These people owned a diamond brooch decorated with mother-of-pearl inlacing and named for the spoons used to pay for it. An artist who typically depicted these people crouching with a handkerchief over the knee or sniffing a rose depicted two men playing mancala (“mahn-kuh-luh”) while one of these people’s sons undergoes surgery. The names of these people appeared below elaborate concentric loops named for eggs and a series of vertical lines called a flagstaff. A drawing of a blue dragon surrounded by vines appears in a (*) muraqqa gift for one of these people that popularized saz painting. These people’s head calligrapher was a nişancı (“nee-shahn-JUH”) and created a monogram called the tughra. Workshops (10[3])called nakkashanes (10[1])worked for these rulers, one of whom is surrounded (10[1])by six crowns and (-5[1])wears a red and white turban in a 1480 portrait. (10[2])For 10 points name these rulers, one of whom is the subject of Gentile Bellini’s Portrait of Mehmed (10[1])II. ■END■ (10[1])