After hearing the Adagio of a chamber work written in this home key, Pyotr Tchaikovsky praised its evocation of “resigned and inconsolable sorrow.” In a symphony in this key, the third movement minuet jarringly begins with a hemiola effect in which the melody plays in two while the accompaniment plays in three. Haydn’s Tempesta di Mare symphony may have inspired a later composer to include 4 horns in a symphony in this key. Four measures of five-note, syncopated patterns on one pitch, in the order (*) G, D, E-flat, F-sharp, open that symphony in this key. (10[1])Another symphony in this key begins with strings playing the phrase E-flat, D, D, repeated three times. For 10 (10[1])points, name this key of two Mozart symphonies (10[1])nicknamed “Little” and “Great,” a minor key with two flats. ■END■