It’s not carving, but the earliest examples of this art form are in the “shell-and-bone” style. It’s not painting, but some practitioners of this art form often switch between thicker futofude (“FOO-toh-foo-day”) and thinner hosofude (20[3]0[1])(“HOE-so-foo-day”). A Baha’i master (20[2])of this art form, Mishkin (20[1])Qalam, (20[2])got (20[2])his surname (20[1]0[1])from a tool (20[1])used in it. (20[4]0[1])Wavy, downward (20[1])tilts are (20[1])characteristic (0[1])of the “clerical” style of this art form. (20[1])A Duan stone (20[1])was often used for grinding soot (0[1])sticks (20[1])for practicing (20[1]0[2])this art form. (20[1])This art form was (20[1])practiced by the Three Great (*) Brushes of Kan’ei. (10[1])In Japan, karayō refers to the Chinese style of this art form, which generally uses kanji. (10[2])Xíngshū (10[2])(“see’ng-shoo”) is the name for a semi-cursive style of this art form. For 10 (10[1])points, name this form of stylized writing. (10[1])■END■ (10[4])