) | 0% |
| 8 | 5 | History - World | 3 | 0.00 | cassava (Part 2) | 33% | Akan (Part 6) | 0% | Tanzania (Part 1) | 0% |
| 8 | 5 | History - World | 3 | 0.00 | cassava (Part 2) | 33% | Akan (Part 6) | 0% | Tanzania (Part 4) | 0% |
| 8 | 5 | History - World | 0 | 0.00 | cassava (Part 5) | 0% | Akan (Part 3) | 0% | Tanzania (Part 1) | 0% |
| 8 | 5 | History - World | 0 | 0.00 | cassava (Part 5) | 0% | Akan (Part 3) | 0% | Tanzania (Part 4) | 0% |
| 8 | 5 | History - World | 0 | 0.00 | cassava (Part 5) | 0% | Akan (Part 6) | 0% | Tanzania (Part 1) | 0% |
| 8 | 5 | History - World | 0 | 0.00 | cassava (Part 5) | 0% | Akan (Part 6) | 0% | Tanzania (Part 4) | 0% |
| 8 | 6 | History - American | 3 | 10.00 | 1968 (Part 2) | 0% | Daniel Inouye (Part 3) | 0% | Abscam (Part 1) | 100% |
| 8 | 6 | History - American | 3 | 0.00 | 1968 (Part 2) | 0% | Daniel Inouye (Part 3) | 0% | Abscam (Part 4) | 0% |
| 8 | 6 | History - American | 3 | 0.00 | 1968 (Part 2) | 0% | Daniel Inouye (Part 6) | 0% | Abscam (Part 1) | 100% |
| 8 | 6 | History - American | 3 | 0.00 | 1968 (Part 2) | 0% | Daniel Inouye (Part 6) | 0% | Abscam (Part 4) | 0% |
| 8 | 6 | History - American | 0 | 0.00 | 1968 (Part 5) | 0% | Daniel Inouye (Part 3) | 0% | Abscam (Part 1) | 0% |
| 8 | 6 | History - American | 0 | 0.00 | 1968 (Part 5) | 0% | Daniel Inouye (Part 3) | 0% | Abscam (Part 4) | 0% |
| 8 | 6 | History - American | 0 | 0.00 | 1968 (Part 5) | 0% | Daniel Inouye (Part 6) | 0% | Abscam (Part 1) | 0% |
| 8 | 6 | History - American | 0 | 0.00 | 1968 (Part 5) | 0% | Daniel Inouye (Part 6) | 0% | Abscam (Part 4) | 0% |
| 8 | 7 | Fine Arts - Visual | 3 | 6.67 | Flanders (Part 1) | 0% | The Last Judgment (Part 3) | 67% | Hugo van der Goes (Part 2) | 0% |
| 8 | 7 | Fine Arts - Visual | 3 | 0.00 | Flanders (Part 1) | 0% | The Last Judgment (Part 3) | 67% | Hugo van der Goes (Part 5) | 0% |
| 8 | 7 | Fine Arts - Visual | 3 | 0.00 | Flanders (Part 1) | 0% | The Last Judgment (Part 6) | 0% | Hugo van der Goes (Part 2) | 0% |
| 8 | 7 | Fine Arts - Visual | 3 | 0.00 | Flanders (Part 1) | 0% | The Last Judgment (Part 6) | 0% | Hugo van der Goes (Part 5) | 0% |
| 8 | 7 | Fine Arts - Visual | 0 | 0.00 | Flanders (Part 4) | 0% | The Last Judgment (Part 3) | 0% | Hugo van der Goes (Part 2) | 0% |
| 8 | 7 | Fine Arts - Visual | 0 | 0.00 | Flanders (Part 4) | 0% | The Last Judgment (Part 3) | 0% | Hugo van der Goes (Part 5) | 0% |
| 8 | 7 | Fine Arts - Visual | 0 | 0.00 | Flanders (Part 4) | 0% | The Last Judgment (Part 6) | 0% | Hugo van der Goes (Part 2) | 0% |
| 8 | 7 | Fine Arts - Visual | 0 | 0.00 | Flanders (Part 4) | 0% | The Last Judgment (Part 6) | 0% | Hugo van der Goes (Part 5) | 0% |
| 8 | 8 | Mythology | 3 | 6.67 | Gilgamesh (Part 1) | 0% | Bull of Heaven (Part 2) | 33% | pukku OR mikku (Part 3) | 33% |
| 8 | 8 | Mythology | 3 | 0.00 | Gilgamesh (Part 1) | 0% | Bull of Heaven (Part 2) | 33% | pukku OR mikku (Part 6) | 0% |
| 8 | 8 | Mythology | 3 | 0.00 | Gilgamesh (Part 1) | 0% | Bull of Heaven (Part 5) | 0% | pukku OR mikku (Part 3) | 33% |
| 8 | 8 | Mythology | 3 | 0.00 | Gilgamesh (Part 1) | 0% | Bull of Heaven (Part 5) | 0% | pukku OR mikku (Part 6) | 0% |
| 8 | 8 | Mythology | 0 | 0.00 | Gilgamesh (Part 4) | 0% | Bull of Heaven (Part 2) | 0% | pukku OR mikku (Part 3) | 0% |
| 8 | 8 | Mythology | 0 | 0.00 | Gilgamesh (Part 4) | 0% | Bull of Heaven (Part 2) | 0% | pukku OR mikku (Part 6) | 0% |
| 8 | 8 | Mythology | 0 | 0.00 | Gilgamesh (Part 4) | 0% | Bull of Heaven (Part 5) | 0% | pukku OR mikku (Part 3) | 0% |
| 8 | 8 | Mythology | 0 | 0.00 | Gilgamesh (Part 4) | 0% | Bull of Heaven (Part 5) | 0% | pukku OR mikku (Part 6) | 0% |
| 8 | 9 | History - European | 3 | 13.33 | Warsaw Ghetto (Part 2) | 67% | London (Part 1) | 67% | Emanuel Ringelblum (Part 3) | 0% |
| 8 | 9 | History - European | 3 | 0.00 | Warsaw Ghetto (Part 2) | 67% | London (Part 1) | 67% | Emanuel Ringelblum (Part 6) | 0% |
| 8 | 9 | History - European | 3 | 0.00 | Warsaw Ghetto (Part 2) | 67% | London (Part 4) | 0% | Emanuel Ringelblum (Part 3) | 0% |
| 8 | 9 | History - European | 3 | 0.00 | Warsaw Ghetto (Part 2) | 67% | London (Part 4) | 0% | Emanuel Ringelblum (Part 6) | 0% |
| 8 | 9 | History - European | 0 | 0.00 | Warsaw Ghetto (Part 5) | 0% | London (Part 1) | 0% | Emanuel Ringelblum (Part 3) | 0% |
| 8 | 9 | History - European | 0 | 0.00 | Warsaw Ghetto (Part 5) | 0% | London (Part 1) | 0% | Emanuel Ringelblum (Part 6) | 0% |
| 8 | 9 | History - European | 0 | 0.00 | Warsaw Ghetto (Part 5) | 0% | London (Part 4) | 0% | Emanuel Ringelblum (Part 3) | 0% |
| 8 | 9 | History - European | 0 | 0.00 | Warsaw Ghetto (Part 5) | 0% | London (Part 4) | 0% | Emanuel Ringelblum (Part 6) | 0% |
| 8 | 10 | Philosophy | 3 | 13.33 | causality (Part 3) | 0% | hidden variable theories (Part 1) | 33% | Leonard Nelson (Part 2) | 100% |
| 8 | 10 | Philosophy | 3 | 0.00 | causality (Part 3) | 0% | hidden variable theories (Part 1) | 33% | Leonard Nelson (Part 5) | 0% |
| 8 | 10 | Philosophy | 3 | 0.00 | causality (Part 3) | 0% | hidden variable theories (Part 4) | 0% | Leonard Nelson (Part 2) | 100% |
| 8 | 10 | Philosophy | 3 | 0.00 | causality (Part 3) | 0% | hidden variable theories (Part 4) | 0% | Leonard Nelson (Part 5) | 0% |
| 8 | 10 | Philosophy | 0 | 0.00 | causality (Part 6) | 0% | hidden variable theories (Part 1) | 0% | Leonard Nelson (Part 2) | 0% |
| 8 | 10 | Philosophy | 0 | 0.00 | causality (Part 6) | 0% | hidden variable theories (Part 1) | 0% | Leonard Nelson (Part 5) | 0% |
| 8 | 10 | Philosophy | 0 | 0.00 | causality (Part 6) | 0% | hidden variable theories (Part 4) | 0% | Leonard Nelson (Part 2) | 0% |
| 8 | 10 | Philosophy | 0 | 0.00 | causality (Part 6) | 0% | hidden variable theories (Part 4) | 0% | Leonard Nelson (Part 5) | 0% |
| 8 | 11 | History - Other | 3 | 20.00 | Angkor Wat (Part 2) | 33% | Sri Lanka (Part 3) | 67% | Óc Eo (Part 1) | 100% |
| 8 | 11 | History - Other | 3 | 0.00 | Angkor Wat (Part 2) | 33% | Sri Lanka (Part 3) | 67% | Óc Eo (Part 4) | 0% |
| 8 | 11 | History - Other | 3 | 0.00 | Angkor Wat (Part 2) | 33% | Sri Lanka (Part 6) | 0% | Óc Eo (Part 1) | 100% |
| 8 | 11 | History - Other | 3 | 0.00 | Angkor Wat (Part 2) | 33% | Sri Lanka (Part 6) | 0% | Óc Eo (Part 4) | 0% |
| 8 | 11 | History - Other | 0 | 0.00 | Angkor Wat (Part 5) | 0% | Sri Lanka (Part 3) | 0% | Óc Eo (Part 1) | 0% |
| 8 | 11 | History - Other | 0 | 0.00 | Angkor Wat (Part 5) | 0% | Sri Lanka (Part 3) | 0% | Óc Eo (Part 4) | 0% |
| 8 | 11 | History - Other | 0 | 0.00 | Angkor Wat (Part 5) | 0% | Sri Lanka (Part 6) | 0% | Óc Eo (Part 1) | 0% |
| 8 | 11 | History - Other | 0 | 0.00 | Angkor Wat (Part 5) | 0% | Sri Lanka (Part 6) | 0% | Óc Eo (Part 4) | 0% |
| 8 | 12 | Science - Chemistry | 3 | 23.33 | fatty acids (Part 3) | 67% | malonyl-CoA (Part 1) | 67% | polyketides (Part 2) | 100% |
| 8 | 12 | Science - Chemistry | 3 | 0.00 | fatty acids (Part 3) | 67% | malonyl-CoA (Part 1) | 67% | polyketides (Part 5) | 0% |
| 8 | 12 | Science - Chemistry | 3 | 0.00 | fatty acids (Part 3) | 67% | malonyl-CoA (Part 4) | 0% | polyketides (Part 2) | 100% |
| 8 | 12 | Science - Chemistry | 3 | 0.00 | fatty acids (Part 3) | 67% | malonyl-CoA (Part 4) | 0% | polyketides (Part 5) | 0% |
| 8 | 12 | Science - Chemistry | 0 | 0.00 | fatty acids (Part 6) | 0% | malonyl-CoA (Part 1) | 0% | polyketides (Part 2) | 0% |
| 8 | 12 | Science - Chemistry | 0 | 0.00 | fatty acids (Part 6) | 0% | malonyl-CoA (Part 1) | 0% | polyketides (Part 5) | 0% |
| 8 | 12 | Science - Chemistry | 0 | 0.00 | fatty acids (Part 6) | 0% | malonyl-CoA (Part 4) | 0% | polyketides (Part 2) | 0% |
| 8 | 12 | Science - Chemistry | 0 | 0.00 | fatty acids (Part 6) | 0% | malonyl-CoA (Part 4) | 0% | polyketides (Part 5) | 0% |
| 8 | 13 | Fine Arts - Other | 3 | 16.67 | porcupines (Part 1) | 33% | Minneapolis (Part 2) | 67% | appliqué (Part 3) | 67% |
| 8 | 13 | Fine Arts - Other | 3 | 0.00 | porcupines (Part 1) | 33% | Minneapolis (Part 2) | 67% | appliqué (Part 6) | 0% |
| 8 | 13 | Fine Arts - Other | 3 | 0.00 | porcupines (Part 1) | 33% | Minneapolis (Part 5) | 0% | appliqué (Part 3) | 67% |
| 8 | 13 | Fine Arts - Other | 3 | 0.00 | porcupines (Part 1) | 33% | Minneapolis (Part 5) | 0% | appliqué (Part 6) | 0% |
| 8 | 13 | Fine Arts - Other | 0 | 0.00 | porcupines (Part 4) | 0% | Minneapolis (Part 2) | 0% | appliqué (Part 3) | 0% |
| 8 | 13 | Fine Arts - Other | 0 | 0.00 | porcupines (Part 4) | 0% | Minneapolis (Part 2) | 0% | appliqué (Part 6) | 0% |
| 8 | 13 | Fine Arts - Other | 0 | 0.00 | porcupines (Part 4) | 0% | Minneapolis (Part 5) | 0% | appliqué (Part 3) | 0% |
| 8 | 13 | Fine Arts - Other | 0 | 0.00 | porcupines (Part 4) | 0% | Minneapolis (Part 5) | 0% | appliqué (Part 6) | 0% |
| 8 | 14 | Social Science | 3 | 16.67 | democracy (Part 2) | 67% | town meeting (Part 3) | 100% | participatory budgeting (Part 1) | 0% |
| 8 | 14 | Social Science | 3 | 0.00 | democracy (Part 2) | 67% | town meeting (Part 3) | 100% | participatory budgeting (Part 4) | 0% |
| 8 | 14 | Social Science | 3 | 0.00 | democracy (Part 2) | 67% | town meeting (Part 6) | 0% | participatory budgeting (Part 1) | 0% |
| 8 | 14 | Social Science | 3 | 0.00 | democracy (Part 2) | 67% | town meeting (Part 6) | 0% | participatory budgeting (Part 4) | 0% |
| 8 | 14 | Social Science | 0 | 0.00 | democracy (Part 5) | 0% | town meeting (Part 3) | 0% | participatory budgeting (Part 1) | 0% |
| 8 | 14 | Social Science | 0 | 0.00 | democracy (Part 5) | 0% | town meeting (Part 3) | 0% | participatory budgeting (Part 4) | 0% |
| 8 | 14 | Social Science | 0 | 0.00 | democracy (Part 5) | 0% | town meeting (Part 6) | 0% | participatory budgeting (Part 1) | 0% |
| 8 | 14 | Social Science | 0 | 0.00 | democracy (Part 5) | 0% | town meeting (Part 6) | 0% | participatory budgeting (Part 4) | 0% |
| 8 | 15 | Science - Other | 3 | 10.00 | triangular matrix (Part 2) | 0% | diagonal (Part 3) | 0% | Jordan canonical form (Part 1) | 100% |
| 8 | 15 | Science - Other | 3 | 0.00 | triangular matrix (Part 2) | 0% | diagonal (Part 3) | 0% | Jordan canonical form (Part 4) | 0% |
| 8 | 15 | Science - Other | 3 | 0.00 | triangular matrix (Part 2) | 0% | diagonal (Part 6) | 0% | Jordan canonical form (Part 1) | 100% |
| 8 | 15 | Science - Other | 3 | 0.00 | triangular matrix (Part 2) | 0% | diagonal (Part 6) | 0% | Jordan canonical form (Part 4) | 0% |
| 8 | 15 | Science - Other | 0 | 0.00 | triangular matrix (Part 5) | 0% | diagonal (Part 3) | 0% | Jordan canonical form (Part 1) | 0% |
| 8 | 15 | Science - Other | 0 | 0.00 | triangular matrix (Part 5) | 0% | diagonal (Part 3) | 0% | Jordan canonical form (Part 4) | 0% |
| 8 | 15 | Science - Other | 0 | 0.00 | triangular matrix (Part 5) | 0% | diagonal (Part 6) | 0% | Jordan canonical form (Part 1) | 0% |
| 8 | 15 | Science - Other | 0 | 0.00 | triangular matrix (Part 5) | 0% | diagonal (Part 6) | 0% | Jordan canonical form (Part 4) | 0% |
| 8 | 16 | Fine Arts - Auditory | 3 | 13.33 | timpani (Part 3) | 33% | Carl Nielsen (Part 1) | 100% | woodwind quintet (Part 2) | 0% |
| 8 | 16 | Fine Arts - Auditory | 3 | 0.00 | timpani (Part 3) | 33% | Carl Nielsen (Part 1) | 100% | woodwind quintet (Part 5) | 0% |
| 8 | 16 | Fine Arts - Auditory | 3 | 0.00 | timpani (Part 3) | 33% | Carl Nielsen (Part 4) | 0% | woodwind quintet (Part 2) | 0% |
| 8 | 16 | Fine Arts - Auditory | 3 | 0.00 | timpani (Part 3) | 33% | Carl Nielsen (Part 4) | 0% | woodwind quintet (Part 5) | 0% |
| 8 | 16 | Fine Arts - Auditory | 0 | 0.00 | timpani (Part 6) | 0% | Carl Nielsen (Part 1) | 0% | woodwind quintet (Part 2) | 0% |
| 8 | 16 | Fine Arts - Auditory | 0 | 0.00 | timpani (Part 6) | 0% | Carl Nielsen (Part 1) | 0% | woodwind quintet (Part 5) | 0% |
| 8 | 16 | Fine Arts - Auditory | 0 | 0.00 | timpani (Part 6) | 0% | Carl Nielsen (Part 4) | 0% | woodwind quintet (Part 2) | 0% |
| 8 | 16 | Fine Arts - Auditory | 0 | 0.00 | timpani (Part 6) | 0% | Carl Nielsen (Part 4) | 0% | woodwind quintet (Part 5) | 0% |
| 8 | 17 | Science - Physics | 2 | 20.00 | Schrödinger equation (Part 1) | 0% | density functional theory (Part 3) | 100% | Thomas-Fermi model (Part 2) | 100% |
| 8 | 17 | Science - Physics | 2 | 0.00 | Schrödinger equation (Part 1) | 0% | density functional theory (Part 3) | 100% | Thomas-Fermi model (Part 5) | 0% |
| 8 | 17 | Science - Physics | 2 | 0.00 | Schrödinger equation (Part 1) | 0% | density functional theory (Part 6) | 0% | Thomas-Fermi model (Part 2) | 100% |
| 8 | 17 | Science - Physics | 2 | 0.00 | Schrödinger equation (Part 1) | 0% | density functional theory (Part 6) | 0% | Thomas-Fermi model (Part 5) | 0% |
| 8 | 17 | Science - Physics | 0 | 0.00 | Schrödinger equation (Part 4) | 0% | density functional theory (Part 3) | 0% | Thomas-Fermi model (Part 2) | 0% |
| 8 | 17 | Science - Physics | 0 | 0.00 | Schrödinger equation (Part 4) | 0% | density functional theory (Part 3) | 0% | Thomas-Fermi model (Part 5) | 0% |
| 8 | 17 | Science - Physics | 0 | 0.00 | Schrödinger equation (Part 4) | 0% | density functional theory (Part 6) | 0% | Thomas-Fermi model (Part 2) | 0% |
| 8 | 17 | Science - Physics | 0 | 0.00 | Schrödinger equation (Part 4) | 0% | density functional theory (Part 6) | 0% | Thomas-Fermi model (Part 5) | 0% |
| 8 | 18 | Science - Biology | 0 | 0.00 | Batesian mimicry (Part 3) | 0% | orchids (Part 1) | 0% | Vavilovian mimicry (Part 2) | 0% |
| 8 | 18 | Science - Biology | 0 | 0.00 | Batesian mimicry (Part 3) | 0% | orchids (Part 1) | 0% | Vavilovian mimicry (Part 5) | 0% |
| 8 | 18 | Science - Biology | 0 | 0.00 | Batesian mimicry (Part 3) | 0% | orchids (Part 4) | 0% | Vavilovian mimicry (Part 2) | 0% |
| 8 | 18 | Science - Biology | 0 | 0.00 | Batesian mimicry (Part 3) | 0% | orchids (Part 4) | 0% | Vavilovian mimicry (Part 5) | 0% |
| 8 | 18 | Science - Biology | 0 | 0.00 | Batesian mimicry (Part 6) | 0% | orchids (Part 1) | 0% | Vavilovian mimicry (Part 2) | 0% |
| 8 | 18 | Science - Biology | 0 | 0.00 | Batesian mimicry (Part 6) | 0% | orchids (Part 1) | 0% | Vavilovian mimicry (Part 5) | 0% |
| 8 | 18 | Science - Biology | 0 | 0.00 | Batesian mimicry (Part 6) | 0% | orchids (Part 4) | 0% | Vavilovian mimicry (Part 2) | 0% |
| 8 | 18 | Science - Biology | 0 | 0.00 | Batesian mimicry (Part 6) | 0% | orchids (Part 4) | 0% | Vavilovian mimicry (Part 5) | 0% |
| 8 | 19 | Literature - British | 0 | 0.00 | prince (Part 1) | 0% | Timon of Athens (Part 2) | 0% | The Two Noble Kinsmen (Part 3) | 0% |
| 8 | 19 | Literature - British | 0 | 0.00 | prince (Part 1) | 0% | Timon of Athens (Part 2) | 0% | The Two Noble Kinsmen (Part 6) | 0% |
| 8 | 19 | Literature - British | 0 | 0.00 | prince (Part 1) | 0% | Timon of Athens (Part 5) | 0% | The Two Noble Kinsmen (Part 3) | 0% |
| 8 | 19 | Literature - British | 0 | 0.00 | prince (Part 1) | 0% | Timon of Athens (Part 5) | 0% | The Two Noble Kinsmen (Part 6) | 0% |
| 8 | 19 | Literature - British | 0 | 0.00 | prince (Part 4) | 0% | Timon of Athens (Part 2) | 0% | The Two Noble Kinsmen (Part 3) | 0% |
| 8 | 19 | Literature - British | 0 | 0.00 | prince (Part 4) | 0% | Timon of Athens (Part 2) | 0% | The Two Noble Kinsmen (Part 6) | 0% |
| 8 | 19 | Literature - British | 0 | 0.00 | prince (Part 4) | 0% | Timon of Athens (Part 5) | 0% | The Two Noble Kinsmen (Part 3) | 0% |
| 8 | 19 | Literature - British | 0 | 0.00 | prince (Part 4) | 0% | Timon of Athens (Part 5) | 0% | The Two Noble Kinsmen (Part 6) | 0% |
| 8 | 20 | Literature - European | 0 | 0.00 | Ivan Turgenev (Part 2) | 0% | Alexei (Part 3) | 0% | Baden-Baden (Part 1) | 0% |
| 8 | 20 | Literature - European | 0 | 0.00 | Ivan Turgenev (Part 2) | 0% | Alexei (Part 3) | 0% | Baden-Baden (Part 4) | 0% |
| 8 | 20 | Literature - European | 0 | 0.00 | Ivan Turgenev (Part 2) | 0% | Alexei (Part 6) | 0% | Baden-Baden (Part 1) | 0% |
| 8 | 20 | Literature - European | 0 | 0.00 | Ivan Turgenev (Part 2) | 0% | Alexei (Part 6) | 0% | Baden-Baden (Part 4) | 0% |
| 8 | 20 | Literature - European | 0 | 0.00 | Ivan Turgenev (Part 5) | 0% | Alexei (Part 3) | 0% | Baden-Baden (Part 1) | 0% |
| 8 | 20 | Literature - European | 0 | 0.00 | Ivan Turgenev (Part 5) | 0% | Alexei (Part 3) | 0% | Baden-Baden (Part 4) | 0% |
| 8 | 20 | Literature - European | 0 | 0.00 | Ivan Turgenev (Part 5) | 0% | Alexei (Part 6) | 0% | Baden-Baden (Part 1) | 0% |
| 8 | 20 | Literature - European | 0 | 0.00 | Ivan Turgenev (Part 5) | 0% | Alexei (Part 6) | 0% | Baden-Baden (Part 4) | 0% |
| 9 | 1 | Literature - American | 3 | 10.00 | Bob Dylan (Part 2) | 100% | Sam Shepard (Part 3) | 0% | the buried child (Part 1) | 0% |
| 9 | 1 | Literature - American | 3 | 0.00 | Bob Dylan (Part 2) | 100% | Sam Shepard (Part 3) | 0% | the buried child (Part 4) | 0% |
| 9 | 1 | Literature - American | 3 | 0.00 | Bob Dylan (Part 2) | 100% | Sam Shepard (Part 6) | 0% | the buried child (Part 1) | 0% |
| 9 | 1 | Literature - American | 3 | 0.00 | Bob Dylan (Part 2) | 100% | Sam Shepard (Part 6) | 0% | the buried child (Part 4) | 0% |
| 9 | 1 | Literature - American | 0 | 0.00 | Bob Dylan (Part 5) | 0% | Sam Shepard (Part 3) | 0% | the buried child (Part 1) | 0% |
| 9 | 1 | Literature - American | 0 | 0.00 | Bob Dylan (Part 5) | 0% | Sam Shepard (Part 3) | 0% | the buried child (Part 4) | 0% |
| 9 | 1 | Literature - American | 0 | 0.00 | Bob Dylan (Part 5) | 0% | Sam Shepard (Part 6) | 0% | the buried child (Part 1) | 0% |
| 9 | 1 | Literature - American | 0 | 0.00 | Bob Dylan (Part 5) | 0% | Sam Shepard (Part 6) | 0% | the buried child (Part 4) | 0% |
| 9 | 2 | Literature - British | 3 | 20.00 | Aphrodite (Part 2) | 67% | Algernon Charlese Swinburne (Part 3) | 100% | Endymion (Part 1) | 33% |
| 9 | 2 | Literature - British | 3 | 0.00 | Aphrodite (Part 2) | 67% | Algernon Charlese Swinburne (Part 3) | 100% | Endymion (Part 4) | 0% |
| 9 | 2 | Literature - British | 3 | 0.00 | Aphrodite (Part 2) | 67% | Algernon Charlese Swinburne (Part 6) | 0% | Endymion (Part 1) | 33% |
| 9 | 2 | Literature - British | 3 | 0.00 | Aphrodite (Part 2) | 67% | Algernon Charlese Swinburne (Part 6) | 0% | Endymion (Part 4) | 0% |
| 9 | 2 | Literature - British | 0 | 0.00 | Aphrodite (Part 5) | 0% | Algernon Charlese Swinburne (Part 3) | 0% | Endymion (Part 1) | 0% |
| 9 | 2 | Literature - British | 0 | 0.00 | Aphrodite (Part 5) | 0% | Algernon Charlese Swinburne (Part 3) | 0% | Endymion (Part 4) | 0% |
| 9 | 2 | Literature - British | 0 | 0.00 | Aphrodite (Part 5) | 0% | Algernon Charlese Swinburne (Part 6) | 0% | Endymion (Part 1) | 0% |
| 9 | 2 | Literature - British | 0 | 0.00 | Aphrodite (Part 5) | 0% | Algernon Charlese Swinburne (Part 6) | 0% | Endymion (Part 4) | 0% |
| 9 | 3 | Literature - European | 3 | 16.67 | Sophocles (Part 3) | 67% | Colonus (Part 2) | 100% | thunderstorm (Part 1) | 0% |
| 9 | 3 | Literature - European | 3 | 0.00 | Sophocles (Part 3) | 67% | Colonus (Part 2) | 100% | thunderstorm (Part 4) | 0% |
| 9 | 3 | Literature - European | 3 | 0.00 | Sophocles (Part 3) | 67% | Colonus (Part 5) | 0% | thunderstorm (Part 1) | 0% |
| 9 | 3 | Literature - European | 3 | 0.00 | Sophocles (Part 3) | 67% | Colonus (Part 5) | 0% | thunderstorm (Part 4) | 0% |
| 9 | 3 | Literature - European | 0 | 0.00 | Sophocles (Part 6) | 0% | Colonus (Part 2) | 0% | thunderstorm (Part 1) | 0% |
| 9 | 3 | Literature - European | 0 | 0.00 | Sophocles (Part 6) | 0% | Colonus (Part 2) | 0% | thunderstorm (Part 4) | 0% |
| 9 | 3 | Literature - European | 0 | 0.00 | Sophocles (Part 6) | 0% | Colonus (Part 5) | 0% | thunderstorm (Part 1) | 0% |
| 9 | 3 | Literature - European | 0 | 0.00 | Sophocles (Part 6) | 0% | Colonus (Part 5) | 0% | thunderstorm (Part 4) | 0% |
| 9 | 4 | History - European | 3 | 10.00 | feudalism (Part 1) | 0% | Henry III (Part 3) | 33% | Simon de Montfort, 6th Earl of Leicester (Part 2) | 67% |
| 9 | 4 | History - European | 3 | 0.00 | feudalism (Part 1) | 0% | Henry III (Part 3) | 33% | Simon de Montfort, 6th Earl of Leicester (Part 5) | 0% |
| 9 | 4 | History - European | 3 | 0.00 | feudalism (Part 1) | 0% | Henry III (Part 6) | 0% | Simon de Montfort, 6th Earl of Leicester (Part 2) | 67% |
| 9 | 4 | History - European | 3 | 0.00 | feudalism (Part 1) | 0% | Henry III (Part 6) | 0% | Simon de Montfort, 6th Earl of Leicester (Part 5) | 0% |
| 9 | 4 | History - European | 0 | 0.00 | feudalism (Part 4) | 0% | Henry III (Part 3) | 0% | Simon de Montfort, 6th Earl of Leicester (Part 2) | 0% |
| 9 | 4 | History - European | 0 | 0.00 | feudalism (Part 4) | 0% | Henry III (Part 3) | 0% | Simon de Montfort, 6th Earl of Leicester (Part 5) | 0% |
| 9 | 4 | History - European | 0 | 0.00 | feudalism (Part 4) | 0% | Henry III (Part 6) | 0% | Simon de Montfort, 6th Earl of Leicester (Part 2) | 0% |
| 9 | 4 | History - European | 0 | 0.00 | feudalism (Part 4) | 0% | Henry III (Part 6) | 0% | Simon de Montfort, 6th Earl of Leicester (Part 5) | 0% |
| 9 | 5 | Science - Other | 3 | 10.00 | beta (Part 3) | 100% | tritium (Part 2) | 0% | boosting (Part 1) | 0% |
| 9 | 5 | Science - Other | 3 | 0.00 | beta (Part 3) | 100% | tritium (Part 2) | 0% | boosting (Part 4) | 0% |
| 9 | 5 | Science - Other | 3 | 0.00 | beta (Part 3) | 100% | tritium (Part 5) | 0% | boosting (Part 1) | 0% |
| 9 | 5 | Science - Other | 3 | 0.00 | beta (Part 3) | 100% | tritium (Part 5) | 0% | boosting (Part 4) | 0% |
| 9 | 5 | Science - Other | 0 | 0.00 | beta (Part 6) | 0% | tritium (Part 2) | 0% | boosting (Part 1) | 0% |
| 9 | 5 | Science - Other | 0 | 0.00 | beta (Part 6) | 0% | tritium (Part 2) | 0% | boosting (Part 4) | 0% |
| 9 | 5 | Science - Other | 0 | 0.00 | beta (Part 6) | 0% | tritium (Part 5) | 0% | boosting (Part 1) | 0% |
| 9 | 5 | Science - Other | 0 | 0.00 | beta (Part 6) | 0% | tritium (Part 5) | 0% | boosting (Part 4) | 0% |
| 9 | 6 | History - World | 3 | 10.00 | Tang dynasty (Part 3) | 0% | vases (Part 1) | 0% | knife money (Part 2) | 100% |
| 9 | 6 | History - World | 3 | 0.00 | Tang dynasty (Part 3) | 0% | vases (Part 1) | 0% | knife money (Part 5) | 0% |
| 9 | 6 | History - World | 3 | 0.00 | Tang dynasty (Part 3) | 0% | vases (Part 4) | 0% | knife money (Part 2) | 100% |
| 9 | 6 | History - World | 3 | 0.00 | Tang dynasty (Part 3) | 0% | vases (Part 4) | 0% | knife money (Part 5) | 0% |
| 9 | 6 | History - World | 0 | 0.00 | Tang dynasty (Part 6) | 0% | vases (Part 1) | 0% | knife money (Part 2) | 0% |
| 9 | 6 | History - World | 0 | 0.00 | Tang dynasty (Part 6) | 0% | vases (Part 1) | 0% | knife money (Part 5) | 0% |
| 9 | 6 | History - World | 0 | 0.00 | Tang dynasty (Part 6) | 0% | vases (Part 4) | 0% | knife money (Part 2) | 0% |
| 9 | 6 | History - World | 0 | 0.00 | Tang dynasty (Part 6) | 0% | vases (Part 4) | 0% | knife money (Part 5) | 0% |
| 9 | 7 | Fine Arts - Visual | 3 | 6.67 | Nazi Germany (Part 1) | 0% | constructivism (Part 3) | 67% | Varvara Stepanova (Part 2) | 0% |
| 9 | 7 | Fine Arts - Visual | 3 | 0.00 | Nazi Germany (Part 1) | 0% | constructivism (Part 3) | 67% | Varvara Stepanova (Part 5) | 0% |
| 9 | 7 | Fine Arts - Visual | 3 | 0.00 | Nazi Germany (Part 1) | 0% | constructivism (Part 6) | 0% | Varvara Stepanova (Part 2) | 0% |
| 9 | 7 | Fine Arts - Visual | 3 | 0.00 | Nazi Germany (Part 1) | 0% | constructivism (Part 6) | 0% | Varvara Stepanova (Part 5) | 0% |
| 9 | 7 | Fine Arts - Visual | 0 | 0.00 | Nazi Germany (Part 4) | 0% | constructivism (Part 3) | 0% | Varvara Stepanova (Part 2) | 0% |
| 9 | 7 | Fine Arts - Visual | 0 | 0.00 | Nazi Germany (Part 4) | 0% | constructivism (Part 3) | 0% | Varvara Stepanova (Part 5) | 0% |
| 9 | 7 | Fine Arts - Visual | 0 | 0.00 | Nazi Germany (Part 4) | 0% | constructivism (Part 6) | 0% | Varvara Stepanova (Part 2) | 0% |
| 9 | 7 | Fine Arts - Visual | 0 | 0.00 | Nazi Germany (Part 4) | 0% | constructivism (Part 6) | 0% | Varvara Stepanova (Part 5) | 0% |
| 9 | 8 | Fine Arts - Other | 3 | 20.00 | Orson Welles (Part 1) | 33% | Chinatowns (Part 2) | 67% | Chan is Missing (Part 3) | 100% |
| 9 | 8 | Fine Arts - Other | 3 | 0.00 | Orson Welles (Part 1) | 33% | Chinatowns (Part 2) | 67% | Chan is Missing (Part 6) | 0% |
| 9 | 8 | Fine Arts - Other | 3 | 0.00 | Orson Welles (Part 1) | 33% | Chinatowns (Part 5) | 0% | Chan is Missing (Part 3) | 100% |
| 9 | 8 | Fine Arts - Other | 3 | 0.00 | Orson Welles (Part 1) | 33% | Chinatowns (Part 5) | 0% | Chan is Missing (Part 6) | 0% |
| 9 | 8 | Fine Arts - Other | 0 | 0.00 | Orson Welles (Part 4) | 0% | Chinatowns (Part 2) | 0% | Chan is Missing (Part 3) | 0% |
| 9 | 8 | Fine Arts - Other | 0 | 0.00 | Orson Welles (Part 4) | 0% | Chinatowns (Part 2) | 0% | Chan is Missing (Part 6) | 0% |
| 9 | 8 | Fine Arts - Other | 0 | 0.00 | Orson Welles (Part 4) | 0% | Chinatowns (Part 5) | 0% | Chan is Missing (Part 3) | 0% |
| 9 | 8 | Fine Arts - Other | 0 | 0.00 | Orson Welles (Part 4) | 0% | Chinatowns (Part 5) | 0% | Chan is Missing (Part 6) | 0% |
| 9 | 9 | History - Other | 3 | 16.67 | Mount Vesuvius (Part 1) | 33% | Britannia (Part 3) | 33% | amphorae (Part 2) | 100% |
| 9 | 9 | History - Other | 3 | 0.00 | Mount Vesuvius (Part 1) | 33% | Britannia (Part 3) | 33% | amphorae (Part 5) | 0% |
| 9 | 9 | History - Other | 3 | 0.00 | Mount Vesuvius (Part 1) | 33% | Britannia (Part 6) | 0% | amphorae (Part 2) | 100% |
| 9 | 9 | History - Other | 3 | 0.00 | Mount Vesuvius (Part 1) | 33% | Britannia (Part 6) | 0% | amphorae (Part 5) | 0% |
| 9 | 9 | History - Other | 0 | 0.00 | Mount Vesuvius (Part 4) | 0% | Britannia (Part 3) | 0% | amphorae (Part 2) | 0% |
| 9 | 9 | History - Other | 0 | 0.00 | Mount Vesuvius (Part 4) | 0% | Britannia (Part 3) | 0% | amphorae (Part 5) | 0% |
| 9 | 9 | History - Other | 0 | 0.00 | Mount Vesuvius (Part 4) | 0% | Britannia (Part 6) | 0% | amphorae (Part 2) | 0% |
| 9 | 9 | History - Other | 0 | 0.00 | Mount Vesuvius (Part 4) | 0% | Britannia (Part 6) | 0% | amphorae (Part 5) | 0% |
| 9 | 10 | Science - Physics | 3 | 0.00 | voltage (Part 2) | 0% | Larmor formula (Part 3) | 0% | Abraham-Lorentz force (Part 1) | 0% |
| 9 | 10 | Science - Physics | 3 | 0.00 | voltage (Part 2) | 0% | Larmor formula (Part 3) | 0% | Abraham-Lorentz force (Part 4) | 0% |
| 9 | 10 | Science - Physics | 3 | 0.00 | voltage (Part 2) | 0% | Larmor formula (Part 6) | 0% | Abraham-Lorentz force (Part 1) | 0% |
| 9 | 10 | Science - Physics | 3 | 0.00 | voltage (Part 2) | 0% | Larmor formula (Part 6) | 0% | Abraham-Lorentz force (Part 4) | 0% |
| 9 | 10 | Science - Physics | 0 | 0.00 | voltage (Part 5) | 0% | Larmor formula (Part 3) | 0% | Abraham-Lorentz force (Part 1) | 0% |
| 9 | 10 | Science - Physics | 0 | 0.00 | voltage (Part 5) | 0% | Larmor formula (Part 3) | 0% | Abraham-Lorentz force (Part 4) | 0% |
| 9 | 10 | Science - Physics | 0 | 0.00 | voltage (Part 5) | 0% | Larmor formula (Part 6) | 0% | Abraham-Lorentz force (Part 1) | 0% |
| 9 | 10 | Science - Physics | 0 | 0.00 | voltage (Part 5) | 0% | Larmor formula (Part 6) | 0% | Abraham-Lorentz force (Part 4) | 0% |
| 9 | 11 | Religion | 3 | 10.00 | guru (Part 3) | 100% | Singh and Kaur (Part 2) | 0% | Khalsa (Part 1) | 0% |
| 9 | 11 | Religion | 3 | 0.00 | guru (Part 3) | 100% | Singh and Kaur (Part 2) | 0% | Khalsa (Part 4) | 0% |
| 9 | 11 | Religion | 3 | 0.00 | guru (Part 3) | 100% | Singh and Kaur (Part 5) | 0% | Khalsa (Part 1) | 0% |
| 9 | 11 | Religion | 3 | 0.00 | guru (Part 3) | 100% | Singh and Kaur (Part 5) | 0% | Khalsa (Part 4) | 0% |
| 9 | 11 | Religion | 0 | 0.00 | guru (Part 6) | 0% | Singh and Kaur (Part 2) | 0% | Khalsa (Part 1) | 0% |
| 9 | 11 | Religion | 0 | 0.00 | guru (Part 6) | 0% | Singh and Kaur (Part 2) | 0% | Khalsa (Part 4) | 0% |
| 9 | 11 | Religion | 0 | 0.00 | guru (Part 6) | 0% | Singh and Kaur (Part 5) | 0% | Khalsa (Part 1) | 0% |
| 9 | 11 | Religion | 0 | 0.00 | guru (Part 6) | 0% | Singh and Kaur (Part 5) | 0% | Khalsa (Part 4) | 0% |
| 9 | 12 | Fine Arts - Auditory | 3 | 10.00 | harpsichord (Part 1) | 33% | Jean-Baptiste Lully (Part 2) | 67% | labyrinth (Part 3) | 0% |
| 9 | 12 | Fine Arts - Auditory | 3 | 0.00 | harpsichord (Part 1) | 33% | Jean-Baptiste Lully (Part 2) | 67% | labyrinth (Part 6) | 0% |
| 9 | 12 | Fine Arts - Auditory | 3 | 0.00 | harpsichord (Part 1) | 33% | Jean-Baptiste Lully (Part 5) | 0% | labyrinth (Part 3) | 0% |
| 9 | 12 | Fine Arts - Auditory | 3 | 0.00 | harpsichord (Part 1) | 33% | Jean-Baptiste Lully (Part 5) | 0% | labyrinth (Part 6) | 0% |
| 9 | 12 | Fine Arts - Auditory | 0 | 0.00 | harpsichord (Part 4) | 0% | Jean-Baptiste Lully (Part 2) | 0% | labyrinth (Part 3) | 0% |
| 9 | 12 | Fine Arts - Auditory | 0 | 0.00 | harpsichord (Part 4) | 0% | Jean-Baptiste Lully (Part 2) | 0% | labyrinth (Part 6) | 0% |
| 9 | 12 | Fine Arts - Auditory | 0 | 0.00 | harpsichord (Part 4) | 0% | Jean-Baptiste Lully (Part 5) | 0% | labyrinth (Part 3) | 0% |
| 9 | 12 | Fine Arts - Auditory | 0 | 0.00 | harpsichord (Part 4) | 0% | Jean-Baptiste Lully (Part 5) | 0% | labyrinth (Part 6) | 0% |
| 9 | 13 | Mythology | 3 | 10.00 | sumo wrestling (Part 1) | 0% | spears (Part 3) | 100% | Izumo Province (Part 2) | 0% |
| 9 | 13 | Mythology | 3 | 0.00 | sumo wrestling (Part 1) | 0% | spears (Part 3) | 100% | Izumo Province (Part 5) | 0% |
| 9 | 13 | Mythology | 3 | 0.00 | sumo wrestling (Part 1) | 0% | spears (Part 6) | 0% | Izumo Province (Part 2) | 0% |
| 9 | 13 | Mythology | 3 | 0.00 | sumo wrestling (Part 1) | 0% | spears (Part 6) | 0% | Izumo Province (Part 5) | 0% |
| 9 | 13 | Mythology | 0 | 0.00 | sumo wrestling (Part 4) | 0% | spears (Part 3) | 0% | Izumo Province (Part 2) | 0% |
| 9 | 13 | Mythology | 0 | 0.00 | sumo wrestling (Part 4) | 0% | spears (Part 3) | 0% | Izumo Province (Part 5) | 0% |
| 9 | 13 | Mythology | 0 | 0.00 | sumo wrestling (Part 4) | 0% | spears (Part 6) | 0% | Izumo Province (Part 2) | 0% |
| 9 | 13 | Mythology | 0 | 0.00 | sumo wrestling (Part 4) | 0% | spears (Part 6) | 0% | Izumo Province (Part 5) | 0% |
| 9 | 14 | Literature - World | 2 | 20.00 | climate change (Part 3) | 50% | PEN America (Part 1) | 50% | the poet's child (Part 2) | 100% |
| 9 | 14 | Literature - World | 2 | 0.00 | climate change (Part 3) | 50% | PEN America (Part 1) | 50% | the poet's child (Part 5) | 0% |
| 9 | 14 | Literature - World | 2 | 0.00 | climate change (Part 3) | 50% | PEN America (Part 4) | 0% | the poet's child (Part 2) | 100% |
| 9 | 14 | Literature - World | 2 | 0.00 | climate change (Part 3) | 50% | PEN America (Part 4) | 0% | the poet's child (Part 5) | 0% |
| 9 | 14 | Literature - World | 0 | 0.00 | climate change (Part 6) | 0% | PEN America (Part 1) | 0% | the poet's child (Part 2) | 0% |
| 9 | 14 | Literature - World | 0 | 0.00 | climate change (Part 6) | 0% | PEN America (Part 1) | 0% | the poet's child (Part 5) | 0% |
| 9 | 14 | Literature - World | 0 | 0.00 | climate change (Part 6) | 0% | PEN America (Part 4) | 0% | the poet's child (Part 2) | 0% |
| 9 | 14 | Literature - World | 0 | 0.00 | climate change (Part 6) | 0% | PEN America (Part 4) | 0% | the poet's child (Part 5) | 0% |
| 9 | 15 | History - American | 2 | 10.00 | New York (Part 3) | 0% | Lenape (Part 1) | 0% | Kieft's War (Part 2) | 100% |
| 9 | 15 | History - American | 2 | 0.00 | New York (Part 3) | 0% | Lenape (Part 1) | 0% | Kieft's War (Part 5) | 0% |
| 9 | 15 | History - American | 2 | 0.00 | New York (Part 3) | 0% | Lenape (Part 4) | 0% | Kieft's War (Part 2) | 100% |
| 9 | 15 | History - American | 2 | 0.00 | New York (Part 3) | 0% | Lenape (Part 4) | 0% | Kieft's War (Part 5) | 0% |
| 9 | 15 | History - American | 0 | 0.00 | New York (Part 6) | 0% | Lenape (Part 1) | 0% | Kieft's War (Part 2) | 0% |
| 9 | 15 | History - American | 0 | 0.00 | New York (Part 6) | 0% | Lenape (Part 1) | 0% | Kieft's War (Part 5) | 0% |
| 9 | 15 | History - American | 0 | 0.00 | New York (Part 6) | 0% | Lenape (Part 4) | 0% | Kieft's War (Part 2) | 0% |
| 9 | 15 | History - American | 0 | 0.00 | New York (Part 6) | 0% | Lenape (Part 4) | 0% | Kieft's War (Part 5) | 0% |
| 9 | 16 | Social Science | 2 | 15.00 | Tamil (Part 3) | 50% | Dravidian (Part 1) | 0% | Elamite (Part 2) | 100% |
| 9 | 16 | Social Science | 2 | 0.00 | Tamil (Part 3) | 50% | Dravidian (Part 1) | 0% | Elamite (Part 5) | 0% |
| 9 | 16 | Social Science | 2 | 0.00 | Tamil (Part 3) | 50% | Dravidian (Part 4) | 0% | Elamite (Part 2) | 100% |
| 9 | 16 | Social Science | 2 | 0.00 | Tamil (Part 3) | 50% | Dravidian (Part 4) | 0% | Elamite (Part 5) | 0% |
| 9 | 16 | Social Science | 0 | 0.00 | Tamil (Part 6) | 0% | Dravidian (Part 1) | 0% | Elamite (Part 2) | 0% |
| 9 | 16 | Social Science | 0 | 0.00 | Tamil (Part 6) | 0% | Dravidian (Part 1) | 0% | Elamite (Part 5) | 0% |
| 9 | 16 | Social Science | 0 | 0.00 | Tamil (Part 6) | 0% | Dravidian (Part 4) | 0% | Elamite (Part 2) | 0% |
| 9 | 16 | Social Science | 0 | 0.00 | Tamil (Part 6) | 0% | Dravidian (Part 4) | 0% | Elamite (Part 5) | 0% |
| 9 | 17 | Pop Culture | 2 | 15.00 | visiting the White House (Part 3) | 0% | Jones (Part 2) | 100% | Angel Reese (Part 1) | 50% |
| 9 | 17 | Pop Culture | 2 | 0.00 | visiting the White House (Part 3) | 0% | Jones (Part 2) | 100% | Angel Reese (Part 4) | 0% |
| 9 | 17 | Pop Culture | 2 | 0.00 | visiting the White House (Part 3) | 0% | Jones (Part 5) | 0% | Angel Reese (Part 1) | 50% |
| 9 | 17 | Pop Culture | 2 | 0.00 | visiting the White House (Part 3) | 0% | Jones (Part 5) | 0% | Angel Reese (Part 4) | 0% |
| 9 | 17 | Pop Culture | 0 | 0.00 | visiting the White House (Part 6) | 0% | Jones (Part 2) | 0% | Angel Reese (Part 1) | 0% |
| 9 | 17 | Pop Culture | 0 | 0.00 | visiting the White House (Part 6) | 0% | Jones (Part 2) | 0% | Angel Reese (Part 4) | 0% |
| 9 | 17 | Pop Culture | 0 | 0.00 | visiting the White House (Part 6) | 0% | Jones (Part 5) | 0% | Angel Reese (Part 1) | 0% |
| 9 | 17 | Pop Culture | 0 | 0.00 | visiting the White House (Part 6) | 0% | Jones (Part 5) | 0% | Angel Reese (Part 4) | 0% |
| 9 | 18 | Philosophy | 1 | 20.00 | essentialism (Part 2) | 100% | uncanny (Part 3) | 100% | Eve Kosofsky Sedgwick (Part 1) | 0% |
| 9 | 18 | Philosophy | 1 | 0.00 | essentialism (Part 2) | 100% | uncanny (Part 3) | 100% | Eve Kosofsky Sedgwick (Part 4) | 0% |
| 9 | 18 | Philosophy | 1 | 0.00 | essentialism (Part 2) | 100% | uncanny (Part 6) | 0% | Eve Kosofsky Sedgwick (Part 1) | 0% |
| 9 | 18 | Philosophy | 1 | 0.00 | essentialism (Part 2) | 100% | uncanny (Part 6) | 0% | Eve Kosofsky Sedgwick (Part 4) | 0% |
| 9 | 18 | Philosophy | 0 | 0.00 | essentialism (Part 5) | 0% | uncanny (Part 3) | 0% | Eve Kosofsky Sedgwick (Part 1) | 0% |
| 9 | 18 | Philosophy | 0 | 0.00 | essentialism (Part 5) | 0% | uncanny (Part 3) | 0% | Eve Kosofsky Sedgwick (Part 4) | 0% |
| 9 | 18 | Philosophy | 0 | 0.00 | essentialism (Part 5) | 0% | uncanny (Part 6) | 0% | Eve Kosofsky Sedgwick (Part 1) | 0% |
| 9 | 18 | Philosophy | 0 | 0.00 | essentialism (Part 5) | 0% | uncanny (Part 6) | 0% | Eve Kosofsky Sedgwick (Part 4) | 0% |
| 9 | 19 | Science - Chemistry | 1 | 20.00 | noble gases (Part 2) | 100% | ionization energy (Part 1) | 0% | krypton difluoride (Part 3) | 100% |
| 9 | 19 | Science - Chemistry | 1 | 0.00 | noble gases (Part 2) | 100% | ionization energy (Part 1) | 0% | krypton difluoride (Part 6) | 0% |
| 9 | 19 | Science - Chemistry | 1 | 0.00 | noble gases (Part 2) | 100% | ionization energy (Part 4) | 0% | krypton difluoride (Part 3) | 100% |
| 9 | 19 | Science - Chemistry | 1 | 0.00 | noble gases (Part 2) | 100% | ionization energy (Part 4) | 0% | krypton difluoride (Part 6) | 0% |
| 9 | 19 | Science - Chemistry | 0 | 0.00 | noble gases (Part 5) | 0% | ionization energy (Part 1) | 0% | krypton difluoride (Part 3) | 0% |
| 9 | 19 | Science - Chemistry | 0 | 0.00 | noble gases (Part 5) | 0% | ionization energy (Part 1) | 0% | krypton difluoride (Part 6) | 0% |
| 9 | 19 | Science - Chemistry | 0 | 0.00 | noble gases (Part 5) | 0% | ionization energy (Part 4) | 0% | krypton difluoride (Part 3) | 0% |
| 9 | 19 | Science - Chemistry | 0 | 0.00 | noble gases (Part 5) | 0% | ionization energy (Part 4) | 0% | krypton difluoride (Part 6) | 0% |
| 9 | 20 | Science - Biology | 0 | 0.00 | Parkinson’s disease (Part 3) | 0% | mitophagy (Part 2) | 0% | mitochondria-associated membrane (Part 1) | 0% |
| 9 | 20 | Science - Biology | 0 | 0.00 | Parkinson’s disease (Part 3) | 0% | mitophagy (Part 2) | 0% | mitochondria-associated membrane (Part 4) | 0% |
| 9 | 20 | Science - Biology | 0 | 0.00 | Parkinson’s disease (Part 3) | 0% | mitophagy (Part 5) | 0% | mitochondria-associated membrane (Part 1) | 0% |
| 9 | 20 | Science - Biology | 0 | 0.00 | Parkinson’s disease (Part 3) | 0% | mitophagy (Part 5) | 0% | mitochondria-associated membrane (Part 4) | 0% |
| 9 | 20 | Science - Biology | 0 | 0.00 | Parkinson’s disease (Part 6) | 0% | mitophagy (Part 2) | 0% | mitochondria-associated membrane (Part 1) | 0% |
| 9 | 20 | Science - Biology | 0 | 0.00 | Parkinson’s disease (Part 6) | 0% | mitophagy (Part 2) | 0% | mitochondria-associated membrane (Part 4) | 0% |
| 9 | 20 | Science - Biology | 0 | 0.00 | Parkinson’s disease (Part 6) | 0% | mitophagy (Part 5) | 0% | mitochondria-associated membrane (Part 1) | 0% |
| 9 | 20 | Science - Biology | 0 | 0.00 | Parkinson’s disease (Part 6) | 0% | mitophagy (Part 5) | 0% | mitochondria-associated membrane (Part 4) | 0% |
| 10 | 1 | Religion | 3 | 16.67 | Mahabharata (Part 3) | 0% | Swami Vivekananda (Part 2) | 67% | puruṣārtha (Part 1) | 100% |
| 10 | 1 | Religion | 3 | 0.00 | Mahabharata (Part 3) | 0% | Swami Vivekananda (Part 2) | 67% | puruṣārtha (Part 4) | 0% |
| 10 | 1 | Religion | 3 | 0.00 | Mahabharata (Part 3) | 0% | Swami Vivekananda (Part 5) | 0% | puruṣārtha (Part 1) | 100% |
| 10 | 1 | Religion | 3 | 0.00 | Mahabharata (Part 3) | 0% | Swami Vivekananda (Part 5) | 0% | puruṣārtha (Part 4) | 0% |
| 10 | 1 | Religion | 0 | 0.00 | Mahabharata (Part 6) | 0% | Swami Vivekananda (Part 2) | 0% | puruṣārtha (Part 1) | 0% |
| 10 | 1 | Religion | 0 | 0.00 | Mahabharata (Part 6) | 0% | Swami Vivekananda (Part 2) | 0% | puruṣārtha (Part 4) | 0% |
| 10 | 1 | Religion | 0 | 0.00 | Mahabharata (Part 6) | 0% | Swami Vivekananda (Part 5) | 0% | puruṣārtha (Part 1) | 0% |
| 10 | 1 | Religion | 0 | 0.00 | Mahabharata (Part 6) | 0% | Swami Vivekananda (Part 5) | 0% | puruṣārtha (Part 4) | 0% |
| 10 | 2 | Literature - American | 3 | 13.33 | Bret Harte (Part 3) | 100% | Maine (Part 2) | 0% | Hamlin (Part 1) | 33% |
| 10 | 2 | Literature - American | 3 | 0.00 | Bret Harte (Part 3) | 100% | Maine (Part 2) | 0% | Hamlin (Part 4) | 0% |
| 10 | 2 | Literature - American | 3 | 0.00 | Bret Harte (Part 3) | 100% | Maine (Part 5) | 0% | Hamlin (Part 1) | 33% |
| 10 | 2 | Literature - American | 3 | 0.00 | Bret Harte (Part 3) | 100% | Maine (Part 5) | 0% | Hamlin (Part 4) | 0% |
| 10 | 2 | Literature - American | 0 | 0.00 | Bret Harte (Part 6) | 0% | Maine (Part 2) | 0% | Hamlin (Part 1) | 0% |
| 10 | 2 | Literature - American | 0 | 0.00 | Bret Harte (Part 6) | 0% | Maine (Part 2) | 0% | Hamlin (Part 4) | 0% |
| 10 | 2 | Literature - American | 0 | 0.00 | Bret Harte (Part 6) | 0% | Maine (Part 5) | 0% | Hamlin (Part 1) | 0% |
| 10 | 2 | Literature - American | 0 | 0.00 | Bret Harte (Part 6) | 0% | Maine (Part 5) | 0% | Hamlin (Part 4) | 0% |
| 10 | 3 | History - European | 3 | 6.67 | Spanish Empire (Part 3) | 33% | Bartolomé de las Casas (Part 1) | 33% | Otumba (Part 2) | 0% |
| 10 | 3 | History - European | 3 | 0.00 | Spanish Empire (Part 3) | 33% | Bartolomé de las Casas (Part 1) | 33% | Otumba (Part 5) | 0% |
| 10 | 3 | History - European | 3 | 0.00 | Spanish Empire (Part 3) | 33% | Bartolomé de las Casas (Part 4) | 0% | Otumba (Part 2) | 0% |
| 10 | 3 | History - European | 3 | 0.00 | Spanish Empire (Part 3) | 33% | Bartolomé de las Casas (Part 4) | 0% | Otumba (Part 5) | 0% |
| 10 | 3 | History - European | 0 | 0.00 | Spanish Empire (Part 6) | 0% | Bartolomé de las Casas (Part 1) | 0% | Otumba (Part 2) | 0% |
| 10 | 3 | History - European | 0 | 0.00 | Spanish Empire (Part 6) | 0% | Bartolomé de las Casas (Part 1) | 0% | Otumba (Part 5) | 0% |
| 10 | 3 | History - European | 0 | 0.00 | Spanish Empire (Part 6) | 0% | Bartolomé de las Casas (Part 4) | 0% | Otumba (Part 2) | 0% |
| 10 | 3 | History - European | 0 | 0.00 | Spanish Empire (Part 6) | 0% | Bartolomé de las Casas (Part 4) | 0% | Otumba (Part 5) | 0% |
| 10 | 4 | Philosophy | 3 | 16.67 | India (Part 1) | 100% | Hans-Georg Gadamer (Part 2) | 33% | Arthur Koestler (Part 3) | 33% |
| 10 | 4 | Philosophy | 3 | 0.00 | India (Part 1) | 100% | Hans-Georg Gadamer (Part 2) | 33% | Arthur Koestler (Part 6) | 0% |
| 10 | 4 | Philosophy | 3 | 0.00 | India (Part 1) | 100% | Hans-Georg Gadamer (Part 5) | 0% | Arthur Koestler (Part 3) | 33% |
| 10 | 4 | Philosophy | 3 | 0.00 | India (Part 1) | 100% | Hans-Georg Gadamer (Part 5) | 0% | Arthur Koestler (Part 6) | 0% |
| 10 | 4 | Philosophy | 0 | 0.00 | India (Part 4) | 0% | Hans-Georg Gadamer (Part 2) | 0% | Arthur Koestler (Part 3) | 0% |
| 10 | 4 | Philosophy | 0 | 0.00 | India (Part 4) | 0% | Hans-Georg Gadamer (Part 2) | 0% | Arthur Koestler (Part 6) | 0% |
| 10 | 4 | Philosophy | 0 | 0.00 | India (Part 4) | 0% | Hans-Georg Gadamer (Part 5) | 0% | Arthur Koestler (Part 3) | 0% |
| 10 | 4 | Philosophy | 0 | 0.00 | India (Part 4) | 0% | Hans-Georg Gadamer (Part 5) | 0% | Arthur Koestler (Part 6) | 0% |
| 10 | 5 | History - Other | 3 | 6.67 | sacrifice (Part 1) | 0% | Bactria (Part 3) | 67% | dāsa (Part 2) | 0% |
| 10 | 5 | History - Other | 3 | 0.00 | sacrifice (Part 1) | 0% | Bactria (Part 3) | 67% | dāsa (Part 5) | 0% |
| 10 | 5 | History - Other | 3 | 0.00 | sacrifice (Part 1) | 0% | Bactria (Part 6) | 0% | dāsa (Part 2) | 0% |
| 10 | 5 | History - Other | 3 | 0.00 | sacrifice (Part 1) | 0% | Bactria (Part 6) | 0% | dāsa (Part 5) | 0% |
| 10 | 5 | History - Other | 0 | 0.00 | sacrifice (Part 4) | 0% | Bactria (Part 3) | 0% | dāsa (Part 2) | 0% |
| 10 | 5 | History - Other | 0 | 0.00 | sacrifice (Part 4) | 0% | Bactria (Part 3) | 0% | dāsa (Part 5) | 0% |
| 10 | 5 | History - Other | 0 | 0.00 | sacrifice (Part 4) | 0% | Bactria (Part 6) | 0% | dāsa (Part 2) | 0% |
| 10 | 5 | History - Other | 0 | 0.00 | sacrifice (Part 4) | 0% | Bactria (Part 6) | 0% | dāsa (Part 5) | 0% |
| 10 | 6 | Literature - British | 3 | 10.00 | advice columns (Part 1) | 67% | Aphra Behn (Part 2) | 33% | Robinson Crusoe (Part 3) | 0% |
| 10 | 6 | Literature - British | 3 | 0.00 | advice columns (Part 1) | 67% | Aphra Behn (Part 2) | 33% | Robinson Crusoe (Part 6) | 0% |
| 10 | 6 | Literature - British | 3 | 0.00 | advice columns (Part 1) | 67% | Aphra Behn (Part 5) | 0% | Robinson Crusoe (Part 3) | 0% |
| 10 | 6 | Literature - British | 3 | 0.00 | advice columns (Part 1) | 67% | Aphra Behn (Part 5) | 0% | Robinson Crusoe (Part 6) | 0% |
| 10 | 6 | Literature - British | 0 | 0.00 | advice columns (Part 4) | 0% | Aphra Behn (Part 2) | 0% | Robinson Crusoe (Part 3) | 0% |
| 10 | 6 | Literature - British | 0 | 0.00 | advice columns (Part 4) | 0% | Aphra Behn (Part 2) | 0% | Robinson Crusoe (Part 6) | 0% |
| 10 | 6 | Literature - British | 0 | 0.00 | advice columns (Part 4) | 0% | Aphra Behn (Part 5) | 0% | Robinson Crusoe (Part 3) | 0% |
| 10 | 6 | Literature - British | 0 | 0.00 | advice columns (Part 4) | 0% | Aphra Behn (Part 5) | 0% | Robinson Crusoe (Part 6) | 0% |
| 10 | 7 | Literature - European | 3 | 10.00 | Don Quixote (Part 1) | 100% | Heinrich Heine (Part 2) | 0% | Max Frisch (Part 3) | 0% |
| 10 | 7 | Literature - European | 3 | 0.00 | Don Quixote (Part 1) | 100% | Heinrich Heine (Part 2) | 0% | Max Frisch (Part 6) | 0% |
| 10 | 7 | Literature - European | 3 | 0.00 | Don Quixote (Part 1) | 100% | Heinrich Heine (Part 5) | 0% | Max Frisch (Part 3) | 0% |
| 10 | 7 | Literature - European | 3 | 0.00 | Don Quixote (Part 1) | 100% | Heinrich Heine (Part 5) | 0% | Max Frisch (Part 6) | 0% |
| 10 | 7 | Literature - European | 0 | 0.00 | Don Quixote (Part 4) | 0% | Heinrich Heine (Part 2) | 0% | Max Frisch (Part 3) | 0% |
| 10 | 7 | Literature - European | 0 | 0.00 | Don Quixote (Part 4) | 0% | Heinrich Heine (Part 2) | 0% | Max Frisch (Part 6) | 0% |
| 10 | 7 | Literature - European | 0 | 0.00 | Don Quixote (Part 4) | 0% | Heinrich Heine (Part 5) | 0% | Max Frisch (Part 3) | 0% |
| 10 | 7 | Literature - European | 0 | 0.00 | Don Quixote (Part 4) | 0% | Heinrich Heine (Part 5) | 0% | Max Frisch (Part 6) | 0% |
| 10 | 8 | Science - Other | 3 | 13.33 | proving the Pythagorean theorem (Part 1) | 33% | law of quadratic reciprocity (Part 3) | 0% | arithmetic progressions (Part 2) | 100% |
| 10 | 8 | Science - Other | 3 | 0.00 | proving the Pythagorean theorem (Part 1) | 33% | law of quadratic reciprocity (Part 3) | 0% | arithmetic progressions (Part 5) | 0% |
| 10 | 8 | Science - Other | 3 | 0.00 | proving the Pythagorean theorem (Part 1) | 33% | law of quadratic reciprocity (Part 6) | 0% | arithmetic progressions (Part 2) | 100% |
| 10 | 8 | Science - Other | 3 | 0.00 | proving the Pythagorean theorem (Part 1) | 33% | law of quadratic reciprocity (Part 6) | 0% | arithmetic progressions (Part 5) | 0% |
| 10 | 8 | Science - Other | 0 | 0.00 | proving the Pythagorean theorem (Part 4) | 0% | law of quadratic reciprocity (Part 3) | 0% | arithmetic progressions (Part 2) | 0% |
| 10 | 8 | Science - Other | 0 | 0.00 | proving the Pythagorean theorem (Part 4) | 0% | law of quadratic reciprocity (Part 3) | 0% | arithmetic progressions (Part 5) | 0% |
| 10 | 8 | Science - Other | 0 | 0.00 | proving the Pythagorean theorem (Part 4) | 0% | law of quadratic reciprocity (Part 6) | 0% | arithmetic progressions (Part 2) | 0% |
| 10 | 8 | Science - Other | 0 | 0.00 | proving the Pythagorean theorem (Part 4) | 0% | law of quadratic reciprocity (Part 6) | 0% | arithmetic progressions (Part 5) | 0% |
| 10 | 9 | Literature - World | 3 | 16.67 | Wole Soyinka (Part 3) | 100% | Orpheus (Part 2) | 67% | "Elegy for Alto" (Part 1) | 0% |
| 10 | 9 | Literature - World | 3 | 0.00 | Wole Soyinka (Part 3) | 100% | Orpheus (Part 2) | 67% | "Elegy for Alto" (Part 4) | 0% |
| 10 | 9 | Literature - World | 3 | 0.00 | Wole Soyinka (Part 3) | 100% | Orpheus (Part 5) | 0% | "Elegy for Alto" (Part 1) | 0% |
| 10 | 9 | Literature - World | 3 | 0.00 | Wole Soyinka (Part 3) | 100% | Orpheus (Part 5) | 0% | "Elegy for Alto" (Part 4) | 0% |
| 10 | 9 | Literature - World | 0 | 0.00 | Wole Soyinka (Part 6) | 0% | Orpheus (Part 2) | 0% | "Elegy for Alto" (Part 1) | 0% |
| 10 | 9 | Literature - World | 0 | 0.00 | Wole Soyinka (Part 6) | 0% | Orpheus (Part 2) | 0% | "Elegy for Alto" (Part 4) | 0% |
| 10 | 9 | Literature - World | 0 | 0.00 | Wole Soyinka (Part 6) | 0% | Orpheus (Part 5) | 0% | "Elegy for Alto" (Part 1) | 0% |
| 10 | 9 | Literature - World | 0 | 0.00 | Wole Soyinka (Part 6) | 0% | Orpheus (Part 5) | 0% | "Elegy for Alto" (Part 4) | 0% |
| 10 | 10 | Fine Arts - Visual | 3 | 10.00 | Peter Paul Rubens (Part 2) | 0% | Jan van Eyck (Part 1) | 0% | The Flight into Egypt (Part 3) | 100% |
| 10 | 10 | Fine Arts - Visual | 3 | 0.00 | Peter Paul Rubens (Part 2) | 0% | Jan van Eyck (Part 1) | 0% | The Flight into Egypt (Part 6) | 0% |
| 10 | 10 | Fine Arts - Visual | 3 | 0.00 | Peter Paul Rubens (Part 2) | 0% | Jan van Eyck (Part 4) | 0% | The Flight into Egypt (Part 3) | 100% |
| 10 | 10 | Fine Arts - Visual | 3 | 0.00 | Peter Paul Rubens (Part 2) | 0% | Jan van Eyck (Part 4) | 0% | The Flight into Egypt (Part 6) | 0% |
| 10 | 10 | Fine Arts - Visual | 0 | 0.00 | Peter Paul Rubens (Part 5) | 0% | Jan van Eyck (Part 1) | 0% | The Flight into Egypt (Part 3) | 0% |
| 10 | 10 | Fine Arts - Visual | 0 | 0.00 | Peter Paul Rubens (Part 5) | 0% | Jan van Eyck (Part 1) | 0% | The Flight into Egypt (Part 6) | 0% |
| 10 | 10 | Fine Arts - Visual | 0 | 0.00 | Peter Paul Rubens (Part 5) | 0% | Jan van Eyck (Part 4) | 0% | The Flight into Egypt (Part 3) | 0% |
| 10 | 10 | Fine Arts - Visual | 0 | 0.00 | Peter Paul Rubens (Part 5) | 0% | Jan van Eyck (Part 4) | 0% | The Flight into Egypt (Part 6) | 0% |
| 10 | 11 | Science - Chemistry | 3 | 13.33 | carbocations (Part 2) | 67% | tert-butyl cation (Part 1) | 67% | 2-norbornyl cation (Part 3) | 0% |
| 10 | 11 | Science - Chemistry | 3 | 0.00 | carbocations (Part 2) | 67% | tert-butyl cation (Part 1) | 67% | 2-norbornyl cation (Part 6) | 0% |
| 10 | 11 | Science - Chemistry | 3 | 0.00 | carbocations (Part 2) | 67% | tert-butyl cation (Part 4) | 0% | 2-norbornyl cation (Part 3) | 0% |
| 10 | 11 | Science - Chemistry | 3 | 0.00 | carbocations (Part 2) | 67% | tert-butyl cation (Part 4) | 0% | 2-norbornyl cation (Part 6) | 0% |
| 10 | 11 | Science - Chemistry | 0 | 0.00 | carbocations (Part 5) | 0% | tert-butyl cation (Part 1) | 0% | 2-norbornyl cation (Part 3) | 0% |
| 10 | 11 | Science - Chemistry | 0 | 0.00 | carbocations (Part 5) | 0% | tert-butyl cation (Part 1) | 0% | 2-norbornyl cation (Part 6) | 0% |
| 10 | 11 | Science - Chemistry | 0 | 0.00 | carbocations (Part 5) | 0% | tert-butyl cation (Part 4) | 0% | 2-norbornyl cation (Part 3) | 0% |
| 10 | 11 | Science - Chemistry | 0 | 0.00 | carbocations (Part 5) | 0% | tert-butyl cation (Part 4) | 0% | 2-norbornyl cation (Part 6) | 0% |
| 10 | 12 | Science - Biology | 3 | 13.33 | viviparity (Part 1) | 0% | external gills (Part 2) | 33% | caecilians (Part 3) | 100% |
| 10 | 12 | Science - Biology | 3 | 0.00 | viviparity (Part 1) | 0% | external gills (Part 2) | 33% | caecilians (Part 6) | 0% |
| 10 | 12 | Science - Biology | 3 | 0.00 | viviparity (Part 1) | 0% | external gills (Part 5) | 0% | caecilians (Part 3) | 100% |
| 10 | 12 | Science - Biology | 3 | 0.00 | viviparity (Part 1) | 0% | external gills (Part 5) | 0% | caecilians (Part 6) | 0% |
| 10 | 12 | Science - Biology | 0 | 0.00 | viviparity (Part 4) | 0% | external gills (Part 2) | 0% | caecilians (Part 3) | 0% |
| 10 | 12 | Science - Biology | 0 | 0.00 | viviparity (Part 4) | 0% | external gills (Part 2) | 0% | caecilians (Part 6) | 0% |
| 10 | 12 | Science - Biology | 0 | 0.00 | viviparity (Part 4) | 0% | external gills (Part 5) | 0% | caecilians (Part 3) | 0% |
| 10 | 12 | Science - Biology | 0 | 0.00 | viviparity (Part 4) | 0% | external gills (Part 5) | 0% | caecilians (Part 6) | 0% |
| 10 | 13 | Geography | 3 | 20.00 | London Heathrow Airport (Part 1) | 67% | Canary Wharf (Part 2) | 67% | Great Western Railway (Part 3) | 67% |
| 10 | 13 | Geography | 3 | 0.00 | London Heathrow Airport (Part 1) | 67% | Canary Wharf (Part 2) | 67% | Great Western Railway (Part 6) | 0% |
| 10 | 13 | Geography | 3 | 0.00 | London Heathrow Airport (Part 1) | 67% | Canary Wharf (Part 5) | 0% | Great Western Railway (Part 3) | 67% |
| 10 | 13 | Geography | 3 | 0.00 | London Heathrow Airport (Part 1) | 67% | Canary Wharf (Part 5) | 0% | Great Western Railway (Part 6) | 0% |
| 10 | 13 | Geography | 0 | 0.00 | London Heathrow Airport (Part 4) | 0% | Canary Wharf (Part 2) | 0% | Great Western Railway (Part 3) | 0% |
| 10 | 13 | Geography | 0 | 0.00 | London Heathrow Airport (Part 4) | 0% | Canary Wharf (Part 2) | 0% | Great Western Railway (Part 6) | 0% |
| 10 | 13 | Geography | 0 | 0.00 | London Heathrow Airport (Part 4) | 0% | Canary Wharf (Part 5) | 0% | Great Western Railway (Part 3) | 0% |
| 10 | 13 | Geography | 0 | 0.00 | London Heathrow Airport (Part 4) | 0% | Canary Wharf (Part 5) | 0% | Great Western Railway (Part 6) | 0% |
| 10 | 14 | Fine Arts - Auditory | 3 | 13.33 | New York City (Part 3) | 100% | Treemonisha (Part 1) | 0% | Terence Oliver Blanchard (Part 2) | 33% |
| 10 | 14 | Fine Arts - Auditory | 3 | 0.00 | New York City (Part 3) | 100% | Treemonisha (Part 1) | 0% | Terence Oliver Blanchard (Part 5) | 0% |
| 10 | 14 | Fine Arts - Auditory | 3 | 0.00 | New York City (Part 3) | 100% | Treemonisha (Part 4) | 0% | Terence Oliver Blanchard (Part 2) | 33% |
| 10 | 14 | Fine Arts - Auditory | 3 | 0.00 | New York City (Part 3) | 100% | Treemonisha (Part 4) | 0% | Terence Oliver Blanchard (Part 5) | 0% |
| 10 | 14 | Fine Arts - Auditory | 0 | 0.00 | New York City (Part 6) | 0% | Treemonisha (Part 1) | 0% | Terence Oliver Blanchard (Part 2) | 0% |
| 10 | 14 | Fine Arts - Auditory | 0 | 0.00 | New York City (Part 6) | 0% | Treemonisha (Part 1) | 0% | Terence Oliver Blanchard (Part 5) | 0% |
| 10 | 14 | Fine Arts - Auditory | 0 | 0.00 | New York City (Part 6) | 0% | Treemonisha (Part 4) | 0% | Terence Oliver Blanchard (Part 2) | 0% |
| 10 | 14 | Fine Arts - Auditory | 0 | 0.00 | New York City (Part 6) | 0% | Treemonisha (Part 4) | 0% | Terence Oliver Blanchard (Part 5) | 0% |
| 10 | 15 | History - World | 3 | 13.33 | slave trade (Part 2) | 33% | Kingdom of Kanem (Part 3) | 100% | Fezzan (Part 1) | 0% |
| 10 | 15 | History - World | 3 | 0.00 | slave trade (Part 2) | 33% | Kingdom of Kanem (Part 3) | 100% | Fezzan (Part 4) | 0% |
| 10 | 15 | History - World | 3 | 0.00 | slave trade (Part 2) | 33% | Kingdom of Kanem (Part 6) | 0% | Fezzan (Part 1) | 0% |
| 10 | 15 | History - World | 3 | 0.00 | slave trade (Part 2) | 33% | Kingdom of Kanem (Part 6) | 0% | Fezzan (Part 4) | 0% |
| 10 | 15 | History - World | 0 | 0.00 | slave trade (Part 5) | 0% | Kingdom of Kanem (Part 3) | 0% | Fezzan (Part 1) | 0% |
| 10 | 15 | History - World | 0 | 0.00 | slave trade (Part 5) | 0% | Kingdom of Kanem (Part 3) | 0% | Fezzan (Part 4) | 0% |
| 10 | 15 | History - World | 0 | 0.00 | slave trade (Part 5) | 0% | Kingdom of Kanem (Part 6) | 0% | Fezzan (Part 1) | 0% |
| 10 | 15 | History - World | 0 | 0.00 | slave trade (Part 5) | 0% | Kingdom of Kanem (Part 6) | 0% | Fezzan (Part 4) | 0% |
| 10 | 16 | History - American | 3 | 10.00 | Oklahoma Territory (Part 2) | 0% | Sacramento (Part 3) | 33% | Bat Masterson (Part 1) | 67% |
| 10 | 16 | History - American | 3 | 0.00 | Oklahoma Territory (Part 2) | 0% | Sacramento (Part 3) | 33% | Bat Masterson (Part 4) | 0% |
| 10 | 16 | History - American | 3 | 0.00 | Oklahoma Territory (Part 2) | 0% | Sacramento (Part 6) | 0% | Bat Masterson (Part 1) | 67% |
| 10 | 16 | History - American | 3 | 0.00 | Oklahoma Territory (Part 2) | 0% | Sacramento (Part 6) | 0% | Bat Masterson (Part 4) | 0% |
| 10 | 16 | History - American | 0 | 0.00 | Oklahoma Territory (Part 5) | 0% | Sacramento (Part 3) | 0% | Bat Masterson (Part 1) | 0% |
| 10 | 16 | History - American | 0 | 0.00 | Oklahoma Territory (Part 5) | 0% | Sacramento (Part 3) | 0% | Bat Masterson (Part 4) | 0% |
| 10 | 16 | History - American | 0 | 0.00 | Oklahoma Territory (Part 5) | 0% | Sacramento (Part 6) | 0% | Bat Masterson (Part 1) | 0% |
| 10 | 16 | History - American | 0 | 0.00 | Oklahoma Territory (Part 5) | 0% | Sacramento (Part 6) | 0% | Bat Masterson (Part 4) | 0% |
| 10 | 17 | Fine Arts - Other | 3 | 20.00 | Shrek (Part 3) | 33% | Kimberly Akimbo (Part 2) | 67% | Jeanine Tesori (Part 1) | 100% |
| 10 | 17 | Fine Arts - Other | 3 | 0.00 | Shrek (Part 3) | 33% | Kimberly Akimbo (Part 2) | 67% | Jeanine Tesori (Part 4) | 0% |
| 10 | 17 | Fine Arts - Other | 3 | 0.00 | Shrek (Part 3) | 33% | Kimberly Akimbo (Part 5) | 0% | Jeanine Tesori (Part 1) | 100% |
| 10 | 17 | Fine Arts - Other | 3 | 0.00 | Shrek (Part 3) | 33% | Kimberly Akimbo (Part 5) | 0% | Jeanine Tesori (Part 4) | 0% |
| 10 | 17 | Fine Arts - Other | 0 | 0.00 | Shrek (Part 6) | 0% | Kimberly Akimbo (Part 2) | 0% | Jeanine Tesori (Part 1) | 0% |
| 10 | 17 | Fine Arts - Other | 0 | 0.00 | Shrek (Part 6) | 0% | Kimberly Akimbo (Part 2) | 0% | Jeanine Tesori (Part 4) | 0% |
| 10 | 17 | Fine Arts - Other | 0 | 0.00 | Shrek (Part 6) | 0% | Kimberly Akimbo (Part 5) | 0% | Jeanine Tesori (Part 1) | 0% |
| 10 | 17 | Fine Arts - Other | 0 | 0.00 | Shrek (Part 6) | 0% | Kimberly Akimbo (Part 5) | 0% | Jeanine Tesori (Part 4) | 0% |
| 10 | 18 | Science - Physics | 1 | 10.00 | Galileo Galilei (Part 2) | 100% | equivalence principle (Part 1) | 0% | Loránd Eötvös (Part 3) | 0% |
| 10 | 18 | Science - Physics | 1 | 0.00 | Galileo Galilei (Part 2) | 100% | equivalence principle (Part 1) | 0% | Loránd Eötvös (Part 6) | 0% |
| 10 | 18 | Science - Physics | 1 | 0.00 | Galileo Galilei (Part 2) | 100% | equivalence principle (Part 4) | 0% | Loránd Eötvös (Part 3) | 0% |
| 10 | 18 | Science - Physics | 1 | 0.00 | Galileo Galilei (Part 2) | 100% | equivalence principle (Part 4) | 0% | Loránd Eötvös (Part 6) | 0% |
| 10 | 18 | Science - Physics | 0 | 0.00 | Galileo Galilei (Part 5) | 0% | equivalence principle (Part 1) | 0% | Loránd Eötvös (Part 3) | 0% |
| 10 | 18 | Science - Physics | 0 | 0.00 | Galileo Galilei (Part 5) | 0% | equivalence principle (Part 1) | 0% | Loránd Eötvös (Part 6) | 0% |
| 10 | 18 | Science - Physics | 0 | 0.00 | Galileo Galilei (Part 5) | 0% | equivalence principle (Part 4) | 0% | Loránd Eötvös (Part 3) | 0% |
| 10 | 18 | Science - Physics | 0 | 0.00 | Galileo Galilei (Part 5) | 0% | equivalence principle (Part 4) | 0% | Loránd Eötvös (Part 6) | 0% |
| 10 | 19 | Mythology | 0 | 0.00 | the sea (Part 1) | 0% | Myanmar (Part 3) | 0% | umbrella (Part 2) | 0% |
| 10 | 19 | Mythology | 0 | 0.00 | the sea (Part 1) | 0% | Myanmar (Part 3) | 0% | umbrella (Part 5) | 0% |
| 10 | 19 | Mythology | 0 | 0.00 | the sea (Part 1) | 0% | Myanmar (Part 6) | 0% | umbrella (Part 2) | 0% |
| 10 | 19 | Mythology | 0 | 0.00 | the sea (Part 1) | 0% | Myanmar (Part 6) | 0% | umbrella (Part 5) | 0% |
| 10 | 19 | Mythology | 0 | 0.00 | the sea (Part 4) | 0% | Myanmar (Part 3) | 0% | umbrella (Part 2) | 0% |
| 10 | 19 | Mythology | 0 | 0.00 | the sea (Part 4) | 0% | Myanmar (Part 3) | 0% | umbrella (Part 5) | 0% |
| 10 | 19 | Mythology | 0 | 0.00 | the sea (Part 4) | 0% | Myanmar (Part 6) | 0% | umbrella (Part 2) | 0% |
| 10 | 19 | Mythology | 0 | 0.00 | the sea (Part 4) | 0% | Myanmar (Part 6) | 0% | umbrella (Part 5) | 0% |
| 10 | 20 | Social Science | 0 | 0.00 | parole (Part 1) | 0% | impact (Part 3) | 0% | Marsy’s Law (Part 2) | 0% |
| 10 | 20 | Social Science | 0 | 0.00 | parole (Part 1) | 0% | impact (Part 3) | 0% | Marsy’s Law (Part 5) | 0% |
| 10 | 20 | Social Science | 0 | 0.00 | parole (Part 1) | 0% | impact (Part 6) | 0% | Marsy’s Law (Part 2) | 0% |
| 10 | 20 | Social Science | 0 | 0.00 | parole (Part 1) | 0% | impact (Part 6) | 0% | Marsy’s Law (Part 5) | 0% |
| 10 | 20 | Social Science | 0 | 0.00 | parole (Part 4) | 0% | impact (Part 3) | 0% | Marsy’s Law (Part 2) | 0% |
| 10 | 20 | Social Science | 0 | 0.00 | parole (Part 4) | 0% | impact (Part 3) | 0% | Marsy’s Law (Part 5) | 0% |
| 10 | 20 | Social Science | 0 | 0.00 | parole (Part 4) | 0% | impact (Part 6) | 0% | Marsy’s Law (Part 2) | 0% |
| 10 | 20 | Social Science | 0 | 0.00 | parole (Part 4) | 0% | impact (Part 6) | 0% | Marsy’s Law (Part 5) | 0% |
| 11 | 1 | Other Academic | 1 | 10.00 | typing (Part 3) | 100% | Dvorak (Part 1) | 0% | IBM (Part 2) | 0% |
| 11 | 1 | Other Academic | 1 | 0.00 | typing (Part 3) | 100% | Dvorak (Part 1) | 0% | IBM (Part 5) | 0% |
| 11 | 1 | Other Academic | 1 | 0.00 | typing (Part 3) | 100% | Dvorak (Part 4) | 0% | IBM (Part 2) | 0% |
| 11 | 1 | Other Academic | 1 | 0.00 | typing (Part 3) | 100% | Dvorak (Part 4) | 0% | IBM (Part 5) | 0% |
| 11 | 1 | Other Academic | 0 | 0.00 | typing (Part 6) | 0% | Dvorak (Part 1) | 0% | IBM (Part 2) | 0% |
| 11 | 1 | Other Academic | 0 | 0.00 | typing (Part 6) | 0% | Dvorak (Part 1) | 0% | IBM (Part 5) | 0% |
| 11 | 1 | Other Academic | 0 | 0.00 | typing (Part 6) | 0% | Dvorak (Part 4) | 0% | IBM (Part 2) | 0% |
| 11 | 1 | Other Academic | 0 | 0.00 | typing (Part 6) | 0% | Dvorak (Part 4) | 0% | IBM (Part 5) | 0% |
| 11 | 2 | History - Other | 1 | 10.00 | 17th century (Part 1) | 100% | Eric Hobsbawm (Part 2) | 0% | Hugh Trevor-Roper (Part 3) | 0% |
| 11 | 2 | History - Other | 1 | 0.00 | 17th century (Part 1) | 100% | Eric Hobsbawm (Part 2) | 0% | Hugh Trevor-Roper (Part 6) | 0% |
| 11 | 2 | History - Other | 1 | 0.00 | 17th century (Part 1) | 100% | Eric Hobsbawm (Part 5) | 0% | Hugh Trevor-Roper (Part 3) | 0% |
| 11 | 2 | History - Other | 1 | 0.00 | 17th century (Part 1) | 100% | Eric Hobsbawm (Part 5) | 0% | Hugh Trevor-Roper (Part 6) | 0% |
| 11 | 2 | History - Other | 0 | 0.00 | 17th century (Part 4) | 0% | Eric Hobsbawm (Part 2) | 0% | Hugh Trevor-Roper (Part 3) | 0% |
| 11 | 2 | History - Other | 0 | 0.00 | 17th century (Part 4) | 0% | Eric Hobsbawm (Part 2) | 0% | Hugh Trevor-Roper (Part 6) | 0% |
| 11 | 2 | History - Other | 0 | 0.00 | 17th century (Part 4) | 0% | Eric Hobsbawm (Part 5) | 0% | Hugh Trevor-Roper (Part 3) | 0% |
| 11 | 2 | History - Other | 0 | 0.00 | 17th century (Part 4) | 0% | Eric Hobsbawm (Part 5) | 0% | Hugh Trevor-Roper (Part 6) | 0% |
| 11 | 3 | Philosophy | 1 | 20.00 | John Venn (Part 1) | 100% | belief (Part 3) | 0% | Frank Ramsey (Part 2) | 100% |
| 11 | 3 | Philosophy | 1 | 0.00 | John Venn (Part 1) | 100% | belief (Part 3) | 0% | Frank Ramsey (Part 5) | 0% |
| 11 | 3 | Philosophy | 1 | 0.00 | John Venn (Part 1) | 100% | belief (Part 6) | 0% | Frank Ramsey (Part 2) | 100% |
| 11 | 3 | Philosophy | 1 | 0.00 | John Venn (Part 1) | 100% | belief (Part 6) | 0% | Frank Ramsey (Part 5) | 0% |
| 11 | 3 | Philosophy | 0 | 0.00 | John Venn (Part 4) | 0% | belief (Part 3) | 0% | Frank Ramsey (Part 2) | 0% |
| 11 | 3 | Philosophy | 0 | 0.00 | John Venn (Part 4) | 0% | belief (Part 3) | 0% | Frank Ramsey (Part 5) | 0% |
| 11 | 3 | Philosophy | 0 | 0.00 | John Venn (Part 4) | 0% | belief (Part 6) | 0% | Frank Ramsey (Part 2) | 0% |
| 11 | 3 | Philosophy | 0 | 0.00 | John Venn (Part 4) | 0% | belief (Part 6) | 0% | Frank Ramsey (Part 5) | 0% |
| 11 | 4 | Literature - World | 1 | 30.00 | José Martí (Part 3) | 100% | Nilo Cruz (Part 2) | 100% | Cuba (Part 1) | 100% |
| 11 | 4 | Literature - World | 1 | 0.00 | José Martí (Part 3) | 100% | Nilo Cruz (Part 2) | 100% | Cuba (Part 4) | 0% |
| 11 | 4 | Literature - World | 1 | 0.00 | José Martí (Part 3) | 100% | Nilo Cruz (Part 5) | 0% | Cuba (Part 1) | 100% |
| 11 | 4 | Literature - World | 1 | 0.00 | José Martí (Part 3) | 100% | Nilo Cruz (Part 5) | 0% | Cuba (Part 4) | 0% |
| 11 | 4 | Literature - World | 0 | 0.00 | José Martí (Part 6) | 0% | Nilo Cruz (Part 2) | 0% | Cuba (Part 1) | 0% |
| 11 | 4 | Literature - World | 0 | 0.00 | José Martí (Part 6) | 0% | Nilo Cruz (Part 2) | 0% | Cuba (Part 4) | 0% |
| 11 | 4 | Literature - World | 0 | 0.00 | José Martí (Part 6) | 0% | Nilo Cruz (Part 5) | 0% | Cuba (Part 1) | 0% |
| 11 | 4 | Literature - World | 0 | 0.00 | José Martí (Part 6) | 0% | Nilo Cruz (Part 5) | 0% | Cuba (Part 4) | 0% |
| 11 | 5 | History - American | 1 | 30.00 | James Knox Polk (Part 2) | 100% | Albert Gallatin (Part 1) | 100% | Dallas (Part 3) | 100% |
| 11 | 5 | History - American | 1 | 0.00 | James Knox Polk (Part 2) | 100% | Albert Gallatin (Part 1) | 100% | Dallas (Part 6) | 0% |
| 11 | 5 | History - American | 1 | 0.00 | James Knox Polk (Part 2) | 100% | Albert Gallatin (Part 4) | 0% | Dallas (Part 3) | 100% |
| 11 | 5 | History - American | 1 | 0.00 | James Knox Polk (Part 2) | 100% | Albert Gallatin (Part 4) | 0% | Dallas (Part 6) | 0% |
| 11 | 5 | History - American | 0 | 0.00 | James Knox Polk (Part 5) | 0% | Albert Gallatin (Part 1) | 0% | Dallas (Part 3) | 0% |
| 11 | 5 | History - American | 0 | 0.00 | James Knox Polk (Part 5) | 0% | Albert Gallatin (Part 1) | 0% | Dallas (Part 6) | 0% |
| 11 | 5 | History - American | 0 | 0.00 | James Knox Polk (Part 5) | 0% | Albert Gallatin (Part 4) | 0% | Dallas (Part 3) | 0% |
| 11 | 5 | History - American | 0 | 0.00 | James Knox Polk (Part 5) | 0% | Albert Gallatin (Part 4) | 0% | Dallas (Part 6) | 0% |
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| 11 | 6 | Mythology | 1 | 0.00 | one (Part 3) | 100% | Tuatha Dé Danann (Part 2) | 0% | The Dagda’s harp (Part 4) | 0% |
| 11 | 6 | Mythology | 1 | 0.00 | one (Part 3) | 100% | Tuatha Dé Danann (Part 5) | 0% | The Dagda’s harp (Part 1) | 0% |
| 11 | 6 | Mythology | 1 | 0.00 | one (Part 3) | 100% | Tuatha Dé Danann (Part 5) | 0% | The Dagda’s harp (Part 4) | 0% |
| 11 | 6 | Mythology | 0 | 0.00 | one (Part 6) | 0% | Tuatha Dé Danann (Part 2) | 0% | The Dagda’s harp (Part 1) | 0% |
| 11 | 6 | Mythology | 0 | 0.00 | one (Part 6) | 0% | Tuatha Dé Danann (Part 2) | 0% | The Dagda’s harp (Part 4) | 0% |
| 11 | 6 | Mythology | 0 | 0.00 | one (Part 6) | 0% | Tuatha Dé Danann (Part 5) | 0% | The Dagda’s harp (Part 1) | 0% |
| 11 | 6 | Mythology | 0 | 0.00 | one (Part 6) | 0% | Tuatha Dé Danann (Part 5) | 0% | The Dagda’s harp (Part 4) | 0% |
| 11 | 7 | History - World | 1 | 20.00 | Abbasid Caliphate (Part 3) | 0% | Samarra (Part 1) | 100% | Basra (Part 2) | 100% |
| 11 | 7 | History - World | 1 | 0.00 | Abbasid Caliphate (Part 3) | 0% | Samarra (Part 1) | 100% | Basra (Part 5) | 0% |
| 11 | 7 | History - World | 1 | 0.00 | Abbasid Caliphate (Part 3) | 0% | Samarra (Part 4) | 0% | Basra (Part 2) | 100% |
| 11 | 7 | History - World | 1 | 0.00 | Abbasid Caliphate (Part 3) | 0% | Samarra (Part 4) | 0% | Basra (Part 5) | 0% |
| 11 | 7 | History - World | 0 | 0.00 | Abbasid Caliphate (Part 6) | 0% | Samarra (Part 1) | 0% | Basra (Part 2) | 0% |
| 11 | 7 | History - World | 0 | 0.00 | Abbasid Caliphate (Part 6) | 0% | Samarra (Part 1) | 0% | Basra (Part 5) | 0% |
| 11 | 7 | History - World | 0 | 0.00 | Abbasid Caliphate (Part 6) | 0% | Samarra (Part 4) | 0% | Basra (Part 2) | 0% |
| 11 | 7 | History - World | 0 | 0.00 | Abbasid Caliphate (Part 6) | 0% | Samarra (Part 4) | 0% | Basra (Part 5) | 0% |
| 11 | 8 | Fine Arts - Visual | 1 | 10.00 | Solomon R. Guggenheim Museum (Part 1) | 0% | kinetic sculpture (Part 2) | 0% | wire (Part 3) | 100% |
| 11 | 8 | Fine Arts - Visual | 1 | 0.00 | Solomon R. Guggenheim Museum (Part 1) | 0% | kinetic sculpture (Part 2) | 0% | wire (Part 6) | 0% |
| 11 | 8 | Fine Arts - Visual | 1 | 0.00 | Solomon R. Guggenheim Museum (Part 1) | 0% | kinetic sculpture (Part 5) | 0% | wire (Part 3) | 100% |
| 11 | 8 | Fine Arts - Visual | 1 | 0.00 | Solomon R. Guggenheim Museum (Part 1) | 0% | kinetic sculpture (Part 5) | 0% | wire (Part 6) | 0% |
| 11 | 8 | Fine Arts - Visual | 0 | 0.00 | Solomon R. Guggenheim Museum (Part 4) | 0% | kinetic sculpture (Part 2) | 0% | wire (Part 3) | 0% |
| 11 | 8 | Fine Arts - Visual | 0 | 0.00 | Solomon R. Guggenheim Museum (Part 4) | 0% | kinetic sculpture (Part 2) | 0% | wire (Part 6) | 0% |
| 11 | 8 | Fine Arts - Visual | 0 | 0.00 | Solomon R. Guggenheim Museum (Part 4) | 0% | kinetic sculpture (Part 5) | 0% | wire (Part 3) | 0% |
| 11 | 8 | Fine Arts - Visual | 0 | 0.00 | Solomon R. Guggenheim Museum (Part 4) | 0% | kinetic sculpture (Part 5) | 0% | wire (Part 6) | 0% |
| 11 | 9 | Social Science | 1 | 10.00 | post-traumatic stress disorder (Part 1) | 0% | The Body Keeps the Score (Part 2) | 0% | eye movement desensitization and reprocessing (Part 3) | 100% |
| 11 | 9 | Social Science | 1 | 0.00 | post-traumatic stress disorder (Part 1) | 0% | The Body Keeps the Score (Part 2) | 0% | eye movement desensitization and reprocessing (Part 6) | 0% |
| 11 | 9 | Social Science | 1 | 0.00 | post-traumatic stress disorder (Part 1) | 0% | The Body Keeps the Score (Part 5) | 0% | eye movement desensitization and reprocessing (Part 3) | 100% |
| 11 | 9 | Social Science | 1 | 0.00 | post-traumatic stress disorder (Part 1) | 0% | The Body Keeps the Score (Part 5) | 0% | eye movement desensitization and reprocessing (Part 6) | 0% |
| 11 | 9 | Social Science | 0 | 0.00 | post-traumatic stress disorder (Part 4) | 0% | The Body Keeps the Score (Part 2) | 0% | eye movement desensitization and reprocessing (Part 3) | 0% |
| 11 | 9 | Social Science | 0 | 0.00 | post-traumatic stress disorder (Part 4) | 0% | The Body Keeps the Score (Part 2) | 0% | eye movement desensitization and reprocessing (Part 6) | 0% |
| 11 | 9 | Social Science | 0 | 0.00 | post-traumatic stress disorder (Part 4) | 0% | The Body Keeps the Score (Part 5) | 0% | eye movement desensitization and reprocessing (Part 3) | 0% |
| 11 | 9 | Social Science | 0 | 0.00 | post-traumatic stress disorder (Part 4) | 0% | The Body Keeps the Score (Part 5) | 0% | eye movement desensitization and reprocessing (Part 6) | 0% |
| 11 | 10 | Literature - American | 1 | 0.00 | Portugal (Part 1) | 0% | Sherman Alexie (Part 2) | 0% | When My Brother Was an Aztec (Part 3) | 0% |
| 11 | 10 | Literature - American | 1 | 0.00 | Portugal (Part 1) | 0% | Sherman Alexie (Part 2) | 0% | When My Brother Was an Aztec (Part 6) | 0% |
| 11 | 10 | Literature - American | 1 | 0.00 | Portugal (Part 1) | 0% | Sherman Alexie (Part 5) | 0% | When My Brother Was an Aztec (Part 3) | 0% |
| 11 | 10 | Literature - American | 1 | 0.00 | Portugal (Part 1) | 0% | Sherman Alexie (Part 5) | 0% | When My Brother Was an Aztec (Part 6) | 0% |
| 11 | 10 | Literature - American | 0 | 0.00 | Portugal (Part 4) | 0% | Sherman Alexie (Part 2) | 0% | When My Brother Was an Aztec (Part 3) | 0% |
| 11 | 10 | Literature - American | 0 | 0.00 | Portugal (Part 4) | 0% | Sherman Alexie (Part 2) | 0% | When My Brother Was an Aztec (Part 6) | 0% |
| 11 | 10 | Literature - American | 0 | 0.00 | Portugal (Part 4) | 0% | Sherman Alexie (Part 5) | 0% | When My Brother Was an Aztec (Part 3) | 0% |
| 11 | 10 | Literature - American | 0 | 0.00 | Portugal (Part 4) | 0% | Sherman Alexie (Part 5) | 0% | When My Brother Was an Aztec (Part 6) | 0% |
| 11 | 11 | Science - Biology | 1 | 20.00 | catalase (Part 2) | 0% | carbonic anhydrase (Part 3) | 100% | diffusion-limited (Part 1) | 100% |
| 11 | 11 | Science - Biology | 1 | 0.00 | catalase (Part 2) | 0% | carbonic anhydrase (Part 3) | 100% | diffusion-limited (Part 4) | 0% |
| 11 | 11 | Science - Biology | 1 | 0.00 | catalase (Part 2) | 0% | carbonic anhydrase (Part 6) | 0% | diffusion-limited (Part 1) | 100% |
| 11 | 11 | Science - Biology | 1 | 0.00 | catalase (Part 2) | 0% | carbonic anhydrase (Part 6) | 0% | diffusion-limited (Part 4) | 0% |
| 11 | 11 | Science - Biology | 0 | 0.00 | catalase (Part 5) | 0% | carbonic anhydrase (Part 3) | 0% | diffusion-limited (Part 1) | 0% |
| 11 | 11 | Science - Biology | 0 | 0.00 | catalase (Part 5) | 0% | carbonic anhydrase (Part 3) | 0% | diffusion-limited (Part 4) | 0% |
| 11 | 11 | Science - Biology | 0 | 0.00 | catalase (Part 5) | 0% | carbonic anhydrase (Part 6) | 0% | diffusion-limited (Part 1) | 0% |
| 11 | 11 | Science - Biology | 0 | 0.00 | catalase (Part 5) | 0% | carbonic anhydrase (Part 6) | 0% | diffusion-limited (Part 4) | 0% |
| 11 | 12 | Fine Arts - Other | 1 | 20.00 | Memphis (Part 2) | 100% | Jelly Roll Morton (Part 1) | 0% | Lil Hardin Armstrong (Part 3) | 100% |
| 11 | 12 | Fine Arts - Other | 1 | 0.00 | Memphis (Part 2) | 100% | Jelly Roll Morton (Part 1) | 0% | Lil Hardin Armstrong (Part 6) | 0% |
| 11 | 12 | Fine Arts - Other | 1 | 0.00 | Memphis (Part 2) | 100% | Jelly Roll Morton (Part 4) | 0% | Lil Hardin Armstrong (Part 3) | 100% |
| 11 | 12 | Fine Arts - Other | 1 | 0.00 | Memphis (Part 2) | 100% | Jelly Roll Morton (Part 4) | 0% | Lil Hardin Armstrong (Part 6) | 0% |
| 11 | 12 | Fine Arts - Other | 0 | 0.00 | Memphis (Part 5) | 0% | Jelly Roll Morton (Part 1) | 0% | Lil Hardin Armstrong (Part 3) | 0% |
| 11 | 12 | Fine Arts - Other | 0 | 0.00 | Memphis (Part 5) | 0% | Jelly Roll Morton (Part 1) | 0% | Lil Hardin Armstrong (Part 6) | 0% |
| 11 | 12 | Fine Arts - Other | 0 | 0.00 | Memphis (Part 5) | 0% | Jelly Roll Morton (Part 4) | 0% | Lil Hardin Armstrong (Part 3) | 0% |
| 11 | 12 | Fine Arts - Other | 0 | 0.00 | Memphis (Part 5) | 0% | Jelly Roll Morton (Part 4) | 0% | Lil Hardin Armstrong (Part 6) | 0% |
| 11 | 13 | Science - Other | 1 | 20.00 | 0 and 1 (Part 1) | 0% | Jensen’s inequality (Part 3) | 100% | mutual information (Part 2) | 100% |
| 11 | 13 | Science - Other | 1 | 0.00 | 0 and 1 (Part 1) | 0% | Jensen’s inequality (Part 3) | 100% | mutual information (Part 5) | 0% |
| 11 | 13 | Science - Other | 1 | 0.00 | 0 and 1 (Part 1) | 0% | Jensen’s inequality (Part 6) | 0% | mutual information (Part 2) | 100% |
| 11 | 13 | Science - Other | 1 | 0.00 | 0 and 1 (Part 1) | 0% | Jensen’s inequality (Part 6) | 0% | mutual information (Part 5) | 0% |
| 11 | 13 | Science - Other | 0 | 0.00 | 0 and 1 (Part 4) | 0% | Jensen’s inequality (Part 3) | 0% | mutual information (Part 2) | 0% |
| 11 | 13 | Science - Other | 0 | 0.00 | 0 and 1 (Part 4) | 0% | Jensen’s inequality (Part 3) | 0% | mutual information (Part 5) | 0% |
| 11 | 13 | Science - Other | 0 | 0.00 | 0 and 1 (Part 4) | 0% | Jensen’s inequality (Part 6) | 0% | mutual information (Part 2) | 0% |
| 11 | 13 | Science - Other | 0 | 0.00 | 0 and 1 (Part 4) | 0% | Jensen’s inequality (Part 6) | 0% | mutual information (Part 5) | 0% |
| 11 | 14 | 1 | 10.00 | The Taming of the Shrew (Part 1) | 0% | Dario Fo (Part 3) | 100% | Pierre de Marivaux (Part 2) | 0% | |
| 11 | 14 | 1 | 0.00 | The Taming of the Shrew (Part 1) | 0% | Dario Fo (Part 3) | 100% | Pierre de Marivaux (Part 5) | 0% | |
| 11 | 14 | 1 | 0.00 | The Taming of the Shrew (Part 1) | 0% | Dario Fo (Part 6) | 0% | Pierre de Marivaux (Part 2) | 0% | |
| 11 | 14 | 1 | 0.00 | The Taming of the Shrew (Part 1) | 0% | Dario Fo (Part 6) | 0% | Pierre de Marivaux (Part 5) | 0% | |
| 11 | 14 | 0 | 0.00 | The Taming of the Shrew (Part 4) | 0% | Dario Fo (Part 3) | 0% | Pierre de Marivaux (Part 2) | 0% | |
| 11 | 14 | 0 | 0.00 | The Taming of the Shrew (Part 4) | 0% | Dario Fo (Part 3) | 0% | Pierre de Marivaux (Part 5) | 0% | |
| 11 | 14 | 0 | 0.00 | The Taming of the Shrew (Part 4) | 0% | Dario Fo (Part 6) | 0% | Pierre de Marivaux (Part 2) | 0% | |
| 11 | 14 | 0 | 0.00 | The Taming of the Shrew (Part 4) | 0% | Dario Fo (Part 6) | 0% | Pierre de Marivaux (Part 5) | 0% | |
| 11 | 15 | Science - Physics | 1 | 30.00 | spin (Part 2) | 100% | Ising model (Part 1) | 100% | Potts model (Part 3) | 100% |
| 11 | 15 | Science - Physics | 1 | 0.00 | spin (Part 2) | 100% | Ising model (Part 1) | 100% | Potts model (Part 6) | 0% |
| 11 | 15 | Science - Physics | 1 | 0.00 | spin (Part 2) | 100% | Ising model (Part 4) | 0% | Potts model (Part 3) | 100% |
| 11 | 15 | Science - Physics | 1 | 0.00 | spin (Part 2) | 100% | Ising model (Part 4) | 0% | Potts model (Part 6) | 0% |
| 11 | 15 | Science - Physics | 0 | 0.00 | spin (Part 5) | 0% | Ising model (Part 1) | 0% | Potts model (Part 3) | 0% |
| 11 | 15 | Science - Physics | 0 | 0.00 | spin (Part 5) | 0% | Ising model (Part 1) | 0% | Potts model (Part 6) | 0% |
| 11 | 15 | Science - Physics | 0 | 0.00 | spin (Part 5) | 0% | Ising model (Part 4) | 0% | Potts model (Part 3) | 0% |
| 11 | 15 | Science - Physics | 0 | 0.00 | spin (Part 5) | 0% | Ising model (Part 4) | 0% | Potts model (Part 6) | 0% |
| 11 | 16 | Literature - British | 1 | 10.00 | farms (Part 2) | 0% | Wessex (Part 1) | 0% | Stella Gibbons (Part 3) | 100% |
| 11 | 16 | Literature - British | 1 | 0.00 | farms (Part 2) | 0% | Wessex (Part 1) | 0% | Stella Gibbons (Part 6) | 0% |
| 11 | 16 | Literature - British | 1 | 0.00 | farms (Part 2) | 0% | Wessex (Part 4) | 0% | Stella Gibbons (Part 3) | 100% |
| 11 | 16 | Literature - British | 1 | 0.00 | farms (Part 2) | 0% | Wessex (Part 4) | 0% | Stella Gibbons (Part 6) | 0% |
| 11 | 16 | Literature - British | 0 | 0.00 | farms (Part 5) | 0% | Wessex (Part 1) | 0% | Stella Gibbons (Part 3) | 0% |
| 11 | 16 | Literature - British | 0 | 0.00 | farms (Part 5) | 0% | Wessex (Part 1) | 0% | Stella Gibbons (Part 6) | 0% |
| 11 | 16 | Literature - British | 0 | 0.00 | farms (Part 5) | 0% | Wessex (Part 4) | 0% | Stella Gibbons (Part 3) | 0% |
| 11 | 16 | Literature - British | 0 | 0.00 | farms (Part 5) | 0% | Wessex (Part 4) | 0% | Stella Gibbons (Part 6) | 0% |
| 11 | 17 | Fine Arts - Auditory | 1 | 10.00 | John Cage (Part 3) | 0% | Olivier Messiaen (Part 1) | 0% | Tōru Takemitsu (Part 2) | 100% |
| 11 | 17 | Fine Arts - Auditory | 1 | 0.00 | John Cage (Part 3) | 0% | Olivier Messiaen (Part 1) | 0% | Tōru Takemitsu (Part 5) | 0% |
| 11 | 17 | Fine Arts - Auditory | 1 | 0.00 | John Cage (Part 3) | 0% | Olivier Messiaen (Part 4) | 0% | Tōru Takemitsu (Part 2) | 100% |
| 11 | 17 | Fine Arts - Auditory | 1 | 0.00 | John Cage (Part 3) | 0% | Olivier Messiaen (Part 4) | 0% | Tōru Takemitsu (Part 5) | 0% |
| 11 | 17 | Fine Arts - Auditory | 0 | 0.00 | John Cage (Part 6) | 0% | Olivier Messiaen (Part 1) | 0% | Tōru Takemitsu (Part 2) | 0% |
| 11 | 17 | Fine Arts - Auditory | 0 | 0.00 | John Cage (Part 6) | 0% | Olivier Messiaen (Part 1) | 0% | Tōru Takemitsu (Part 5) | 0% |
| 11 | 17 | Fine Arts - Auditory | 0 | 0.00 | John Cage (Part 6) | 0% | Olivier Messiaen (Part 4) | 0% | Tōru Takemitsu (Part 2) | 0% |
| 11 | 17 | Fine Arts - Auditory | 0 | 0.00 | John Cage (Part 6) | 0% | Olivier Messiaen (Part 4) | 0% | Tōru Takemitsu (Part 5) | 0% |
| 11 | 18 | History - European | 1 | 20.00 | Kazakhstan (Part 2) | 0% | Vyacheslav Molotov (Part 1) | 100% | Lazar Kaganovich (Part 3) | 100% |
| 11 | 18 | History - European | 1 | 0.00 | Kazakhstan (Part 2) | 0% | Vyacheslav Molotov (Part 1) | 100% | Lazar Kaganovich (Part 6) | 0% |
| 11 | 18 | History - European | 1 | 0.00 | Kazakhstan (Part 2) | 0% | Vyacheslav Molotov (Part 4) | 0% | Lazar Kaganovich (Part 3) | 100% |
| 11 | 18 | History - European | 1 | 0.00 | Kazakhstan (Part 2) | 0% | Vyacheslav Molotov (Part 4) | 0% | Lazar Kaganovich (Part 6) | 0% |
| 11 | 18 | History - European | 0 | 0.00 | Kazakhstan (Part 5) | 0% | Vyacheslav Molotov (Part 1) | 0% | Lazar Kaganovich (Part 3) | 0% |
| 11 | 18 | History - European | 0 | 0.00 | Kazakhstan (Part 5) | 0% | Vyacheslav Molotov (Part 1) | 0% | Lazar Kaganovich (Part 6) | 0% |
| 11 | 18 | History - European | 0 | 0.00 | Kazakhstan (Part 5) | 0% | Vyacheslav Molotov (Part 4) | 0% | Lazar Kaganovich (Part 3) | 0% |
| 11 | 18 | History - European | 0 | 0.00 | Kazakhstan (Part 5) | 0% | Vyacheslav Molotov (Part 4) | 0% | Lazar Kaganovich (Part 6) | 0% |
| 11 | 19 | Science - Chemistry | 1 | 10.00 | distillation (Part 1) | 0% | azeotrope (Part 2) | 0% | Perkin triangle (Part 3) | 100% |
| 11 | 19 | Science - Chemistry | 1 | 0.00 | distillation (Part 1) | 0% | azeotrope (Part 2) | 0% | Perkin triangle (Part 6) | 0% |
| 11 | 19 | Science - Chemistry | 1 | 0.00 | distillation (Part 1) | 0% | azeotrope (Part 5) | 0% | Perkin triangle (Part 3) | 100% |
| 11 | 19 | Science - Chemistry | 1 | 0.00 | distillation (Part 1) | 0% | azeotrope (Part 5) | 0% | Perkin triangle (Part 6) | 0% |
| 11 | 19 | Science - Chemistry | 0 | 0.00 | distillation (Part 4) | 0% | azeotrope (Part 2) | 0% | Perkin triangle (Part 3) | 0% |
| 11 | 19 | Science - Chemistry | 0 | 0.00 | distillation (Part 4) | 0% | azeotrope (Part 2) | 0% | Perkin triangle (Part 6) | 0% |
| 11 | 19 | Science - Chemistry | 0 | 0.00 | distillation (Part 4) | 0% | azeotrope (Part 5) | 0% | Perkin triangle (Part 3) | 0% |
| 11 | 19 | Science - Chemistry | 0 | 0.00 | distillation (Part 4) | 0% | azeotrope (Part 5) | 0% | Perkin triangle (Part 6) | 0% |
| 11 | 20 | Religion | 0 | 0.00 | Incan Empire (Part 3) | 0% | Saint Michael the Archangel (Part 1) | 0% | El Tío (Part 2) | 0% |
| 11 | 20 | Religion | 0 | 0.00 | Incan Empire (Part 3) | 0% | Saint Michael the Archangel (Part 1) | 0% | El Tío (Part 5) | 0% |
| 11 | 20 | Religion | 0 | 0.00 | Incan Empire (Part 3) | 0% | Saint Michael the Archangel (Part 4) | 0% | El Tío (Part 2) | 0% |
| 11 | 20 | Religion | 0 | 0.00 | Incan Empire (Part 3) | 0% | Saint Michael the Archangel (Part 4) | 0% | El Tío (Part 5) | 0% |
| 11 | 20 | Religion | 0 | 0.00 | Incan Empire (Part 6) | 0% | Saint Michael the Archangel (Part 1) | 0% | El Tío (Part 2) | 0% |
| 11 | 20 | Religion | 0 | 0.00 | Incan Empire (Part 6) | 0% | Saint Michael the Archangel (Part 1) | 0% | El Tío (Part 5) | 0% |
| 11 | 20 | Religion | 0 | 0.00 | Incan Empire (Part 6) | 0% | Saint Michael the Archangel (Part 4) | 0% | El Tío (Part 2) | 0% |
| 11 | 20 | Religion | 0 | 0.00 | Incan Empire (Part 6) | 0% | Saint Michael the Archangel (Part 4) | 0% | El Tío (Part 5) | 0% |