On five records under the batons of Lehmann, Furtwangler, Klemperer, Karajan, and Richter, this role was portrayed by Dietrich Fischer-Dieskau. This person titles a song most often performed in the 1926 transcription by Myra Hess. Aspects of this person title each of the seven parts of a cycle by Dietrich Buxtehude, (buk-stuh-HOO-duh) based on the same Latin poem as the Paul Gerhardt song quoted throughout a composition that highlights this man's words with sustained notes from the string section. Eduard Devrient requested the central role of this person for an 1829 Berlin revival under Felix (-5[1])Mendelssohn. The "halo (-5[1])effect" does not (-5[1])accompany the (-5[1])last words of this person, whose lines and those of the Evangelist are taken from Scripture. For 10 points, name this person whom the English title of a Bach (-5[1])chorale calls the "Joy of Man's (10[1])Desiring." (10[5]0[1])■END■